I can't sleep without the TV on. It doesn't matter where it is. I don't like silence. My ears ring from loud music.
Music strikes the ear as a perfectly undisturbed uniform sound which remains unaltered as long as it exists.
The most powerful thing that can happen in the place of prayer is that you yourself become the prayer. You leave the prayer room able as Jesus' hands and feet on earth. This is what it means to pray continually (without ceasing), to see with the eyes of Jesus and to hear with His ears with every waking moment.
Behold, I am writing anew, through scribes on Earth who are willing to listen to me again with new ears, in the light of the present crises on planet Earth.
How can you glorify God in your body, when it doesn't function right?....What makes you think the Holy Ghost wants to live inside of a body where He can't see out through the windows, and He can't hear out the ears?
The truth is, just to hear other people speaking Italian is really worth it. It keeps the sound in your ear.
It's definitely about the rhythm of the words and how they sound together, writing one sentence and then another and another and cutting something immediately if it doesn't feel true. I come from a family of musicians and - while I have no musical abilities of my own - I think I inherited a good ear.
I tend to employ braided narrative threads in the lyric, so often echoes (of phrases or images) will occur and will hit my ear so I can shape different resonances and shifts in tone.
I think the most reliable way to teach it is through reading work aloud over and over. Many prose writers been encouraged to do that, but that might be changing. Denise was the one who taught me to develop my ear. I never knew how to listen to writing until she started reading her work to me.
I feel like I have a little bit of a fresh ear when creating music. I'm not trying to be like anything else, cuz I have no idea what anything else is like!
Live concerts were to train the ears and to introduce, constantly, new musical ideas to the audience so the next time they showed up or the next record they would be ready and receptive.
I'd probably end up doing the same thing over and over. We're creatures of habit. We know what we know. With collaboration...and I'm not just talking about music, I'm talking about in life - if you're a good listener and you have your ears open, and to be a good collaborator you have to be able to listen, you can learn something from somebody else.
There's a whole slew of wonderful speculation of flying in a fanciful way. Gulliver is one of the central examples; Swift has the hum of Arabian Nights in his ear with Gulliver's Travels. The difference is in scale - Gulliver as a kind of Sinbad kind of figure, the way he is picked up and carried. Just to finish up with Scheherazade, I do think that The Arabian Nights could be considered as a great book on women's position in the world.
You want the greatest trick for writing a novel? Here it is: imagine urgently whispering your story into one person's ear - and only one. This one visualization will clarify every word choice you make.
Maybe because I began as a writer, I have a good ear for dialogue, and maybe being an English major - and that I also read a lot as a kid - if I hear somebody say something that I think's funny, or I find a situation or story, I'll try to work that into the movie.
I can say is our point of reference - and I think that does make us different from some bands and similar to other bands too. But it's just that spirit - it's sort of like a punk spirit - but it's not punk meaning or as in like "I'm here and I'm going to get thrashy and bloody on-stage" - but, we're not going to listen to the rules and the roles already set in place. We just want to make music that is heartfelt and feels good and sounds good to our ears, and hopefully to many other's ears as well.
It was more just about serving the song, which is sort of the way that we work in general. We wanna do the best that we can with it and make it the most interesting to our ears. And putting auto-tune on 'California English', was just one reflection of that.
And then, one day, they program a new tune, and it really catches your ear, you know, because you can be doing the washing up or something, you know, in your apartment and suddenly you go, whoa, what are they playing in there? And you run to the wall, but it's finished - but the song's finished. You only heard enough of it just the pique your interest. And you never know when they're going to play it again, of course, like a normal radio station.
You have to put these hooks in it, you know? You've got to make sure you got all that ear candy in it to get it through the gate.
But the quality of writing in the series [game of Thrones] is paramount. That's probably why all of us are involved in this and all of us are quite so loyal to it, because we don't have to expend a lot of energy trying to make a silk purse out of a pig's ear. The quality of the writing is really good, and that's what makes playing a character so enjoyable, whether he's heroic or villainous.
I'm very careful with what I let my ear gate hear on my own. I don't care if I go out and something is playing that I wouldn't put on myself, that doesn't bother me but when I feed off and get nourishment from music, it's through things that are encouraging and lift me up, things that have integrity and purpose and that's what Christian Worship Music is all about.
I am lucky to have been gifted with a good ear and the ability to mimic. If I can hear it... I can replicate it, whether it's a dialect or just matching the tone of someones voice.
I just want to touch people's ears. I want to touch people's lives. I want to give them something they can release to towards their anger.
It [my vocal] didn't sound like what I wanted to hear; the vibrato isn't what I liked anymore. So I got myself to an ear, nose and throat guy who does a lot of work with singers, and I was hoping there was a big wart on my vocal cords or something and they could scrape it off and I could have the voice I wanted. But he said, "No, for 71, that's your voice."
I think that, you know, women succeed in the cutting room or they're allowed into the cutting room because it's not a very on-display job. I mean, we're behind the scenes. We kind of whisper in your ear.
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