For a perfect holiday I need my iPhone and my writing tools. I write all my books by hand so black felt pens and yellow legal pads are a must. And my eyebrow pencil. I'm very low-maintenance.
I felt as out of place as a left-handed violinist in a crowded string section.
When I got back to NY had the opportunity to work with the beginning years of the poetry project which was founded with money from the OEO under Lyndon Johnson to work with alienated youth on the lower East side. This was extraordinary, to be able to help then to create a culture that would capture the energy that I felt at Berkley.
I did go to Vietnam in 2000 as a kind of pilgrimage and to feel my generation was very much a part of this. I felt responsible but also connected and empathetic. It was a very complicated relationship we had, whichever side you were on. The shock of being there was very few people my own age - I was primarily in the North in the streets of Hanoi. A whole generation was essentially decimated.
I've never felt really creative or intuitive using software. I like paper and pens and paint. I need to angle real lights on my artwork and work with my hands and build props. Computers just take all that fun out of it [animation drawing].
I think I started writing as a young person because I felt a lot of psychic confusion and emotional confusion, and writing was a way to sort it out. You know, to externalize it, sort it out, put it down, look at it, and hopefully it would become clearer.
I think it's probably true that creative people are touched by melancholy more than the average person, and to the extent that delving into that shadow world produces good work, I'm all for it. But I think you have to be able to step back from the work, and say, "Look how miserable I felt. Look how beautifully I wrote about it. Now I'm going to get an iced coffee and chat with a friend." Writing should be a way out of despair.
When I re-read the Odyssey, it felt like I was reading PD James or Minette Walters - you feel that you are sharing in something that hundreds of millions of people have read with love, and I think that this is worth holding onto. It is not a matter of canonical texts or elitism, which the universities are trying to make us wary about. It is about shared language and metaphor and experience and imagery and that is all good.
I was a generalist in college. You take a lot of courses to feel out what you're interested in. I really felt web design was too limited for me to interested in it - [instead] I was really into typography.
Success has a lot of different plateaus. But I first felt really proud of myself when I was doing an off-Broadway production in New York City.
When I was little, I loved books that gave me lots of detail so that I felt like I could be transported to this other place, or, in the case of an illustration, I felt like I could walk into the page.
It's not realistic to imagine that any poem will last forever. Our species won't last forever! We try to capture and preserve our impressions of reality because it's all going away: everything we think and remember, everything we've ever felt, everyone we love.
I am 100% there when I'm doing what I'm doing when I'm onstage and recording. I don't ever want to look back at any moment and say to myself that I felt uncomfortable with who I am.
I always felt like I was challenged, I was never satisfied, and I looked forward to the challenge. From studying high school players to studying kids in college, I always studied the competition, at my position in particular, to make sure I set the standard.
I'm very slow, and I do everything myself. I remember I spent three days to change the size of something I had sketched because I felt it was too small.
I always felt my writing could benefit from the attention of established writers. I knew my work could grow and be better.
Sometimes you have to go outside your boundaries. You have to jump over that fence, but I always felt very comfortable (in my jobs) because I worked with some good people.
I have always felt very fortunate to be have good people. You know, talent will carry you for so far but the values of the people around that should make the difference.
Initially, I felt like my duty was to just keep it positive and be positive and sometimes I crack in that. We're human. I'm imperfect at times and that was just me being imperfect at that one point.
One of the highlights of my career was playing first class rugby for my province, which was Wellington. Another highlight was playing first class rugby with my brothers. Not many brothers get to do that. I can't explain what it felt like to be out there, playing with them. It was a great feeling.
I felt like I had kind of played it out, and I wanted to see what was next, and then came Mythbusters. You know, it's the best job I've ever had, on its worst day it's better than anything else, but it's a huge amount of responsibility, and there are days when just going into work and building something from someone else's drawing sounds like going back to heaven.
I've been doing American auditions for a while, and it always felt sort of like sending these audition tapes off into the ether. So just hearing anything back from anyone was kind of startling.
I always feel, I guess being a product of the movies of the 40s where movies were the greatest things and screens were big and palaces were palaces and stars were larger than life that reality was so much inferior to what we felt was conceivably possible from what we had seen in the movies.
You are more thoughtful because you don't act as quickly anymore. When I turned 70 it was the first time I felt young for my age. Fifty dropped on me like a ton of bricks - there is something about that number - but when 70 came along I felt good about it.
When you look back on a historical period of music, it seems so obvious to you what the characteristics of it are, but they're not obvious at the time. So, when I look back at my own work, I could easily write a very convincing sort of account of it that made it look like I had planned it all out from day one and that this led logically to that and then I did this and then that followed quite naturally from that. But that's not how it felt.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: