I had never thought of advertising as a life work, though I had on the side, written some very successful copy.
Are my characters copies of people in real life? ... Don't ever believe the stories about authors putting people into novels. That idea is a kind of joke on both authors and readers. All the readers believe that authors do it. All the authors know that it can't be done.
Nature, who permits no two leaves to be exactly alike, has given a still greater diversity to human minds. Imitation, then, is a double murder; for it deprives both copy and original of their primitive existence.
Belshazzar had a letter,-- He never had but one; Belshazzar's correspondence Concluded and begun In that immortal copy The conscience of us all Can read without its glasses On revelation's wall.
How little inventiveness there is in man, Grave copier of copies.
A presentation copy...is a copy of a book whoch does not sell, sent you by the author, with his foolish autograph at the beginning of it; for which, if a stranger, he only demands your friendship; if a brother author, he expects from you a book of yours, which does not sell, in return.
Quotations--always inexact. I don't trust people who cannot even copy out.
The public is never pleased with what we do, wanting always a copy of what we have done.
Workers are not going to be fobbed off with a few shares...or by a carbon copy of the German system of co-determination.
If you mean to know yourself, interline such of these aphorisms as affect you agreeably in reading, and set a mark to such as left a sense of uneasiness with you; and then show your copy to whom you please.
[T]he Rev. R. Taylor, A.M., the Deist, now in gaol, infamously persecuted by the Whigs for his religious opinions, in his learned defense of Deism called the Diegesis, has clearly proved all the heirarchical institutions of the Christians to be a close copy of those of the Essenians of Egypt.
We have a name for things that don't copy themselves: dead.
Generally speaking, an author's style is a faithful copy of his mind. If you would write a lucid style, let there first be light in your own mind; and if you would write a grand style, you ought to have a grand character.
In these days the young folks is all copy-cats, 'fraid to death they won't be all just alike; as for the old folks, they pray for the advantage o' bein' a little different.
I started drawing comics, and at first I was very influenced by the whole pop art movement, you know, Batman was on TV and all that pop art stuff? But then my next influence was in 1966, or maybe it was '65, I don't know. Somebody showed me a copy of the "East Village Other", which was an underground newspaper. And... it had comics in it! And they weren't superhero comics.
I take pens and I write on the inside of my arm. When I'm with people and somebody says a really fascinating anecdote, or fact, or phrase, I'll write it on the inside of my arm. At the end of the day, I'll take the very best things that are on my arm and I'll copy them into a notebook that I always carry and only when the weather is absolutely terrible will I really key the very best of that notebook into the computer. At that point, it's all sort of censored twice - only the best things go from the arm to the book and only the best things go from the book to the computer.
Most chess books only sell a few thousand copies, and a book titled something like "Women in Chess" would sell even fewer. The idea with this title was to spread the book outside the competitive chess world. I'm interested in attracting readers who love chess but play only casually, and feminists interested in male-dominated fields.
It is indeed a striking proof of the essential soundness of the tradition that with which all these thousands of copies, tracing their ancestry back to so many different parts of the earth and to conditions of such diverse kinds, the variations of text are so entirely questions of detail, not of essential substance.
Shading is more like copying. And certainly I do copy, but I'm making drawings, and I'm not trying to make them with the shading.
When I was 11 or 12, I was really bored with everything on my summer reading list. It was all happy, middle-grade kinds of books. I was getting frustrated, because I liked to read. My mother went to the library and got me a copy of 'The Other Side of Midnight' by Sidney Sheldon. It was my first adult book.
On his Giving Pledge philanthropy: The way I got the message out was to get a copy of FORBES, look down that 400 list and start making phone calls! Bill and Melinda [Gates] did the same thing. So keep publishing the list so I can milk it.
I don't want to write things that people don't want to read. I would have no pleasure in producing something that sold 600 copies but that was considered very wonderful. I would prefer to sell 20,000 copies because the readers loved it. When I write books I don't actually think about the market in that way. I just tell myself the story. I don't think I'm talking to a 10-year-old boy or a six-year-old girl. I just write on the level the story seems to call for.
In 1915 Sophie Tauber and I carried out our first works in the simplest forms, using painting, embroidery and pasted paper (without using oil colors to avoid any reference with usual painting). These were probably the first manifestations of their kind, pictures that were their own reality, without meaning or cerebral intention. We rejected everything in the nature of a copy or a description, in order to give free flow to what was elemental and spontaneous.
Art is not a copy of the real world; one of the damn things is enough.
Have you an unexpurgated copy of Hannah More's 'Letters to a Village Maiden'?
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: