I love Inuit art, and most anything you would find in a folk art museum, as well as children's art or children's book illustrators or illustrators in general - all the kinds of work that my paintings would draw comparisons to.
Even five minute meaningful conversations with other people not only fuel us in the moment but also build up a reserve of social capital so that when hard times strike, we can draw down on that bank account.
I was a serious comic collector and fanboy as a kid. I wanted very badly to draw comic books for a lot of my childhood and early adolescence. So when you have an unfulfilled dream like that, when years later you find yourself in a position to make a graphic novel - hell yeah, I'm going to do that.
Films are made the same today, as they've ever been made, in certain respects. The scriptwriting, the pre-production, the storyboarding, and the designing are all the same. The technique of animation has changed, in the sense that rather than drawing it by hand, we use a computer as a tool. The computer has become a pencil to draw or paint the images that we see in a film.
I used to love to draw things that made me laugh or made friends laugh. When I was 13 or 14, I started thinking, This is what I like to do more than anything else.
In the end I'm still a writer. I'm still a journalist, and my first responsibility is to my readers. That's where I have to draw the line.
You have to draw lines between being a journalist and an activist.
I can't draw a line between myself and stuff that I do. It's funny, I don't want to sound like it's just about this, but really with everything I do, it's hard for me to take myself out of it.
Here's the beauty of a camera: you don't have to come up with words for what you're looking at... Maybe another angle is needed sometimes. When we're burned out from writing, we can photograph or draw, look at the world in a different way, and photographers could try writing what they see.
When we sit down to draw or paint the sun's rays, we generally use yellow because in the morning and the evening with the blue light scattered away so strongly you're left with a little bit of red and it comes out yellowish.
I draw people as I see them. I'm not involved in making artistic masterpieces. My, my object is to mirror people and I've always done that.
I tried to, from my very early years, I've been an inveterate movie goer and still am and I, I love the medium. So what I, what I draw and what I'm still doing, is part of that particular orientation.
I always enjoyed doing monster books. Monster books gave me the opportunity to draw things out of the ordinary. Monster books were a challenge - what kind of monster would fascinate people?
I couldn't draw anything that was too outlandish or too horrible. I never did that. What I did draw was something intriguing. There was something about this monster that you could live with. If you saw him you wouldn't faint dead away.
A man is entitled to draw things in his own style. I didn't hurt Superman. I made him powerful. I admire Superman, but I've got to do my own style.
If a carpenter makes a chair that's comfortable for the person who's going to sit in it, he's done his job. If a train engineer gets a train in on time, he's going to make someone happy who's waiting at the station. And if an artist draws the kind of a picture that people are going to enjoy looking at, or he makes a visual story which people are going to enjoy reading, he's done his job.
With the way I like to work, I always have to draw [inspiration] from somewhere, and the best place to take from is your own life.
Not that one choose to draw aside in churlish mein or vein, From common lot of what life holds of pleasure, toil or pain But that the call-s to rise and cruise alone with dreams unshared Or plan alone for some far goal, for which none else has cared Or fight alone for what you hold is worth a warrior-s strife And ask no gain or fame or aught beyond the joy of life.
I am a dedicated madman, and that becomes its own training. If you can't resist, if the typewriter is like candy to you, you train yourself for a lifetime. Every single day of your life, some wild new thing to be done. You write to please yourself. You write for the joy of writing. Then your public reads you and it begins to gather around your selling a potato peeler in an alley, you know. The enthusiasm, the joy itself draws me. So that means every day of my life I've written. When the joy stops, I'll stop writing.
My mom always said that she didn't wear a red nose and big shoes because that's the reason people are scared of clowns. My dad is a sociology teacher, so he probably figured that out with her. Those are the things that are exaggerated, that don't give off the signals of humans. You know, if you draw a picture of a circle and ask somebody to feel empathy with the circle, they won't. But if you draw literally two, three dots inside the circle, like two eyes and a nose, you immediately feel empathy.
Seeing someone have a goal and I if can help them to succeed then it is a big draw for me.
What draws me to roles, I think, are moments - moments that define character, where so much more of the story is told in just a moment - a look, a line, a short scene, but something that speaks a volume, something that speaks to me.
I'm not the kind of actor that gets crazy with [directors'] names, what draws me toward a project is the material itself.
I'm always the kind of friend or girlfriend who suggests, when there's some cataclysmic problem in the relationship, I'm like, "Well, maybe we can come up with a creative activity that will help us out." I'm like, "Let's get out the pens! Draw a picture of how much you hate me!"
I'm a bit traditional in the way that I think that a woman draws her energy from the house. Food is a really nice way of expressing that energy and love, and doing something with care and putting time into it and nourishing your family.
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