When you're late in a fairy tale, people wind up dead. And not true-love's-kiss, glass-coffin-nap-time dead. Really dead, the kind of dead you don't recover from.
The biggest fairy tale is that justice works because it doesn't.
Witchery is merely a word for what we are all capable of - heightened nightsight, an empathy shared with the beasts, a utilization of the more obscure abilities of our minds. Nothing that science can't explain away. Wizardry is spells and enchantments. Fairy tales.
No, the light is too intense; we do not yet have eyes that can see all the glory God has created. But maybe someday we will have such eyes. That will be the most wonderful fairy tale of all, for we ourselves will be part of it.
The wonder is that the characteristic efficacy to touch and inspire deep creative centers dwells in the smallest nursery fairy tale-as the flavor of the ocean is contained in a droplet or the whole mystery of life within the egg of a flea. For the symbols of mythology are not manufactured; they cannot be ordered, invented, or permanently suppressed. They are spontaneous productions of the psyche, and each bears within it, undamaged, the germ power of its source.
Most Muggles lived in a world defined by the limits of what you could do with cars and telephones. Even though Muggle physics explicitly permitted possibilities like molecular nanotechnology or the Penrose process for extracting energy from black holes, most people filed that away in the same section of their brain that stored fairy tales and history books, well away from their personal realities: Long ago and far away, ever so long ago.
No, In fairy tales When to the ill-starred Prince the lady says 'I love you!' all his ugliness fades fast But I remain the same, up to the last!
Recollections of early childhood bear comparison to fairy tales, and ... youth remains an unknown country to whose bourn no traveler returns except as the agent of a foreign power.
We're all just big kids. That's all we are. We are artistes. We grew up wanting to be part of the fantasy of the fairy tales and the stories.
The fairy tale that really scared me was Bluebeard. That's the one where he just kills one after another of these woman, these wives, that he lures up to the castle. I just think about fairy tales as stories women told their children to warn them? To keep them safe, to make sure they married up, all the things that would have safeguarded them in the olden days.
In the past, love for me has always meant forever, and sure, you still nurse some of those fantasies, but I don't try to force it anymore. I hung on to my fairy-tale ideals for a long time. But where I am now, what I've been through, there are no rules. There are lots of ways it can turn out.
I feel like, when we're kids, you're sold into this fairy tale of what love is. That Prince Charming's gonna come along and save you and you're gonna live happily ever after. They're gonna rescue me from the Bronx, and we're gonna go off and live in a castle somewhere and it's gonna be awesome. He's gonna love me forever, and I'm gonna love him forever, and it's gonna be real easy. And it's so different than that.
I loved fairy tales as a kid. I've always been drawn to fantasy. They're always exciting. There's never a dull moment. I just love the embellishments and the magical stuff. It's such fun to work with and to re-imagine your own way.
You say that if we hadn't just gotten married, you would want to marry Miss Arkansas. Even if she can't spell. She can sit on her hair. A lover could climb that hair like a gym rope. It's fairy-tale hair, Rapunzel hair. We saw her practicing for the pageant in the hotel ballroom with two wild pigs, her hair braided into two lassoes.
Fairy tales lie just as much as statistics do, but sometimes you can find a grain of truth in them.
Fairy tales and myths are forms of cultural storage for the natural history of life.
In a sense, every human construction, whether mental or material, is a component in a landscape of fear because it exists in constant chaos. Thus children's fairy tales as well as adult's legends, cosmological myths, and indeed philosophical systems are shelters built by the mind in which human beings can rest, at least temporarily, from the siege of inchoate experience and of doubt.
I also like the whole idea of fairy tales and folk tales being a woman's domain, considered a lesser domain at the time they were told.
People tend to think of fairy tales as archetypal. They are also extremely sensual, something which translates well over the ages.
In horror stories or in fairy tales, the fascination with the morbid is also, at least for me, a way to prepare for the unthinkable… That’s why it’s very important for me to show the artificiality of it all, because the real horrors of the world are unmatchable, and they’re too profound. It’s much easier to absorb – to be entertained by it, but also to let it affect you psychologically – if it’s done in a fake, humorous, artificial way.
I grow old, I grow old, the center will not fold. In youth I had hardening of the categories and looked for the father and the mother in every lover. Then I cracked. Then I fragmented. Then the old man in my soul found the god in herself, not in some Jungian fairy tale but in the flesh that fell from the bones and the words that came into my mouth when the look went out of their eyes.
At every moment of our lives, we all have one foot in a fairy tale and the other in the abyss.
[Fairy tales] make rivers run with wine only to make us remember, for one wild moment, that they run with water.
Fear isn't so difficult to understand. After all, weren't we all frightened as children? Nothing has changed since Little Red Riding Hood faced the big bad wolf. What frightens us today is exactly the same sort of thing that frightened us yesterday. It's just a different wolf. This fright complex is rooted in every individual.
The fairy tale emanates from specific struggles to humanize bestial and barbaric forces, which have terrorized our minds and communities in concrete ways, threatening to destroy free will and human compassion. The fairy tale sets out to conquer this concrete terror through metaphors.
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