The Edge... there is no honest way to explain it because the only people who really know where it is are the ones who have gone over.
If you're going to be crazy, you have to get paid for it or else you're going to be locked up.
I feel the same way about disco as I do about herpes.
I have a theory that the truth is never told during the nine-to-five hours.
A word to the wise is infuriating.
Freedom is something that dies unless it's used.
With the possible exception of things like box scores, race results, and stock market tabulations, there is no such thing as Objective Journalism. The phrase itself is a pompous contradiction in terms.
Be careful about reading health books. You may die of a misprint.
The methods and tools of science perennially breach barriers, granting me confidence that our epic march of insight into the operations of nature will continue without end.
The constant happiness is curiosity.
I don’t feel that I’m making movies for iPhones. If someone wants to watch it on an iPhone, I’m not going to stop them, especially if they’re paying for it, but I don’t recommend it. I think it’s dumb, when you have characters that are so small in the frame that they’re not visible. I’m trying to make an epic.
If a chap can't compose an epic poem while he's weaving tapestry, he had better shut up, he'll never do any good at all.
I actually do think the history is so epic that it actually kind of writes itself.
But look at Avatar (2009), one of the most globally viewed pieces of entertainment to have ever been made - the central emotional event of the whole movie was a tree being cut down. And the entire movie, essentially, is saying, "If we let the military industrial complex trash the place that we're living in, we will have committed an epic crime."
I think that too often we, film directors, think that a big epic novel and feature film are the same. It's a lie. A feature film is much closer to a short story actually.
If you take a big epic novel and you shoot it, when you get to the editing room you notice that it has 2 million climaxes, which fill the whole 90 or 100 minutes. Then you realize you can't cut them out because if somebody is dying and you cut that out it seems like they just disappear from the film.
In ancient days, men looked at stars and saw their heroes in the constellations. In modern times, we do much the same, but our heroes are epic men of flesh and blood.
The ultimate dreamer is Vishnu floating on the cosmic Milky Ocean, couched upon the coils of the abyssal serpent Ananta, the meaning of whose name is Unending. In the foreground stand the five Pandava brothers, heroes of the epic Mahabharata, with Draupadi, their wife: allegorically, she is the mind and they are the five senses.
But I'm not a small-literary-novel kind of guy, and once I'd developed the world in the first couple of hundred pages, I felt that there was potential here to go on and write an engaging story set in that world. So that's what I did. This probably ruins things both for the people who want small literary novels and for those who want action-packed epics, but anyway, it's what I wrote.
To tell a strong story with real taste of an epic tragedy needs great actors.
Our sense of calling should be like an unfolding epic adventure.
The richly cadenced prose is hypnotic, the research prodigious, the analysis acute, the mood spellbinding, and the cast of characters mythic in scale. I cannot conceive of a better book about Capitol Hill. An unforgettable, epic achievement in the art of biography.
My writing derived from the conviction I conceived during my college years: one should lead one's life as if one were the protagonist of an epic novel, with the outcome predetermined and chapter after chapter of edifying, traumatic, and exhilarating events to be suffered through. Since the end is known in advance, one must try to experience as much as possible in the brief time allotted. Writing is a way of ensuring that you pay enough attention along the way to understand what you see.
I think what we're trying to do as filmmakers is make a big, gritty, raw, epic movie and within that show things graphically in a way that they haven't been seen in that world before.
I never shied away from a challenge and I love doing big, epic films. They're interesting to me just on a pure music level, just in terms of the amount of music I could create for a symphony orchestra and chorus.
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