I like your own shows because you can have a bit more fun and extend your set, you can go a bit over if you want because it's your show. Whereas at festivals it's very strict, like if you go like two minutes over they get ready to pull the plug kind-of-thing. They're both good and bad.
The Internet right now is another way to get exposure. You depend on that because they give you press, and if it's successful it gets into a lot of festivals.
It feels good, it feels like a badge of honor, honestly. Amongst the artists here, in California, that festival is such a big deal. People live and die for Coachella. So to be a part of it on such a big scale is really flattering, and I feel really lucky to be part of the community.
I think festivals are way more easygoing than back-to-back tours are. 'Cause for me, when you get to go to a festival, you get to hang out all day, and you're really taken care of, and there's usually a little artist village where all the artists have their own tents, and it's catered, and then you go and play an hour-long set depending on where you are on the lineup. And then you go back and you hang out and you even get to go watch other artists play. So it's really just a fun interactive experience for everybody.
I stopped my iTunes festival set because someone fainted at the front. It felt like the right thing to do at the time but maybe I was being too sensitive.
Sundance felt like a natural fit. I love coming here, and I do think that this festival suits my films rather than most of the festivals I've been to. I'm not going to Cannes, you know.
We have had some great shows this summer, the Jammin Against the Darkness event was pretty incredible and it was good to see everyone at the festivals. Today we head to South Dakota for the start of the tour with Falling Up, The Wedding and Mainstay.
I have a theory that musicians recognize each other and if they are destined to collaborate together they will. Mainly, they recognize each other according to the class they belong to. If they are punk-rocker kids from the neighborhood, they are going form a band. If they happen to be musicians that are going to play in pubs and restaurants, they are going to recognize each other, form a band and play together. If it's about musicians that are playing jazz and are going to jazz festivals, for e.g., then they are going to meet and work together.
Whenever you take a subject you're obsessed with or that haunts you, and make a movie about it, you're converting it into work units that need to be completed. You gotta turn it into a treatment, a script, a grant application, a bunch of forms to be filled out, a shooting schedule, casting sessions, auditions, shooting, editing, music compositions, the film festival circuit, interviews even. And by the time you've finished the process you're so sick and tired by something that was once very precious to you that you're done with it.
Only in Texas can mesquite have its own festival, then there's a crawfish festival, a festival for strawberries, everything has its own festival, with each town having their own yearly thing.
I started singing Folksongs with my mother when I was 6 years old. We sang at Folk festivals and concerts and schools. There was always music being played either on record, Jazz and Folk, by musician friends of my mother. I took to singing very early, I believe it has been a Gift I was born with.
For seven years I wrote and published my texts on the Internet and no Arab festival invited me and no Arab publishing house wanted to publish my books, and I wasn't known in the Western world because of my political positions.
My daughter Cosma is a very popular actress in Germany. She also organizes these wonderful open-air parties. She has a wonderful teacher, she's very smart. And I sometimes perform at her festivals.
I've done festivals in the past where I'd be a guest, it was like, Wow, maybe someday I could play Town Hall - but that'll be a long way off. So it's very exciting.
The irony of a director going to film festivals is you never get to see any of the films.
It's something that exists on a daily basis on practically every street in India. You have people who are Hindus, Muslims, Christians - not just Catholics, but Protestants, you name it, all kinds of Christians - a hundred other religions, living side by side. And the kind of personal religion that people end up practicing is a bizarre concoction of ritual drawn from each other. So everybody ends up celebrating everyone else's festivals.
The Arab world is full of corruption, in the time of the dictatorships and in the time of anarchy. This corruption is not only in politics and the economy, but also in the field of creative activity. There's an elite that controls the festivals, the newspapers, and the reviews. They are just a corrupt clique with no interest in creativity.
I just wanna perform, I wanna get back on the scene, I wanna do all the festivals and stuff like that. I don't necessarily want to do all the bullshit that comes with it, like tons and tons of interviews, unnecessary things and all that.
Festivals are a time to play the songs people know and are looking forward to hearing.
Our film [Hide and seek ]was created as part of the Asian American Film Lab's 11th 72 Hour Film Shootout filmmaking competition, where filmmaking teams have just 72 hours to conceive, write, shoot, edit and submit a film based on a common theme. The winners were announced during the 38th Asian American International Film Festival in New York last July. The theme for 2015 was 'Two Faces' and was part of a larger more general theme of 'Beauty'.
When my stories were translated into other languages and received good reviews in the international press and won prizes, some Arab festivals and newspapers began to take an interest in what I had produced. This sudden Arab interest is a form of hypocrisy and nonsense.
I get starstruck really easily. I love music so much - it sounds so silly to say that - so if I'm playing a festival and somebody I love, like [Primal Scream's] Bobby Gillespie, is there in the backstage area, I'm like, "Wow this is amazing! There they are!"
Though it's frequently portrayed as this crazy, unbridled festival of rain-soaked, stoned hippies dancing in the mud, Woodstock was obviously much more than that - or we wouldn't still be talking about it in 2009. People of all ages and colors came together in the fields of Max Yasgur's farm.
Going to see Godzilla at the Palais of the Cannes Film Festival is like attending a satanic ritual in St. Peter's Basilica.
You feel like half of your life is a vacation when you go to these Barcelona music festivals and have all day to sound check or go to the pool.
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