We'll be potters, we'll be painters, we'll be textile designers, we'll be jewelers, we'll be a little this, a little of that. We were going to be the renaissance people [when we were young].
In New York there are between four and six big designers, and the shows last one week. There is something wrong here. It's our fault. We can't stand up for it. They take our ads, don't they? Why don't they want to stay longer in Milan? Why do we have to comply? We have the most beautiful brands, they are Italians.
As for Instagram, I follow about 100 people, but I am not interested in what a designer is doing or what a friend of a friend is doing. I upload my photos on Instagram.
There are designers there, we have to think of production, but I am not changing Africa. But if we all do something together....We have to know our limits, I don't have the pretense I can change the world. And I don't want to set up events [to raise money]. Because what happens if the following year they don't have an event, they won't eat?
We have been underserved, underprivileged and unfortunate for far too long. There are no more excuses. It's not enough to have limited progress and allow our expectations and sense of purpose to evaporate. So, if that means we must sacrifice some nights at the club and give up buying the latest designer handbags and sneakers... well then damn, so be it.
Pippin had an opening number called "Magic to Do," and Jules Fisher, the brilliant lighting designer lit it. Tony Walton did all of the sets. As a kid I thought, "Wow, I'm seeing onstage what a MGM musical would look like live." It was that good, and it was directed by Bob Fosse.
I was... 15? And Garry Marshall, who had many, many seasons in the sun and a very long career, was in the middle of the brightest of all his seasons - I think he owned network television - and it was his next thing, and he was directing [Mean Jeans ]. And I thought, "If there's anyone who can bring comedy out of a designer jeans shop, it's gotta be Garry."
A lot of society tries to put people with disabilities into one cube, and when you think about it, many, many people have different types of disabilities, and you cannot put a code that applies towards everyone - generally, they can be guidelines, but in the long run, interior designers and architects need more education on the subject. That's what's missing.
When we started out and we were talking about the origins of the universe and the physical constants, I provided what I thought were cogent arguments against a supernatural intelligent designer. But it does seem to me to be a worthy idea.
The recurrent laryngeal nerve - which runs from the head to the voice box - goes all the way down into the chest, loops around a major artery, then goes all the way back up again. It goes right past the larynx on the way down. All a decent designer would have to do is loop it off at that point. What we're looking at is the legacy of history.
I've gotten into such weird jobs just by word of mouth... Like I didn't try to be an accessory designer, but I had a friend working at the company and I needed a job so that's where I ended up.
In America there are people advocating for trans rights and people like Vice President Pence, who is vehemently opposed. In Pakistan, too, you have all kinds of folks - from flamboyant gay fashion designers and female Air Force pilots to the Taliban. A cross-dressed man used to be the top TV talk show host. It was actually quite radical. So the diversity of these societies is often lost on people.
There's design and there's art. Good design is total harmony. There's no better designer than nature - if you look at a branch or a leaf, it's perfect. It's all function. Art is different. It's about emotion. It's about suffering and beauty - but mostly suffering!
I've always been quite thrifty. I can't bear to spend hundreds of pounds on designer clothes. I shop in second-hand shops in Portobello Road and go to Sue Ryder.
I'm first and foremost a biological explorer. I've looked all over the world for answers. Secondly, I'm an ecological designer, and by that I mean I attempt to work with constellations of nature to create technological forms. So I'm part engineer, part ecologist, part inventor, really.
I collaborated with fellow cat lover and designer Geren Ford to create a sweater that we hope any cat parent would wear to show their kitty pride and that all animal lovers can wear in support of the ASPCA.
Being in the moment is everything. So being in the moment for me is just letting the narrative play out, listening to the designers and giving them helpful feedback about what they're doing.
I sit, I think, I make some drawings. As a designer, you cannot retire totally.
I want to try and wear as many Australian designers as I can because I'd like to support my Australian colleagues in the industry as well as find things that are eco-friendly. I love the green concept of wearing more sustainable garments at events.
I'm not an interior designer - I'm a normal working mum who wants her house to look good and doesn't need a man to do it for her.
I am a bit in love with a new designer George Hobeika; I have worn him a couple of times on the carpet. Ralph Lauren is another one I really have fun with.
Ive learned a tremendous amount over the years by watching designers work. I now have a good understanding of what sits well on the body, not to mention the importance of a great cut and quality.
I have a very Socratic approach - I pummel the designers with questions, so when I get them to step back from the work and look at it with me, they'll eventually see what I see, coming to it fresh and unencumbered. That's always very gratifying because they feel a responsibility and an ownership of a solution.
Designers have a responsibility to show the future as they want it to be - or at least as it can be, not just the way an industry wants it to be.
It was only when I began modeling at 18 that I really began enjoying fashion and reading any fashion magazine I could get my hands on, and developing a profound respect for designers, fashion and how to wear it.
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