It always seemed to me like it was a significant thing to do with one's life to be an actor 'cause I love movies and I felt like, not to be grandiose about it, but there is something important about film with the function it provides to general society.
I've always been interested in electronica, techno, trip-hop, that kind of music. The thing that bothered me about a lot of that music, though, was it seemed devoid of emotion. There wasn't a lot that felt personal.
I've never been put down by a man, unless I deserved it, and have never felt inferior.
Once I started doing stand-up, everything fell into place. That was when I started acting more; I felt like I'd found my place in the business.
I personally made lots of mistakes during my 10-12 years as a newspaper editor. Some of which I felt were big mistakes I have tried to address.
The day Caleb touched my hand and I saw all those things, I was excited. Yes, a little freaked but excited more. I felt like...everything I ever needed was right there. I still feel like that. It's not something you can just turn off and I wouldn't want to. I want him more than I need him.
I was the kind of entrepreneur that never really felt I made it. When Mike Olefield's "Tubular Bells" [Virgin Records' first release] sold 8 or 10 million copies, I suppose, at age 19, I could've possibly retired on the money. Instead, I immediately pushed the boat and took that risk again.
Public school felt like prison - cinderblock walls, fluorescent lights, metal lockers. It was so sterile and unstimulating.
I always felt that organized religion was just basically a theological insurance scam where they're saying if you spend time with us, guess what, you're going to live forever, you're going to go to some other plain where you're going to be so happy, you'll just be happy all the time, which is also kind of a scary idea to me.
Younger feminists actually care about stuff that came before them, the same way that I totally cared about and loved and felt so lucky to have access to the feminism that came before me. To have younger people take what me and my friends have done, and to say 'We have access to that, but we're going to put that through our own Internet generation filter and we're going to make it into something that speaks to us and is a lot smarter.'
New York, oh my God, in my early 20s. I felt, this is home, this is really where I belong.
I know how it feels to be completely alone and helpless, and the last thing you want to hear in that situation is, 'It's going to be OK.' "The only thing that seems to really help is that someone else who has felt that low expressing those feelings to you.
From my earliest youth I have regarded the connection between Ireland and Great Britain as the curse of the Irish nation, and felt convinced, that while it lasted, this country would never be free or happy. In consequence, I determined to apply all the powers which my individual efforts could move, in order to separate the two countries.
Backbends are to be felt more than expressed. The other postures can be expressed and then felt. Like in meditation each person has to feel backbends.
Young love is so ridiculous, as is middle-aged and old love. And it's also hilarious. When have you ever felt so vulnerable and wonderful and terrible at the same time?
I've always felt obligated to help those less fortunate than me. It's an obligation that anyone who has a chance to be in the NBA should feel and act upon.
And I was incapable of living all by myself in those lodgings where I didn't know a soul. It terrified me to sit by myself quietly in my room. I felt frightened, as if I might be set upon or struck by someone at any moment.
One day, I went to a soba restaurant outside town, and while I was waiting for the zarusoba I opened an old graph magazine. There was a picture of an exhausted, lonely kneeling woman who wore a checked patterned yukata after the tradegy of a large earthquake. With the intensity of my chest ready to burn up, I fell in love with that poor woman. I also felt a horrifying desire for her. Maybe tragedy and desire are back to back to one another.
When I joined Ford, in the late 1970s, I felt strongly we could not forever be a huge user of natural resources without there being consequences. But I was alone in my thinking in those days.
I always had an affinity for lizards. I've always felt somewhat close to them. They're reptiles. I find myself feeling somewhat reptilian at times.
When I started swimming again two years ago, it felt like I was starting from scratch. My mind-set was [to tell myself that] every time I swam, it was going to get easier-and it did. When you're working toward a fitness goal, you just need to start. It's not going to be pretty, your body is going to scream at you, but each time you'll get better.
I was born and grew up in Fitzgerald, way down in south Georgia. It was a mill town and my family ran the cotton mill. My grandfather was mayor many times and my family felt deeply rooted to that spot.
I realized that performing was what I wanted to do when I did my first professional gig as a dancer with my company Synergy in Canada. I was overwhelmed with how it felt to perform in front of an audience.
I tried to be really tough when I was younger. I felt I had to stand up for myself. I never felt like I fit in.
I needed to be alone, I felt. I wanted to be going on alone to my future.
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