My whole thing was, as much as I was inspired by what my parents do, and growing up on film sets, watching that made me really want to do that. I am my own person, and I think that the only thing with the Hemingway name is that it has gotten me in the door.
My role as goodwill ambassador has made my work as a film star relatively dull. I can`t find anything that interests me enough to go back to work. I`m simply not excited about anything. I`m not excited about going to a film set.
I don't feel that fear is a good incentive on a film set.
On film sets I can see everyone, and I really still find that so difficult.
On the film sets of 'New Moon' and 'Eclipse,' I feel safe. It's like you're in the center of the hurricane, but outside is where it starts to get chaotic.
I don't know what it is, exactly, but there's a negative drag on film sets after the second week or so, a mutinous vibe because the infinite capacities of the directors and everybody else become quite finite and everybody's under the gun and it becomes work.
The great thing about having spent all this time on film sets is that I've been able to watch directors and how they work. I now know that this is what I want to do as well: to tell stories visually. But it's definitely my vision that I want to put across, nobody else's.
A lot of directors prefer the solitude of the editing process, but I revel in the craziness of what a film set is.
Nothing can teach you what it's like to work on a film set, and the best education there can be for an actor is to walk up the street and observe human nature.
A day on a film set is maddening.
My brother knows more about film sets than I do, because he works at New York Film Academy.
Film is like tech starts on the first day of filming and it never stops. There's never a moment when the audience comes in, you're just in tech forever, and I can't stand being on a film set. It's really tedious.
I'm more likely to lose my temper on a film set than almost anywhere. Often the level of idiocy is so exalted that it's impossible to comprehend.
I'd be happy doing anything on a film set.
I'll do anything to keep everyone laughing. Things get too intense on film sets. I remember on The Elephant Man, I used to imitate a cat without moving my lips. David Lynch would say, "Cut! Sorry, we've got a noise somewhere on set." Everyone would be looking around for this cat.
Once rehearsals are done the writer really doesn't have a function on the set. If the script is stabilized, then the writer becomes a celebrity tourist visiting the set, trying not to get in the way. It's very good for the ego, to go visit a film set if you are the writer, because they give you a special chair, and tell you where you can sit to watch the monitor. They make you feel special, but at the same time, they make it perfectly plain that you are irrelevant!
Film sets are great fun. Film people are great people to hang around with. I don't want to run off and be distracted by other things.
I've been working since I was 9, and I've never known a life without a film set.
The idea the actors are the most important people on a film set I think is very stupid. Actors are the most replaceable people there. There are literally millions of us. There's very few people that can operate a steady-cam. The numbers are a lot, lot fewer for that, you know?
As a younger actor coming up, I wanted to be in films. There's something special about being on film sets; there's an excitement; the people in every department are passionate about what they do.
Voice work is usually not that big of a time commitment. You can go in for a couple of days or a couple of months, here and there, and just go in and play. I like being able to do that. You don't have that luxury on film sets or television sets.
Film sets are a strange place, but an exciting place. I do love my work; I really enjoy going to work. But if you just spend all your time on film sets or even on stage, you can become a Michael Jackson figure, living in your own little universe.
I definitely want to go on acting for as long as I can find employment. I'm never happier than when I'm on a film set. I just want to keep working.
Ridley creates a very immersive world, so when you walk up to a Ridley Scott film set you're in Ridley Scott's imagination, and it's a really comfortable, cool place to be.
One of the best things - and something I'm grateful for every time I walk onto a film set - is my six and a half years on Dawson's Creek and the experience it afforded me in how to get comfortable with the camera.
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