I think that winning the battle in Hollywood is a necessary condition to winning the culture war.
Movies don't necessarily change culture. I don't know if we know for sure if movies change culture but we know for sure that they reflect culture.
Sometimes something will be happening in pop culture and a movie will be right there, so you'll have this perception that maybe the movie got there first. But in reality, culture gets there first.
It's always hard to talk about the culture that you are from, especially with Islam, it is a very sensitive subject and I don't want to be seen to be adding to the problems of Islam and the west.
You know, to me, that's going to influence the culture. They both influence each other - I know that - but, you know, there's no two ways about it. When you're just immersed in kind of this dark, edgy constant flow of entertainment, there's no way it can't affect you. There's just no way.
Emergence of Muslim communities in their own lands. They let in millions of people from a radically different culture and background. The Europeans have to ask themselves if all these people can be integrated. This has led to major problems. And...I do not stereotype all Muslims.
Sports is like literature. People watch it and if it's beautiful and it's non-violent, whatever messages that you see, people can read into it and say, "Wow! You know what? Whatever they're doing over there, it's extraordinary, and maybe that culture is superior to ours in certain ways."
Until the culture recognizes the legitimacy of growing down, each person in the culture struggles blindly to make sense of the darkness that the soul requires to deepen into life.
People think, sports delivers a message. It's not just about winning and losing, although that's important. It's about other things, too. It demonstrates how it can say certain things about your culture and your society.
Ours is a youth culture, and like a golf tournament, we honor only low scores.
Life was cheap in the Middle Ages. It has become cheaper since. It is only in specific battles for specific lives that our culture is put to the test, and with it our humanity.
I think more and more, if you live in the current world - and live internationally - it's all a mix of interests, and the same people who are interested in fashion are also interested in movies, art, and culture.
But the real intent of my writing is not to say, you must think in this way. The real intent is to enrich: here are some of the many important facets of this extraordinary Kosmos; have you thought of including them in your worldview? My work is an attempt to make room in the Kosmos for all the dimensions, levels, domains, waves, memes, modes, individuals, cultures, and so on ad infinitum.
A man should have a farm or a mechanical craft for his culture. We must have a basis for our higher accomplishments, our delicate entertainments of poetry and philosophy, in the work of our hands.
I have no feud, either with my employers, any sponsors, or with the professional critics of radio and television. But I am seized with an abiding fear regarding what these two instruments are doing to our society, our culture and our heritage.
Cultures are not the source of all morals, only a limited set of morals. Cultures can be graded and judged morally according to their contribution to the evolution of life.
Architecture is the constant fight between man and nature, the fight to overwhelm nature, to possess it. The first act of architecture is to put a stone on the ground. That act transforms a condition of nature into a condition of culture; it's a holy act.
The act of migration puts into crisis everything about the migrating individual or group, everything about identity and selfhood and culture and belief. So if this is a novel about migration it must be that act of putting in question. It must perform the crisis it describes.
You go to the cinema and you realize you're watching the third act. There is no first or second act. There is this massive film-making where you spend this incredible amount of money and play right to the demographic. You can tell how much money the film is going to make by how it does on the first weekend. The whole culture is in the crap house. It's not just true in the movies, it's also true in the theater.
I'm not silly enough to think I'm going to change the whole culture ... but I do have a belief that soccer can go to a different level.
Improving quality requires a culture change, not just a new diet.
Music is always going to be only as sophisticated as the culture that consumes it.
I love classical music. I love a lot of musicians playing together and the whole culture of that, whether it's Indian or it's Western.
I think the idea of the social construction of beauty - this idea that beauty is simply whatever culture or society says it is - is on the run. Of course, beauty does arise in a cultural context. No one ever denies that. But there's also a natural response people have to it.
I believe that our Heavenly Father invented man because he was disappointed in the monkey. I believe that whenever a human being, of even the highest intelligence and culture, delivers an opinion upon a matter apart from his particular and especial line of interest, training and experience, it will always be an opinion of so foolish and so valueless a sort that it can be depended upon to suggest to our Heavenly Father that the human being is another disappointment and that he is no considerable improvement upon the monkey.
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