I think I have an ongoing conversation with God. I think throughout the day, I'm constantly asking myself questions about what I'm doing, why am I doing it.
The process always starts with detailed conversations with the director, followed by a spotting session (deciding where the music goes and doesn't go in the film, and what the music should be saying or not saying) in each scene. This is followed by sending the director demos of each cue for feedback.
I am willing to work with anybody who wants to have a serious conversation about our fiscal future. We're not going to do this under the threat of blowing up the entire economy. I will not negotiate over Congress' responsibility to pay the bills that have already been racked up. I don't know how I can be more clear about this.
All actors have to make the words fit in their mouths, and make the words the words fit to how you say it and how you make it life-like and make it look like what you're saying is just conversation that you're just thinking off the top of your head. That process is not quite improvisation.
For me, it [moviemaking] is about social relevance. I want to make a movie that has some type of relevance where as the audience can't help but relate it in some way, and to continue that conversation outside the theater. I want people saying "this happened to my father" or "this happened to me." That's what I want.
I feel the theatre is the most unique one of all [the arts] for collaboration. I feel very fortunate to be in a field where I really do get to have long conversations with the visual artists, the actors, the musicians. It's all art forms rolled into one and I feel very fortunate to be a part of it.
There are some issues where ministers should come and talk to the prime minister, if the prime minister hasn't already talked to them. Any issue which a minister thinks is going to be profoundly controversial, where we do not have a clear existing position, it is important that there be a conversation between the minister and the prime minister. I think they all understand that and I think it is working very well.
The internet has taken away a lot of personalization. A lot of people are writing articles and talking about being able to social network and making these connections but I don't think anything will replace the human connection making an actual conversation to somebody face to face.
I think the most important key to quality communication and interaction is developing an interest in the person you`re talking with. Most women know the secret to a quality conversation is to ask quality questions and have a sincere interest in hearing the answers. In fact, the best communicators very often say the least. It`s not the extrovert who dominates the conversation that a client feels most connected with, but rather the individual who shows a real and sincere interest in knowing about the life of the person they`re talking with.
I fell in love with the classical crossover genre when I was on AGT. I found out that I could use the microphone to establish a deeper intimacy with the audience. I did not portray an opera character; I was my true self. I would sing a four-to-five minute piece for the audience and then I could talk to them and say "Hi" to them! I would not need to act out scenes where my character was dying from tuberculosis or killing somebody else on stage, I could have a nice conversation with them.
Politics and religion are topics that people tend to stay away from in their conversations, because they're polarising. But they are important topics, so they should be discussed the most, so we should know each other's opinions on them.
I like things that are funny - in everyday conversation, in incidents that you see, in watching TV or watching film. Comedy has always had an impact on my life.
I talk about Africa and its meaning, being the birthplace of man and all that great history that's been erased and even hidden. I think it's my duty to be proud and to bring about the conversation that allows us to talk about the great history of my people.
Hip hop started in NY so it's important that New Yorkers realise that to talk about NY music and its sound should not be a small-minded conversation. Music is supposed to evolve. It's supposed to be going through changes, it's not supposed to sound exactly the same as what it did when it started. NY hip hop has to be allowed to move on and grow and expand.
I've met a lot of people and happened to inspire a lot of people who I'm in conversation with about business. It's just how things are going for me and it's great, but music is always going to be number one for me.
When I began to think deeply about the metaphysics of love I talked with everyone around me about it. I talked to large audiences and even had wee one-on-one conversations with children about the way they think about love. I talked about love in every state, everywhere I traveled.
Jokes do finish themselves. I really do see them as ongoing conversations about personal themes that I ruminate on.
Whether people know the evolution of the conversation or not, I don't know, but thematically, as a comedian, I stay in the same ballpark - around my issues and my philosophy of life.
Most of the comics that I talk to I've never talked to for more than ten minutes ever. So 95 percent of the time you're really hearing the first conversation between me and that guy on the podcast.
My favorite part is being engaged with somebody's story and life, and getting a laugh with people I have a tremendous amount of respect for or not, and being challenged by the immediacy of conversation.
Conversation is a beautiful thing. When I was a younger guy, just wandering around talking to people was what kept me connected to the world.
I'm not a 'celebrity'. I'm not a big huge star and so when people see me it's usually to talk about something I've done and that's a great conversation to have.
We have a violence problem in America. And no one is having a debate about the violence problem. And I think this is a missed opportunity to have an honest and open conversation in this country about why these horrifying things are happening, not simply what they're using to carry this out, but why are people doing this to begin with?
I feel like so much of my life is about a conversation I'm having with myself. I do interact with other people, but often I'm more interested in what I'm learning in the relationship I have with myself.
If you're trying to make someone happy, you gotta try and make them happy. If you're trying to have a normal conversation, you've got to have a normal conversation. If you're trying to make them sad, you've got to make them sad. I think that's how you get real performances out of people.
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