I started writing a novel from the monster's point of view. It has its own difficulties but, I'm ashamed to say, it's much easier writing from a psychopath's point of view than from that of their empathetic opposite.
In my life there were times when dreams have nothing to do with reality, but obviously they were prophetic dreams. And I know that if we look closely and listen carefully, we can see the supernatural signs that determine our future. We all meet with various everyday difficulties and overcoming them, we grow and develop.
I have difficulty orienting myself in space, and I'm probably one of the few people who gets lost in Manhattan.
Some difficulty is warranted and other difficulty I think is gratuitous. And I think I can tell the difference. There are certainly very difficult poets that I really enjoy reading.
More often than not in poetry I find difficulty to be gratuitous and show-offy and camouflaging, experimental to a kind of insane degree - a difficulty which really ignores the possibility of having a sensible reader.
Another trouble with poetry - and I'm gonna stop the list at two - is the presence of presumptuousness in poetry, the sense you get in a poem that the poet takes for granted an interest on the reader's part in the poet's autobiographical life, in the poet's memories, problems, difficulties and even minor perceptions.
I try to presume that no one is interested in me. And I think experience bears that out. No one's interested in the experiences of a stranger - let's put it that way. And then you have difficulty combined with presumptuousness, which is the most dire trouble with poetry.
Usually the poems are written in one sitting. There's always a groping towards some satisfying ending. But I'd say the hardest part is not writing. Once the writing starts, it's too pleasurable to think of it as a difficulty.
Despite all that I know rationally, and everything that I can put into words, I can say that I have difficulty giving up the notion of the nobility of art.
I write books and either people read them or they don't read them. The rise of Facebook or e-books doesn't change the difficulty level of writing sentences and thinking up new ideas.
I would hope that my readers feel a sense of awe at the quality of human endurance, at the endurance of love in the face of a variety of difficulties; that the quotidian life is not always easy, and is something worthy of respect.
The great difficulty is that you cannot be nice. If you want to take back the power, you have to behave in ways that are not conforming and will not be about pleasing other people.
The trail of "secret migration" was a shock to me. I knew a little about the difficulties, just bits of news in the media.
I've always been more than a little mystified by poets who seem to think talking to people as directly as possible is a bad thing. I mean, I don't want to set up a straw man here: I understand that for many poets - and for me, at times - writing truly means writing in a way that is difficult, simply because the poem is trying to grasp for something elusive. So the difficulty of the poem is just unavoidable, and not in any way artificially imposed. So "as possible" is the key part of the phrase above, I suppose.
If anything, I've found nonfiction a little easier. You don't have to make anything up. Of course, that's the inherent difficulty as well: when you hit an information black hole, you don't get to make it up. That hasn't come up too often with this project though. I'm lucky to have tons of primary source material , reams of letters and diaries and memoirs.
Somehow the fact of enormous privilege and freedom carries with it a sense of impotence, which is a strange, but striking, phenomenon. The fact is, we can do just about anything. There is no difficulty, wherever you are, in finding groups that are working hard on things that concern you.
I think I'm up for not trying to play a literary heroine. I think I'd rather just do someone that has just been created in a script, rather than in a book that everyone knows and loves. The difficulty with it and the reason these characters are so loved is that every woman and man that reads it understands it in a different way. They're so relatable, but different aspects will be drawn from different people.
If you just think about the difficulty you'll never get anywhere.
I figure that I'm always going to be fine, one way or another, but I do worry about other people who have difficulty moving from one world to the next. It's the folks who are truly invested in their lives who have the hardest time with change.
Maybe the hardest lesson is the one I have to learn over and over again, that each story is its own animal, that every story I write is going to come only with difficulty.
I had difficulty being friends with women who hadn't worked in either the sex or beauty industries. I felt like other women sometimes overvalued beauty and sexuality, when in actuality, they're just parts of a job.
I have heard from people that the first year of marriage is the toughest. Brie [Bella] and I have definitely had our share of life difficulties with me having neck surgery and that sort of thing, but things are going really well and it is getting better after year one and that is phenomenal.
Well, at the time, we certainly regarded them [Elianor and Franklin Roosevelt] as partners. We did not know what has since come out about the difficulties of their marital life, or the problems that Franklin gave Eleanor and his mother gave Eleanor, in many respects. We didn't know much about that.
People who thought that she was busy going around trying to stir up difficulty where there was none or less than she imagined, were quite critical of her. She was, we must never forget, a public figure. And in democracies, public figures tend to attract criticism as well as praise. The most dangerous thing would be if anybody were regarded as above criticism. And Eleanor Roosevelt is, in recent years, getting there.
And you can really see in all of these issues that are priorities for Eleanor Roosevelt, where the compromises are painful, the compromises are hard, and the difficulties between them really begin to loom very large by 1936, by 1938.
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