Simplicity is somehow essentially describing the purpose and place of an object and product.
Describing yourself by your earthly nativity is carnality. Being born again, your nativity is of divinity.
I like writing in an illustrative, descriptive way. I prefer describing to rather than explaining.
Some of the funniest things are just situations in life that are funny. The way people interact. People describing their first kiss with someone, to me, is really funny. When someone goes into detail about each moment of that, I really find that enjoyable to listen to.
Mr. Adams, describing a conversation with Jonathan Sewall in 1774, says: "I answered that the die was now cast; I had passed the Rubicon. Swim or sink, live or die, survive or perish with my country was my unalterable determination."
Describing life out of the public eye to David Letterman, December 6th, 1996 It's been different. I started driving again. I started cooking again. My driving's better than my cooking. George has discovered Sam's Club.
I believe I was raised with feminist values, but I don't think I ever heard my Mom call herself a feminist. Before I identified as a feminist myself, I thought of feminism as more of a historical term describing the women's movement in the '70s but didn't know much about what they had done and didn't think it applied to my life at all.
People hate to describe their music. What we have come to call it is "beat up your mom" music. As far as describing what it sounds like, I guess you'd have to listen.
If you are describing any occurrence... make two or more distinct reports at different times... We discriminate at first only a few features, and we need to reconsider our experience from many points of view and in various moods in order to perceive the whole.
The negative way [of describing God] is a cardboard prop of Christianity to conceal its unknowable God. When this prop collapses, theistic agnosticism emerges, complete with its package of contradictions and non-sensical utterances.
In describing one way of going mad, I shall try to show that there is a comprehensible transition from the sane schizoid way of being-in-the-world to a psychotic way of being-in-the-world.
Enchanting is not the word that would immediately spring to mind when describing a play that deals with fractal geometry, iterated algorithms, chaos theory and the second law of thermodynamics, but it is a perfect fit for Tom Stoppard's astonishing 1993 play, which is as beautiful as it is brilliant. This is one Stoppard drama that you don't have to be Einstein to understand -- you can feel it as well as think it. (...) Breathtaking, exhilarating and deeply satisfying.
I cannot stand that whole game of confession, that is: Here I have sinned, now I'm confessing my sins, and describing my path of sin and then in the act of confession I beg for your forgiveness and redemption.
We need faith, not because there are beings who will punish us or reward us, but because gods are a wonderful way of describing things that are happening to us.
I wouldn't say I'm fixated on describing any kind of relationship whether it is a father and a son, or a family. I don't like it when people say that I'm particularly following the same line or that I'm only interested in family dramas. I'm interested in human relationships. The most intimate, the most delicate, and the most intriguing relationships are those within a family.
While I am describing to you how Nature works, you won't understand why Nature works that way. But you see, nobody understands that.
For the absurd man, it is not a matter of explaining and solving, but of experiencing and describing. Everything begins with lucid indifference.
There is one thing where people are always right. It is when they are describing what they have been feeling when watching your film. You cannot say: No, you did not feel like that!
A doctor is not criticized for describing the manifestations and symptoms of an illness, even though the symptoms may be disgusting. I feel that a writer has the right to the same freedom In fact, I think that the time has come for the line between literature and science, a purely arbitrary line, to be erased.
All models divide naturally...into two a priori parts: one is kinematics, whose aim is to parameterize the forms of the states of the process under consideration, and the other is dynamics, describing the evolution in time of these forms.
Once there was a race, quite unlike the human race - quite. I have no way of describing to you what they looked like or how they lived, but they had one characteristic you can understand: they were creative. The creating and enjoying of works of art was their occupation and their reason for being.
The elements of a good story are most definitely details, little bitty details. That does it, especially when you're describing, when you're setting the scene and everything. It's like you're painting a picture, so details are very important. Also, the music gotta be right. The music can really set the tone for the story and let you know what the story is gonna be about, but definitely, it's the vibe in the place where you at and the detail.
When I would be on the stage singing, I would see a movie of something that happened, I would be telling the story. I would be describing the story in sound, but my goal would be to make somebody else run their own movie.
I think there's a false division people sometimes make in describing literary novels, where there are people who write systems novels, or novels of ideas, and there are people who write about emotional things in which the movement is character driven. But no good novels are divisible in that way.
If a woman writes about herself, she’s a narcissist. If a man does the same, he’s describing the human condition. But people seem to evaluate your work based on how much they relate to it, so it’s like, well, who’s the narcissist?
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