Tears are the symbol of the inability of the soul to restrain its emotion and retain its self command.
It is the mind which creates the world around us, and even though we stand side by side in the same meadow, my eyes will never see what is beheld by yours, my heart will never stir to the emotions with which yours is touched.
Too much emotion is like none at all.
I will try to account for the degree of my aesthetic emotion. That, I conceive, is the function of the critic.
The Flower of My Secret is definitely more based in true emotions. I also wanted to make something more realistic, but not naturalistic or simple.
I'm not an abstractionist. I'm not interested in the relationship of color or form or anything else. I'm interested only in expressing basic human emotions: tragedy, ecstasy, doom, and so on.
I'm painting an idea not an ideal. Basically I'm trying to paint a structured painting full of controlled, and therefore potent, emotion.
Yet for my part, deeply as I am moved by the religious architecture of the Middle Ages, I cannot honestly say that I ever felt the slightest emotion in any modern Gothic church.
I was always the child who wore her emotions on her sleeve.
I love horror movies because they're really fun. They tap into those wonderful primal emotions.
Poor Faulkner. Does he really think big emotions come from big words?
I have a woman's body and a child's emotions.
Emotions get in the way but they don't pay me to start crying at the loss of 269 lives. They pay me to put some perspective on the situation.
Men are no more immune from emotions than women; we think women are more emotional because the culture lets them give free vent to certain feelings, "feminine" ones, that is, no anger please, but it's okay to turn on the waterworks.
Love isn't an emotion or an instinct - it's an art.
Poetry is when an emotion has found its thought and the thought has found words.
One can overcome the forces of negative emotions, like anger and hatred, by cultivating their counter-forces, like love and compassion.
Emotion turning back on itself, and not leading on to thought or action, is the element of madness.
A work of art which did not begin in emotion is not art.
The artist is a receptacle for emotions that come from all over the place: from the sky, from the earth, from a scrap of paper, from a passing shape, from a spider's web. The problem is not that there are problems. The problem is expecting otherwise and thinking that having problems is a problem.
If one has such an encounter it is to be expected it will bring him into conflict, especially conflict with himself, because one sometimes literally does not know what to do or what not to do. But is this struggle and even the mistakes one may make, not better, and do they not develop us more than if we keep systematically away from emotions?
One's suffering disappears when one lets oneself go, when one yields - even to sadness.
If you would have me weep, you must first of all feel grief yourself.
A work of art is one through which the consciousness of the artist is able to give its emotions to anyone who is prepared to receive them.
No longer diverted by other emotions, I work the way a cow grazes.
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