By and large, Americans close their ears to anything not in English. That's stupid because there's some great music around the world that we should be listening to.
There's [in Outcast] so much for my ear, brain and mind and body to gain.
I think about the kinds of gardens that Queen Elizabeth put up. She made gardens in the shape of an "E," for Elizabeth, just one more way in which she used symbolism to solidify her reign: appearing as the Virgin Queen, for example, or wearing a dress embroidered with eyes and ears to indicate that she knew all that was going on in her castle; she had spies.
[My mother] worked in the Seagram's Building; it's kind of an iconic '60s skyscraper on a floor so high that your ears popped. And all the women - the whole thing was so very Mad Men, very glamorous.
We need American Muslims to be part of our eyes and ears on our front lines.
Practice. Listen. Use you ears. And as Rob [Halford] said, that team effort. You can learn your instrument in your room, but being in a band is more than playing your instrument.
I think myself that, rather like books, music is meant to enter into the brain, well via your ears rather than your eyes but, it's - I think a lot more should be left to the imagination.
Mary's [Hamill] working from an outsider perspective and I'm working from an insider-outside perspective. In this case, it will bring an added dimension to the visual aspects of the work. Also the processes and approaches that I'm thinking are about learning. I'm playing it by ear to experiment and see what happens.
The Tale of Despereaux came at the request of Luke, my friend's then-eight-year-old son, who asked, "Write for me the story of an unlikely hero with exceptionally large ears."
I had really not been out of the United States much, except for Mexico. I thought, "Jesus Christ, this [Russia] is like a whole new world." Instead of writing Michael Jackson one-glove jokes, all I had to do was go to these weird places and keep my eyes and ears open.
We think about sitting in a space and hearing some music by having our ears pointed forward towards the musicians sitting opposite us. I'm really not following that paradigm at all.
This feels like a Steve Bannon whispering in [Donald Trump's] ear.
I think as an intelligent person you would agree that when you are teaching among oppressed people that they should be relieved of their oppression not 100 or 10 years from now, but right now, you're going to find your talk is going to fall upon sympathetic ears.
Western ears have a hard time hearing anything that isn't in four-four time. A lot of cultures experience music in five-eight, for example, five-four.
Forget what others whisper in your ears. Most of that is pure rubbish that obstructs the view to what really is important. Always make your own decisions. That is what makes us human.
There is no recipe for that. Both [Nico Rosenberg and Lewis Hamilton] are very likely equally talented in the car, so the fight between the two happens between the ears - in the head.
Anyone whose lifestyle may frighten you or whose point of view makes smoke come out of your ears.
I grew up in a classical music household. My dad is a phenomenal musician who can play any and all instruments, can sight read, can play by ear.
Freedom is the slogan which speaks to the ears of people who feel strong enough to manage on their own using their own resources, who can do without dependency because they can do without others caring for them.
I've always had an ear for languages and music so it's something I'm continually working on but it's fun.
I don't want to try to do music or satisfy anyone else's ears; it has to come from here first and what I love.
For the eyes of the Lord are upon the righteous, and his ears are open to their prayer. But the face of the Lord is against those that do evil.
When you're dealing with a constant rhythm, no matter how great your lyrics are, if you don't switch it up, people's heads are going to start bobbing. And they're going to stop listening to what you're saying, so consistently keep the ear fresh and keep the audience surprised.
An ear will never do you wrong, but I know writers who... most of the language they use is just extracted language from other languages they've read. I am a big-time reader, but I mix and match.
I come to the garden alone while the dew is still on the roses, and the voice I hear falling on my ear the son of God discloses. And he walks with me, and he talks with me. And he tells me I am his own, and the joy we share as we tarry there, none other has ever known.
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