I think I have a pretty good ear. I mean, even just starting with, like, Austin Powers, where I did young Robert Wagner. People were, like, "How do you imitate Robert Wagner? What does he sound like? What does that even involve?".
President Trump watches a lot of television. I mean, really a lot. His favourite channel is Fox. Now just imagine somebody wants put a message in front of the president. You can hire a lobbyist or you can buy a minute on Fox or you can even pay somebody at a think tank to articulate your message and then pay a booker at that think tank to get that person on Fox and put the thought directly in the president's ear.
If you read enough Lionel Fanthorpe, your brain starts to turn to jelly and just dribbles out of your ears.
When one chants the holy name of Krishna, Krishna dances on the tongue and one wishes one had thousands of ears and thousands of mouths with which to better appreciate the holy names of God.
I think a lot of actors, especially actors with a theater background, have a musical ear. A lot of actors just want to be musicians anyway, and a lot of musicians want to be actors.
Consumers cannot think in abstractions. They cannot envision a new concept. They cannot predict their behavior. They can only compare against their current frame of reference. So you need to make the big leap for them. You need to provide them with a reason to buy, a reason to brag to their friends. Expect new-to-the-world ideas to fall on deaf ears. Consumers will, however, change their tune when they can see, touch, and explore.
Vision without execution is like a plane without wings, or Dumbo without ears, it just won't fly.
I think we all have a certain number of "coming of age" songs, and then a writer has to expand and grow into more varied and specific themes. And the music industry is, like Jawbreaker says, "selling kids to other kids," so it makes sense that those early songs in a writer's life are often the ones that catch people's ears, and later work is more difficult and less immediate.
I can tell you that in my modern life I enjoy language. I enjoy words, their meaning, what they sound like to the ear, what they sound like to the listener. I strive to write the perfect sentence in all that I do, and when I write [the] perfect sentence I know it. If I had a second life I'd be a librettist for Broadway musicals.
People vary enormously in how they learn. Some learn through their eyes - by reading but also by responding to all kinds of visual information. Others learn mostly through their ears or touch or other senses.
The idea of listening to a record that's in one generic style, it becomes quite boring after the third or fourth song, in my opinion. It just becomes a bit... when you've got the same arrangement on a song, your ears get tired. I come from a DJ background and it's about trying to put songs together that don't fit necessarily but you can get away with putting them next to each other. I think of myself as a punter and ask myself: what would I like to hear?
When I was a little kid and I heard a song I liked on TV, I would jump up and run to the piano to try and figure it out by ear. When I was 10 or 11, I built myself a drum kit in the garage made out of empty laundry detergent buckets, old lawn chairs, paint cans, and old trash cans. And around that time, my parents got me my first guitar. A baby acoustic. I jumped between all of these instruments constantly to satisfy the ideas I heard in my head. At this young age, I realized that music would play a huge part in my life.
I always wished I could go to confession. I was so full of things I couldn't name and had an instinct to hide. I felt burdened by the loneliness of my interior life. I wanted some container that I could empty myself into, some ear that would never be shocked, even if it offered me some kind of penance.
Science fiction went through a period that was mostly object-oriented or inventions for distant galaxies.But when we cracked the genetic DNA code, opened the big Pandora's box, and it really did become possible to produce chimeras, my ears shot up.
I've been in politics all my life. In 1945, I committed my first act of civil disobedience during the election campaign for the first post-World War II general election, when the Labour Party, to everyone's amazement, ousted the Conservatives. I refused to obey the instructions of a policeman, and as a result, almost got a belt around the ear, because those were the days when policemen could hit children and nobody cared, they thought it was probably good for them.
The fanatical Communist refuses to believe any unfavorable report or evidence about Russia, nor will he be disillusioned by seeing with his own eyes the cruel misery inside the Soviet promised land. It is the true believer's ability to "shut his eyes and stop his ears" to facts that do not deserve to be either seen or heard which is the source of his unequaled fortitude and constancy. He cannot be frightened by danger, nor disheartened by obstacles, nor baffled by contradictions because he denies their existence.
Angels are here and around us; perhaps all around us. But we have to have an ear for them and an eye for them, and that only comes when we have the courage and faith to open ourselves to a world inhabited by more than humans and animals. There are angels around us.
One thing I'd like to just keep on doing is I want to educate people about animal behavior and about autism. I've been doing autism talks for the last 20 years and there still are people out there that do not want to, they can't recognize that these sensory problems are real. That, for some of these kids when that fire alarm goes off, that really hurts the ears, it's a really real thing.
My life and the life of my family has been completely disrupted in absolutely every way by starting the school-prayer case. But it's been worth it. It's uncovered a vast cesspool of illegitimate economic and political power in which the Church is immersed right up to its ears, and I intend to dive in headfirst and pull it out of there dripping wet for all the world to see -no matter how long it takes, no matter whose feet get stepped on in the process, no matter how much it costs, no matter how great the personal sacrifice.
You'll always face problems. When you experience hard times, immerse your mind in God thoughts. Turn a deaf ear to doubters. Set your mind on a holy cause. Once you find your mountain, no giant will stop you, no age will disqualify you, and no problem will defeat you.
Red Dragon's my favorite of the books, because it is written with such a poet's ear. Whenever it gets really flowery and poetic and it's dialogue, chances are that's a Thomas Harris quote of some kind that's kind of been repurposed or reinterpreted or re-imagined somehow. That's where a lot of that poetry comes from.
Americans have an interesting conundrum, a black and white line: You're on one side or the other of Puritanism or licentiousness. But that gray area where people abide, between their ears or on the Internet, needs to be fleshed out more in terms of permission granted. I think a lot of women are contained within the parentheses of shoulds and role-play. It's all about entitlement and history. It's all about upper-body strength - and exacting your will.
I think that when you're writing plays, and I think it's also true with novels, it helps to have an ear for the music of language, for what we call poetry, for the sound effects and the way that the sound can produce sensual feeling at odds with or consonant with the content of the work. Your work is also gorgeous writing. It's very unfortunate when you open a novel that everybody's loving and it's just, you know, an excruciatingly bad sentence.
Part of what makes for good writing is an ear for what we would call the poetical. Poetry itself is another thing and it seems to me to be the most difficult writing - that those people are the best writers and they lead the way for everyone else and their writing is frighteningly great.
The best way to study Mars is with two hands, eyes and ears of a geologist, first at a moon orbiting Mars... and then on the surface.
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