In the last generation, with public Christianity in headlong retreat, we have caught our first, distant view of a de-Christianized world , and it is not encouraging.
The key to maturity is time and community. Discernment and godly wisdom develop in a community that spans generations. The church is called to be this place where the [God's] Spirit uses normal patterns and rhythms of the Christian life in a community, so that we may bear fruit like a well-watered tree. Despite common appearances, the church is the place where God's new creation is coming into existence and being sustained by the Spirit like a great vineyard.
I believe the history of American music is just as important as anything political because it's changed generations of people.
The challenging of repression by a new generation of activists - from Malala Yousafzai to Pussy Riot - across the globe reminded us how many women are still fighting for basic human rights. Our great-grandmothers' struggle in all its shocking detail seemed so relevant.
What I've always tried to do is to express the highest point of me, and rock 'n' roll is the first and the most open form created by our generation. The cool thing about it is that you get the power, you get the rhythm; you can be taken over sexually, you can be taken over cerebrally; it's great to look at - it's a package deal.
I'm a professional artist, that's how I make my living. So I watch the market. There is, it seems to me, a lot of pure financial speculation, and I don't think that's terribly healthy. Though as long as the money is getting back to the artist, I think that's good. I'm very happy younger artists can make money faster than we could. And we were making it faster than a generation before us.
I'm part of the Ipod generation. I got 10,000 tracks from all over the world.
I think paranoia goes from generation to generation. It's convenient to imagine that there's a few people controlling everything, that way it's manageable and small. But that's not life, life is messy.
We've kind of grown up in a post-Star Wars era, and what Star Wars did to cinema, in terms of an explosion of that kind of blockbuster culture. It's thrown up a generation of geeks. With the evolution of computer games and the Internet, that's all impacted on us as a generation, and affected the creative element of that generation enormously. So whereas the different schools of filmmaking...
Now there's a whole generation of filmmakers who grew up making their own films with video cameras, and have dined entirely on a diet of popular culture. It's been reflected in a lot of their work. It's self-reflective, it's quite knowing, but it's very literate.
"A Tale of Three Cities" is a tribute to our parents' generation, who escaped from city to city in search of their loved ones and in search of a place to build a better home. The story is set during the turbulent war years in China in the '40s and '50s.
I have always wanted to make a film about my parents' generation, which tried every way to escape from the deadly shadow of war and finally settled down in Hong Kong in the '50s to build a home from nothing. Arguably, they are the first generation of Hong Kong people to turn this remote island into a modern city.
It's what the mainstream does - they absorb things and they blunt the power of it. And so the next generation and the next generation has to become more shocking and more provocative in order to get any rise out of anybody.
There are generations of women who left the workforce to be moms, and their kids grow up, and they think, "Well, what now?"
There are generations of people who have never seen a big plate painting in person. And they don't know what the hell they look like, they don't know what it feels like to stand in a room with them.
Most of us in the baby-boom generation were raised by full-time mothers. Even as recently as 14 years ago, 6 out of 10 mothers with babies were staying at home. Today that is totally reversed. Does that mean we love our children less than our mothers loved us? No, but it certainly causes a lot of guilt trips.
I was in the generation of CDs, so when I moved to L.A., I think I probably brought my Shania Twain Come on Over CD. But if I lived in the '80s, I would definitely be the one going to the record stores.
Once I was in New York, I completely had no interest for a long time in what happened in China because I had been through so much. Seeing my father's life struggle and so many whole generations lose their potential or possibility in their lives. Just being pushed into this political struggle and the damage done not only to their lives but their relatives.
You see so many people doing quite nice and respectful work, but nobody like Warhol. Warhol is outstanding. I think he has a value that is far from fully understood. He's very special for younger generations.
Communism destroyed so many generations. I look at my grandparents and their generation, and it's as if their lives were taken from them. It's really sad and frightening that something like that could have happened. But I don't really think of myself as Russian anymore. I didn't even live there for that long.
T.S. Eliot's influence was enormous on my generation. Much more than Ezra Pound. I actually had to put T.S. Eliot books out of the house because my poetry was so influenced. Everything I wrote sounded like Eliot.
I believe modern SF needs to at least be aware of the singularity, if only so that it can dismiss it intelligently (or work around it). But I suspect the singularity is like faster-than-light travel for the IT generation. We may hope for it, and the rules don't forbid it, but we don't know how to do it yet (and it may not be possible).
All the young people in fashion worship the people who have been around a long time. I think it is about keeping something going through the generations. Take my work: Just because I'm not 20 anymore doesn't mean that people don't appreciate what I do.
I grew up listening to my grandfather's stories of our musical past. He would often talk about the orchestras that played at concerts and the musicians who played on Sunday evenings on street corners. By the time I grew up in the '80s, all of this was a thing of the past. I lived vicariously through his stories and often wondered what it would have felt like to have been part of his generation.
Why is this generation looking to aging icons like John Lennon and Bob Dylan for inspiration? Why not raising up their own icons?
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