Filmmaker Quotes - Page 29

• Any filmmaker would want to make something that can still be seen without someone saying, "Ugh that was repulsing, offensive, don't bother visiting it 2nd time."

  Timo Tjahjanto

  Ugh, Want, Offensive

  Source: collider.com

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• I also think that filmmakers understand, we don't have to make twenty movies a year, we make four to six.

  Thomas Tull

  Thinking, Years, Twenties

  Source: collider.com

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• Each one [movie] is very important to us and from a fiscal responsibility, filmmakers understand that it's highly personal for us and they've been great about it.

  Thomas Tull

  Responsibility, Important, Fiscal Responsibility

  Source: collider.com

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• I think everyone's going to really try to keep costs down. The more you keep costs down, the more freedom you have creatively. I can protect my filmmakers from any form of creative interference, be it from anywhere, if we're all acting in a responsible way and making the pain of a failure be as little as possible.

  Eric Fellner

  Pain, Thinking, Creative

  Source: collider.com

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• As a filmmaker, it's important to sit there and feel embarrassed. If you feel embarrassed by something, you cut it.

  Andrew Dominik

  Cutting, Important, Embarrassed

  "Director Andrew Dominik Talks KILLING THEM SOFTLY, His Desire to Release a New Cut of JESSE JAMES, His Marilyn Monroe Biopic BLONDE, and More". Interview with Christina Radish, collider.com. November 29, 2012.

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• Also, to get to work with serious filmmakers on this kind of a movie, has elevated these movies. We were so lucky, as actors, that the crew of directors that we've gotten to work with are totally really super high-end filmmakers. But, Bill Condon had a vision and it was so specific. He's really passionate. I think he's taken the story to another level.

  Elizabeth Reaser

  Taken, Thinking, Vision

  Source: collider.com

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• I'm not interested in selling out my career for a big paycheck. I would love to live a little more comfortably, but it is very important for me to try and maintain my soul and integrity as a filmmaker in as big of a way as possible.

  Daryl Wein

  Integrity, Careers, Soul

  Source: collider.com

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• The filmmaker should make it, and then the critic should interpret it, period. If the director goes in there and starts telling you exactly what to think, you have just completely slapped the audience in the face and not given them the opportunity to interest it, and that's terrible.

  Joseph M. Kahn

  Opportunity, Thinking, Directors

  Source: collider.com

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• When you take that to the next level of guiding a group of filmmakers to actually depict him, it's even more challenging. The one that that I think everybody involved believes is that we won't move forward with this until we believe it's right. There's no deadline that a movie has to be made by. We have to believe that we have served the responsibility, however long it takes us to get to that point.

  Christopher Meledandri

  Believe, Moving, Responsibility

  Source: collider.com

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• There's obviously something that feels very good about being with a new filmmaker who's very excited, but I also think there's something very comforting in a director who's been around a few times. Both have their pros and cons.

  Brie Larson

  Thinking, Comforting, Directors

  "Brie Larson 21 JUMP STREET Set Visit Interview". Interview with Brendan Bettinger, collider.com. February 15, 2012.

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• I am very filmmaker oriented, as a producer. I think the most important thing is that you have to really choose the players carefully.

  Nina Jacobson

  Player, Thinking, Important

  "Producer Nina Jacobson Talks THE HUNGER GAMES, Sequels, the Violence, and More". Interview with Christina Radish, collider.com. March 12, 2012.

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• Too many people believe in that [Alfred] Hitchcock thing that he only shot exactly the shots he needed for the dialogue he needed and I think that's bullshit, even if that was true for that singular filmmaker.

  Jason Reitman

  Believe, Thinking, People

  Source: collider.com

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• The weird thing is that, with actors, filmmakers and directors, it doesn't really matter if it's Robert Downey Jr., who's one of the biggest stars in the world, when you start to work, he's a hardworking actor. At the end of the day, it doesn't matter who's a big star and who's an unknown actor from wherever. It's all about the work you do.

  Noomi Rapace

  Stars, The End Of The Day, Matter

  Source: collider.com

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• As a filmmaker, I make the films that I love, that are in my heart. That's what I care about.

  Jose Padilha

  Heart, Care, Film

  Source: collider.com

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• TV [series] is a six-year decision. It's not four or five weeks. If a filmmaker and I don't get along, it's four weeks of your life, so whatever.

  Marc Blucas

  Years, Decision, Tvs

  Source: collider.com

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• I believe in life. I know that life comes in at your heart and it doesn't matter if you're an actor, a filmmaker or a gentleman on the street, it comes at you. What Scientology gives me is the tools to deal with that, to better enjoy my life and to be able to contribute more.

  Tom Cruise

  Believe, Heart, Giving

  "Biography/ Personal Quotes". www.imdb.com.

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• I'm a fetish filmmaker, in that I don't know why I do what I do, I just like to see things. When I figure out what I would like to see, I will put it in a film.

  Nicolas Winding Refn

  Film, Figures, Fetish

  Source: collider.com

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• There are so many filmmakers who are so talented, and actors and writers who work so hard, and it's really hard to let your work enter the world.

  Brit Marling

  Actors, World, Hard

  Source: collider.com

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• Martin Scorsese is doing a 3D movie (Hugo Cabret). A lot of amazing filmmakers are. Not just the obvious of Jim Cameron, but Spielberg is doing it and Peter Jackson has worked in it. In the hands of those types of people, it will just keep getting better and better.

  Rob Letterman

  Hands, People, Get Better

  Source: collider.com

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• The things and the projects that I want to be a part of are not the ones that I get offered. I get offered a lot, but it's not what I'm interested in. So I have to fight very hard for the things that I want to do and to work with the filmmakers that I want to work with.

  Nina Dobrev

  Fighting, Want, Projects

  "Nina Dobrev’s New Chapter". Interview with Michael Peapa, www.interviewmagazine.com. October 8, 2015.

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• 3D is very exciting. I love it. I'm a complete convert. Everything for me, from now on, is 3D. I'm completely convinced it's the future of home entertainment, as well as cinema entertainment. I think it's a paradigm shift, in terms of cinema, and those things don't happen very often. The introduction of sound, the introduction of color photography and now 3D have been the big shifts. They happen once every 40 or 50 years, so it's very exciting to be a filmmaker, working while one of them is happening.

  Paul W. S. Anderson

  Photography, Home, Thinking

  Source: collider.com

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• As I became a filmmaker and realized that I had a voice, who better to speak for than kids that are bullied? It's such a place where you feel like nobody is listening and you can't communicate what's happening.

  Lee Hirsch

  Kids, Voice, Listening

  Source: collider.com

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• It's a very different experience shooting in 3-D because the camera rigs are so large. Everything we've become accustomed to in the last ten years as filmmakers, which is cameras getting smaller and smaller and you can just throw them on your shoulder and stick them in a car and do whatever you want, you can't do any of that now. You're forced to put things on dollies and track and cranes.

  Paul W. S. Anderson

  Years, Different Experiences, Track

  Source: collider.com

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• I think, as a filmmaker, my style of filmmaking is very well-suited to 3-D anyway, so it's not like I'm having to change a huge amount of the way I shoot to work in 3-D. I think you could probably dimensionalize some of my movies and they would make very good 3-D films.

  Paul W. S. Anderson

  Thinking, Style, Way

  Source: collider.com

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• I had seen "Force Majeure" and I just love that movie so much. And I really wanted to artistically give a little hello to the filmmakers, and that kind of back and forth dialogue between artists that say, "I loved your movie. I was influenced by your movie. If I didn't have this job, I wouldn't be thinking of that. Do my TV show and then one day I'll make a movie where I can play with some of the visual themes in "Force Majeure."

  Jill Soloway

  Jobs, Artist, Thinking

  Source: www.hitfix.com

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