There is no innovation and creativity without failure. Period.
People who don't take risks generally make about two big mistakes a year. People who do take risks generally make about two big mistakes a year.
There is a vitality, a life force, an energy, a quickening, that is translated through you into action, and because there is only one of you in all time, this expression is unique.
If you only have a hammer, you tend to see every problem as a nail.
The way to get good ideas is to get lots of ideas and throw the bad ones away.
It's not about money. It's about the people you have, how you're led, and how much you get it.
Creativity can solve almost any problem. The creative act, the defeat of habit by originality, overcomes everything.
A harmless hilarity and a buoyant cheerfulness are not infrequent concomitants of genius; and we are never more deceived than when we mistake gravity for greatness, solemnity for science, and pomposity for erudition.
History is the same thing over and over again.
Creative power is that receptive attitude of expectancy which makes a mold into which the plastic yet undifferentiated substance can flow and take the desired form.
Too much of our work amounts to the drudgery of arranging means toward ends, mechanically placing the right foot in front of the left and the left in front of the right, moving down narrow corridors toward narrow goals. Play widens the halls. Work will always be with us, and many works are worthy. But the worthiest works of all often reflect an artful creativity that looks more like play than work.
A painter told me that nobody could draw a tree without in some sort becoming a tree; or draw a child by studying the outlines of its form merely but by watching for a time his motions and plays, the painter enters into his nature and can then draw him at every attitude.
Invention strictly speaking, is little more than a new combination of those images which have been previously gathered and deposited in the memory; nothing can come from nothing.
Some people use things; they destroy. You're a creator, a builder.
Anxiety is the hand maiden of creativity.
You can be creative only if you love life enough that you want to enhance its beauty.
The organizations of the future will increasingly depend on the creativity of their members to survive. Great Groups offer a new model in which the leader is an equal among Titans. In a truly creative collaboration, work is pleasure, and the only rules and procedures are those that advance the common cause.
The achievement of excellence can only occur if the organization promotes a culture of creative dissatisfaction.
Where do you put the fear when you choose to innovate? The fear is there, but you have to find a place to put it.
The only thing all successful people have in common is that they're successful, so don't waste your time copying "the successful strategies" of others.
We all operate in two contrasting modes, which might be called open and closed. The open mode is more relaxed, more receptive, more exploratory, more democratic, more playful and more humorous. The closed mode is the tighter, more rigid, more hierarchical, more tunnel-visioned. Most people, unfortunately spend most of their time in the closed mode.
Held in the palms of thousands of disgruntled people over the centuries have been ideas worth millions - if they only had taken the first step and then followed through.
Often Anxiety is the hand maiden of creativity.
The key question isn't, 'What fosters creativity?' But it is, 'Why isn't everyone creative?'
An artist paints, dances, draws, writes, designs, or acts at the expanding edge of consciousness. We press into the unknown rather than the known. This makes life lovely and lively.
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