Ack!" I said. Fearless master of the witty dialogue, that's me.
A dialogue is very important. It is a form of communication in which question and answer continue till a question is left without an answer. Thus the question is suspended between the two persons involved in this answer and question. It is like a bud with untouched blossoms . . . If the question is left totally untouched by thought, it then has its own answer because the questioner and answerer, as persons, have disappeared. This is a form of dialogue in which investigation reaches a certain point of intensity and depth, which then has a quality that thought can never reach.
I look at it [Scream movie] and think, wow, I can't believe I wrote that at such a young age. I also look at it and go, ohhh ouch, that dialogue, whoa.
My experience as a Jewish American has often been as a spectator of one-sided conversations, or more like monologues, about Israel, Jewish History, Jewish identity, etc. Although there are profound divisions amongst Jews on all of these topics there are not many opportunities for deep and thoughtful dialogue about them.
Jewish communities in the diaspora are very important to Israel and we are open to a dialogue with them. It is bitter for us to see the process of assimilation, the mixing of Jewish and non-Jewish. But when it comes to the relations of state and religions, the basics have not changed since Rabin's times.
When I decided to stop using quotation marks, it presented technical challenges: you have to conceive of dialogue differently and structure it differently for this to work. So I had a new problem, which makes writing interesting again.
Maybe because I began as a writer, I have a good ear for dialogue, and maybe being an English major - and that I also read a lot as a kid - if I hear somebody say something that I think's funny, or I find a situation or story, I'll try to work that into the movie.
I founded the King Hussein Foundation after my husband's death in 1999, to build on his humanitarian vision and legacy in the country and abroad, through programs promoting education and leadership, economic empowerment, tolerance, cross-cultural dialogue, and media that enhances mutual understanding and respect among different cultures across conflict lines.
Maybe we need more dialogue in terms of our faith, in terms of those who are believers, or even nonbelievers, about that aspect, and what that might mean if you were interpreting. You don't have to believe it; maybe you could draw a metaphor from it.
So, I think that for the authorities to say now that calling for sanctions will prevent dialogue is a ploy to stop us from supporting sanctions. It has to be the other way around: dialogue first, then we stop our call for sanctions, because sanctions make people understand that you cannot exercise repression and at the same time expect international support.
We have been making constant efforts, all the time, to start dialogue with the SLORC, but you know it takes two. We don't want a monologue. We would like a substantive political dialogue among the SLORC, political leaders including myself, and leaders of ethnic groups-exactly as stipulated in the U.N. General Assembly resolution on Burma.
I approach mastering a little differently than some of my peers: I spend a lot of time creating a dialogue with the artist and the producers and mixers to try and get what they really are looking for.
Over the last eight years of being on YouTube, I've seen so much progress. I think the reason for that is that a lot of young people are having open dialogue and honest conversations about social justice and human rights.
Barth's approach tears up any possibility of dialogue between faith and unfaith or between theology and other human sciences. Theology just says what it says on the basis of scripture, and that's that.
Mark and jay Duplass really like to improvise. Even if we beg them to go back to the script, they invariably ask us to go "off the rails," as they like to call it. It's just the way they work. You get a full written script. And it's really, really, really good, so that's why it's kind of peculiar that they always want you to improvise, because if I wrote something that good, I would want everyone to stick to the dialogue that was written.
Well, what we do is we have a script, of course. But for us, writing is also like storyboarding. It's drawing. And so we will cut all of those drawings together with music, sound effects and dialogue. And we screen this kind of stick-figure version of the film.
I desire to have a dialogue that's positive, and communicative and moves forward, and is about something real, not just consumption.
Through skateboarding, I have an open line of communication, some common ground and common ground is big man. That enables me to travel around the world and no matter where I am, or who I'm with, connect with other young people, and I can have an instant dialogue and an instant relationship based on the fact that we skateboard, and when I'm doing appearances and demos, that's not lost on me.
Authors we are in danger of accepting as gospel, whereas founders of discursivity provide permeable ideas that we can elaborate upon in a tradition of constructive dialogue.
I get to be in movies where it's mostly dialogue, and I want to be in something, that for me, feels like kickboxing.
Well, my own men's collection always felt very free back in the days before Jil. Once you make it this kind of dialogue with other people, with a fashion show and clients and whatever, it becomes something else. Free meets not so free.
The rule of thumb for a director or producer - which prevents them from just sticking their names on everything - is that you have to contribute substantially more than 50 percent of the character dialogue and story.
It [9/11 event] transcended the political and moved into the metaphysical. There was a kind of cosmic, demonic quality of mind at work here, which refused to have any interest in dialogue and political organization and persuasion.
I can memorize great swathes of dialogue!
There's a point I can get to where I start writing character and then through the dialogue, after all of this preparation, the thing starts to feel like it's a character developing through the dialogue. A lot of character traits do come from writing dialogue, but I have to be ready to do it.
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