The State of New York City says in defense you can use as much force as you feel like the person that is coming for you with. So if I'm wrong than the law is wrong. That's really the way I felt.
I loved working with him [Justin Chadwick]. He was very smart in how he assembled the people around him and had a crew that he knew very well. He was very comfortable on the set and I never felt that I was working with a first-time filmmaker.
I also have always felt that television has a huge potential for the kinds of audiences that some films would never dream or ever be able to have. So that potential is very exciting to me.
Mounting those red stairs [in Cannes] is something I've done with a very different intention many times. So it's interesting any time you witness those shifts of perspective. The beach scenes were also fun. It felt very strange and very theatrical to kind of commandeer it and have La Mer booming over the speakers.
I think I always knew that I wanted to adopt. It never meant that I didn't want to have my own children - I always felt that if I were in the right circumstances then I would totally have my own children.
I felt people responded to two things. One, obviously, is the gore and the scenes like the eye gauging.
Quentin Tarantino faced the same backlash when his films came out until eventually people felt they were actually much smarter.
I used to be a huge fan of Heavy Metal magazine growing up, and I was exposed to Cobalt there and fell in love with the character and the world. I've tried to track it down and pursue it myself to make a movie out of it. Also I felt like the thing that's cool about Cobalt is it does have a culty kind of underground quality to it that I really like.
There are people who just collect a bunch of footage and then edit it later. You definitely feel more protected when a director is moving on when you've actually felt something happen and you know they're watching intently.
It was difficult in India to find an eight year old who could play a widow. The reason for that is that most of the children in India are really exposed to Bollywood. It's commercial Indian cinema which is really over the top. To find an actor, or even a non-actor, who felt natural was difficult.
I really wanted to do some serious work. I really wanted to be a part of dramatic films. I wanted to show this talent, whatever that means, that I could be a dramatic actress as well. But the truth is, a) I don't know if I can, and b) I love doing comedy, and I felt almost a little embarrassed that I succumbed to the pressure. Vanity is really what it is. I feel really grateful that I am in comedy, and I love doing it.
I don't think sexuality defines a person. It's one small part of who you are, in my view. You are many things, and I never felt that people were defined by their sexuality solely.
I was never not in a show from ages 11 until 18. It was a great creative atmosphere but also a professional kind of atmosphere. When I finally went into the professional world, I felt ready. I was prepared for work.
I've always felt that I've made films, period. I wanted to leave the "ghetto." And here I am, I'm out.
I've always felt that actors in my experience have a very good and accurate instinct about whether something feels right or not. They just have a sense because they have to literally do it.
On the flip side, no one has any idea who the hell I am. I felt like I had to prove myself to them. On any new project I'm working on, the first week is nerve-wracking, but especially with these people that I admire so much and who I just want to be equal with.
I wanted it to be as multi-windowed as possible, so that the reader felt like they were seeing all the different ways in to a big haunted house.
I felt like looking at the season to this point, we probably hadn't taken enough shots downfield to loosen thing up, ... It does serve a purpose even if you don't hit it. There's nothing that will get a cornerback to back off a little bit than knowing he got beat even if you hit it or not.
The first day I walked into prison, and he slammed that door, I knew the magnitude of the decision that I made, and the poor judgment, and what I allowed to happen to the animals. And, you know, its no way of explaining the hurt and the guilt that I felt. And that was the reason I cried so many nights.
I felt I was owned by possessions.
I felt that I didn't want to be in show business anymore. I felt that I wanted to be a farmer. I was milking cows and shoveling terrible stuff and working all day. By the end of the day, all I wanted was my tap shoes - I thought, 'What am I doing? I better get back where I belong on the stage where we work at night and can sleep late!
Culture shock is often felt sharply at the borders between countries, but sometimes it doesn't hit fully until you've been in a place for a long time.
The cliché I tried to avoid was I hated "teenage sidekicks." I always figured if I were a superhero, there's no way on God's earth that I'm gonna pal around with some teenager. So my publisher insisted I have a teenager in the series, because they always felt teenagers won't read the books unless there's a teenager in the story; which is nonsense.
Android is a new form of the other, but you can parallel the other to so many different types of people. Even if you don't consider yourself to be the other, at one point in time I'm sure you felt like that.
I've always been interested in electronica, techno, trip-hop, that kind of music. The thing that bothered me about a lot of that music, though, was it seemed devoid of emotion. There wasn't a lot that felt personal.
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