I felt the comics grew because they became the common man's literature, the common man's art, the common man's publishing.
I used to think the reason I'd like to stop letting fear run my life was that it felt so bad to be afraid, and also that it was pointless - possibly wasted, if the feared thing never did materialize. But now that fear has packed its miserable bags and is running out the door, making slamming noises to call attention to itself, I begin to see how much room fear has occupied. What opportunity opens up!
I was delighted to be able to do the movie ["Terminator: Genisys"] without getting exhausted or feeling old or tired or anything like this. I felt I was in great shape and I felt really young.
I wanted to be a musician. I just wanted to be famous because I wanted to escape from what I felt was my limitation in life... And I wanted to write music, and I didn’t know what I was doing and I never had the technique or understanding of it... But I’ve always played the piano and I can improvise on the piano, but the problem is that I can’t write down what I write. I can read music but I can’t write numbers.
I flew in combat in Vietnam. I got shot at, I shot back, I got shot down. Compared to this flight, I felt a lot safer in combat.
When I was younger, I felt pressure to become someone else once I became successful. But it's the intention of the work that's changed. I have fans now. I have a new purpose: to remind them that I am one of them, that we are one another. My consciousness has changed.
You shouldn't strategize your career if you're in a creative realm. You can't either. I love the unknown. I love the element of surprise. I've always felt really inspired by it. I love the spontaneity of the job. I think you can't really fight against it.
The idea of being given things that you don't necessarily deserve was always a difficult one for me to negotiate, and so I really always felt that I had to prove myself. Being the daughter of a famous man I guess is more easy than being the daughter of a famous woman, but at the same time there was a sense of really, with me, of wanting to earn my own way.
I felt, as a lawyer, when I was mentoring and working with kids, that I gained a level of groundedness that I just couldn't get sitting on the forty-seventh floor of a fancy firm. Selfishly, it gives me joy - it makes me feel like my life has a purpose.
I never considered myself an Americana artist, but I'm a huge fan of old-time music from the States, the recordings that were made in the '20s and '30s. Trying to chase down the exact stylistic trappings of that stuff always felt like a dead end. That spirit of directness and economy, but also the poetic pungency of the writing and almost ugly, or raw, performance - all that seemed like the real message. I've just tried to somehow stay true to that feeling.
I was born in an odd spot and was a very sensitive kid. My feelings could get hurt so easily because I always wanted to be loved, I wanted to be touched, I wanted to touch somebody. I wanted everybody to love me, so I think I was louder than I should have been. I was just trying to get attention. I always felt like I was somebody special, maybe it's because I needed to be somebody special.
I always felt that if you're not trying something different each time out of the gate, you're being safe, and you don't ever want to find that place of safety. I like that, each time, before I even go in front of the cameras, the studio's reaction will be fear.
Fashion is about having a point of view, a taste and a personality. For us we always felt we could apply our DNA really to anything but you have to do it if it's true to you, feels authentic. It has to be real.
My experience in the United States was living in a society that was very much at war with itself, that was very alienated. People felt not part of a community, but like isolated units that were afraid of interaction, of contact, that were lonely.
I'm hugely inspired by the '60s and the '70s. I just love the music of that time and the overall freedom of that era. I love that the idea of clashing didn't really exist. You could mix prints on prints, you could mix fabrics and colors - and it was more about the way you felt than about the label and trends. That's something that I've always gravitated towards.
Whether it be current or past, every single song that I recorded is about me. It's a peek into my life, past and present. Maybe it's coming from my theater and performance background, but nothing felt right unless I could relate to it.
Hitchhiking, intrinsically, is sexual and dangerous. At the same time I never really felt scared. I was scared that nobody would pick me up and that I'd be waiting by the side of the road for a week.
I wasn't playing Nixon's satirical stick figure. I was playing Nixon the man. As an actor, I felt I had to get to the deeply flawed humanity of the guy.
The State of New York City says in defense you can use as much force as you feel like the person that is coming for you with. So if I'm wrong than the law is wrong. That's really the way I felt.
What surprised me about directing is how much I loved it and how happy I am to be on the set. I love coming to work in the morning. What I realized is that I never loved acting. I don't love being in the hair and makeup chair. I don't [love] being in costume. To me the strangest thing is that I've just spent the majority of my life in one aspect of this business, and because I was fortunate enough to become successful I never questioned whether I felt at home and found out later in life that I'm much happier directing.
I think that it's a universal urge to have our pain not be felt alone and to have our joys not be felt alone.
I just told the whole truth and that felt really incredible and really scary.
I would never felt good if I hadn't experienced losing, because losing is part of your life. And it something that if I could teach people to understand that I think it could help them a lot.
I felt that there was nothing wrong with what I was doing because I was supplying a product to people that wanted it and it was accepted. I mean nobody really was making any negative statements about marijuana.
I have felt that the Gita teaches us that what cannot be followed in day-to-day practice cannot be called religion.
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