In a sense, all fiction is experimental. Every new book is an adventure into unknown territory. As Hemingway told us, you (the writer) have to go out beyond where you have gone before.
Some people, when they're called before the police, like nothing better than to spill everything, fact and fiction alike, hoping to create a good impression.
When I'm up for an award, there are usually two or three other things on the ballot that I like better than my own fiction.
Topiary has always seemed like a good occupation, comparable in some ways to writing short fiction.
Real life was messier than fiction, and in it you didn't always have time to do or say the right things.
I often use detective elements in my books. I love detective novels. But I also think science fiction and detective stories are very close and friendly genres, which shows in the books by Isaac Asimov, John Brunner, and Glen Cook. However, whilst even a tiny drop of science fiction may harm a detective story, a little detective element benefits science fiction. Such a strange puzzle.
Expectation is a statistical fiction, like having 2.5 children.
The primary ambition of Nietzsche's critique of knowledge is ... to demonstrate that 'truths' are fictions masking moral commitments.
As success converts treason into legitimacy, so belief converts fiction into fact, and "nothing is but what is not.
[Vathek] has, in parts, been called, but to some judgments, never is, dull: it is certainly in parts, grotesque, extravagant and even nasty. But Beckford could plead sufficient "local colour" for it, and a contrast, again almost Shakespearean, between the flickering farce atrocities of the beginning and the sombre magnificence of the end. Beckford's claims, in fact, rest on the half-score or even half-dozen pages towards the end: but these pages are hard to parallel in the later literature of prose fiction.
Although The Terminator is arguably the more visionary of the first two films, [Terminator 2] is the more visually and viscerally satisfying. It's an exhausting experience and, even 18 years after its release (as I write this review), few films have matched it within the science fiction genre for sheer white-knuckle exhilaration.
Since 1977, there have been many science fiction movies, but none has managed to equal [A New Hope's] blend of adventure, likable characters, and epic storytelling.
C.S. Lewis says that fiction is able to sneak past the watchful dragons of religion. It becomes more powerful to speak in poetry. The song goes straight to the heart while the numbers and the math of it will never be able to reach that.
Historical fiction of course is particularly research-heavy. The details of everyday life are there to trip you up. Things that we take for granted, indeed, hardly think about, can lead to tremendous mistakes.
Science fiction is hard to define because it is the literature of change and it changes while you are trying to define it.
Everything I had read in the fields of fiction and science led me to a single, dark conclusion. Humans are screwed, and so is our planet.
Yeah, I know what your English Professor tried to tell you. But if your English Professor could make a living writing fiction, they would have been doing it.
In high school I was drawn to the study of literature, poetry Shakespeare, contemporary fiction, drama, you name it - I read it.
I took the liberty in Snowboarding to Nirvana to do a type of parody of what I suppose you would call "New Age fiction."
I enjoy the writings of all of these authors and they have been very inspirational for me. But I think that it is important as writers of metaphysical, New Age, occult fiction and nonfiction to not take ourselves too seriously.
God, or rather the fiction of God, is thus the sanction and the intellectual and moral cause of all the slavery on earth, and the liberty of men will not be complete, unless it will have completely annihilated the inauspicious fiction of a heavenly master.
I often imagine that the longer he studies English literature the more the Japanese student must be astonished at the extraordinary predominance given to the passion of love both in fiction and in poetry.
I say then, that belief is nothing but a more vivid, lively, forcible, firm, steady conception of an object, than what the imagination alone is ever able to attain. This variety of terms, which may seem so unphilosophical, is intended only to express that act of the mind, which renders realities, or what is taken for such, more present to us than fictions, causes them to weigh more in the thought, and gives them a superior influence on the passions and imagination.
Homo religiosus invents religious symbols, which he venerates and worships to save him from facing the finality of his death and dissolution. He devises paradise fictions to provide succor and support... In acts of supreme self-deception, at various times and in various places he has been willing to profess belief in the most incredible myths because of what they have promised him.
Neutrinos alone, among all the known particles, have ethereal properties that are striking and romantic enough both to have inspired a poem by John Updike and to have sent teams of scientists deep underground for 50 years to build huge science-fiction-like contraptions to unravel their mysteries.
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