How vainly men themselves amaze To win the palm, the oak, or bays; And their uncessant labours see Crown'd from some single herb or tree. Whose short and narrow verged shade Does prudently their toils upbraid; While all flow'rs and all trees do close To weave the garlands of repose.
What could be more serious than the love of man for woman, what more commanding, more impressive, bearing in its bosom the seeds of death; at the same time these lovers, these people entering into illusion glittering eyed, must be danced round with mockery, decorated with garlands.
I definitely was always expected and encouraged to be a songwriter from a very young age, ... But really it's because, as a child, I thought I was Judy Garland. And when I started out, I was a little nuts. I thought I was a classic, legendary superstar when only 10 people knew who I was. I feel in some ways that my confidence is misinterpreted as arrogance, which is understandable. But I've also always thought that false modesty is evil.
I felt Michael Jackson was inspired a little bit more from the elegance of a Fred Astaire. Michael loved Sammy Davis, Jr. and James Brown and Judy Garland and Fred Astaire. But he wasn't any of those people. To be inspired is one thing, but he made it all his own.
I remember when I was doing Mermaids [1990], I was 16 and they gave me a B12 shot once. My parents weren't there, and when they did come, they freaked out. They were terrified, because of the Judy Garland stories. I know it's just vitamin B, but it did give you a boost.
I was keenly aware that I didn't want to draw on too many typically doomed aspects of the fated singer. Whether it's Judy Garland or Norma Desmond, there is this tragic quality to older women that one can revel in, and you want it to be more three-dimensional than that. So it was important for the character to be strong and resilient, because there are so many victims in opera.
Take thou of me, sweet pillowes, sweetest bed; A chamber deafe of noise, and blind of light, A rosie garland and a weary hed.
It is more reasonable to wish for reputation while it may be enjoyed, as Anacreon calls upon his companions to give him for present use the wine and garlands which they propose to bestow upon his tomb.
Virtue were a kind of misery if fame were all the garland that crowned her.
The music, and the banquet, and the wine-- The garlands, the rose odors, and the flowers, The sparkling eyes, and flashing ornaments-- The white arms and the raven hair--the braids, And bracelets; swan-like bosoms, and the necklace, An India in itself, yet dazzling not.
In Eastern lands they talk in flowers, And they tell in a garland their loves and cares; Each blossom that blooms in their garden bowers, On its leaves a mystic language bears.
Arguably, the relationship between Liza Minnelli and Judy Garland is one of the great mother-daughter sagas of all time. Certainly, for certain people, and a lot of them, Liza is the bigger star. Liza is the more kind of viable legend, shall we say. Then there's the other camp, where Judy is the one.
When May, with cowslip-braided locks, Walks through the land in green attire. And burns in meadow-grass the phlox His torch of purple fire: And when the punctual May arrives, With cowslip-garland on her brow, We know what once she gave our lives, And cannot give us now!
The verb "Garland" should be created. It would mean to unfairly put a stinking albatross around someone's neck, to make him unemployable.
For the short-lived bloom and contracted span of brief and wretched life is fast fleeting away! While we are drinking and calling for garlands, ointments, and women, old age steals swiftly on with noiseless step.
Like the withered roses of a once gay garland, the feelings of youth command in age a melancholy interest.
I took some lessons as a kid but trained myself by ear. I did it the way jazz musicians used to learn years ago, which is to play records and slow them down to figure out the notes. At first I tried to imitate Red Garland, who was my favorite jazz pianist.
A pair of ruby red slippers worn by Judy Garland in The Wizard of Oz have been stolen. The thief is described as being armed and fabulous.
She (Judy Garland) was a friend of mine, a trying friend, but a friend. That is what I tell myself: She did everything she ever wanted to do. She never really denied herself anything for me. See, I say, she had a wonderful life; she did what she wanted to do. And I have no right to change her fulfillment into my misery. I'm on my own broom now.
I'm doing what great artists before me did, like Judy Garland, Sammy Davis, Eddie Cantor. I'm doing what they were doing, not at their level yet, but one day I will be. I'm just happy to be in their company.
If you do a musical, it's really thrilling and it's a lot of work, but it's very rewarding. I would say, for me, what I like best is what I do, which is, I call it vaudeville, I call it live, I call it in concert, I call it what Bette Midler does, and what Garland did for years, and Ethel Merman.
A lot of people saw Marilyn Monroe and Judy Garland as persecuted and tragic and vulnerable, and I think a lot of gay men feel that way because of their particular predicament in society and not being accepted completely.
I love Judy Garland, I love Doris Day, I love Marilyn Monroe. I love everything that comes from that era. The music is just beautiful and powerful - and simple. That's what makes it so great.
I was always in love with Judy Garland, and when I was growing up, I fell in love with Leonardo DiCaprio, of course.
We should manage our thoughts as shepherds do their flowers in making a garland: first, select the choicest, and then dispose them in the most proper places, that every one may reflect a part of its color and brightness on the next.
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