I feel like I have a very unique perspective especially for someone in the hip-hop genre. I'm not afraid to explore it, and how my upbringing then shapes my music and being a New York kid and all of that stuff...that's really the most unique thing I can offer to the music in general.
My favorite kinds of stories are the ones that have these big crazy genre hijinks and then a real honest, meaty, emotional story where we're watching a character grapple with some real things.
What bother me, not "bother me," exactly; that's not the right way to put it. But especially in the horror genre, once a movie like Paranormal Activity comes out and becomes popular - and that's a totally fine and valid movie - everyone starts copying it. Everything becomes a found-footage movie that looks like somebody shot it with their phone.
I spent many years in grad school in English, so I've read a lot in a variety of genres. But adventure fantasy is my bread and butter as a reader, and probably always will be. So it's only natural that I came to that genre as a writer.
I'd like to be remembered not only for my body of work but also for specific novels. Ideally, I want to be remembered in the same way as Stephen King, who defined and exemplified excellence in the horror genre in the late 20th and early 21st century.
My feeling of the whole genre, of the terror tale, is this: The best thing that you can do for the readers in this field is to terrify them. It is something that is intellectual, it happens in your mind.
I try to take B genre movies and treat them as if they're A dramas. Get the cinematographers, get the actors to do an A drama, but it just happens to be about aliens or ghosts or crazy people, or killers, or whatever it is.
There are certain tenets set in place for all different types on genres. For thrillers, women usually die first.
My music doesn't really sound like punk music, it's acoustic. And it doesn't really sound like folk music 'cause I'm thrashing too hard and emoting a little too much for the sort of introspective, respectful, sort-of folk genre thing. I'm really into punk and folk as music that comes out of communities and is very genuine and very immediate and not commercial.
And there are two types of stories. One type is one's own story. The other type is telling the stories of others. Thanks to this genre, writers of nonfiction can now use the tools of the reporter, the points of view and ear for dialog of a novelist, and the passion and wordplay of the poet.
I'm a real gangster rapper and I'm a rapper. I just think my music takes different directions. I don't think you can pigeon hole me in one genre. I'm probably the most versatile in the game, period.
'Get Out' takes on the task of exploring race in America, something that hasn't really been done within the genre since 'Night of the Living Dead' 47 years ago.
To think of writing poetry as a "career" is not only ridiculous, it's dangerous. To the imagination. To the way one thinks of art. The reason poetry as a genre is so special is because it cannot be made a commodity.
I can pretty much spend an entire week talking about how the writing process works, to be honest! It can really vary from project to project and is often dependent on when you're brought on board, the genre, the platform and the narrative desires of the project.
I certainly realize that not only do I like the horror genre, but I'm getting really good at it and I'm having a good time making them.
One of the wonderful things about making a film of any genre is that you have dialogue. You can take up a position. If you want to say something about your position, you can just say it. You don't have to spend massive amounts of screen time.
I'm always loath to make generalizations about what is for children and what isn't. Certainly children's literature as a genre has some restrictions, so certain things will never pop up in a Snicket book. But I didn't know anything about writing for children when I started - this is the theme of naïveté creeping up on us once more - and I sort of still don't, and I'm happy that adults are reading them as well as children.
I want people to get out of that nasty habit of needing a label. Every genre for each song is different.
No matter what I put out, no matter what genre - because I feel like I'm going to experiment with everything - I hope people will see that it's true to me, that it's honest, and nobody ever thinks that I'm inauthentic.
I'm just looking for material that excites me more than any specific genre. It just needs to be good.
I was much more into romance as a teenager and it's been a kind of new discovery for me to learn about sci-fi adventure. I think it's a really interesting genre and it's all about imagination. It's boundless what you can do in these stories.
I think people associate genre and music style with creativity, but it's all creativity regardless of what pipeline it comes down.
I saw what luck and success I had as an opportunity to twist it up and do something different, so I've always sought out different genres and different kinds of characters.
When the publisher here in America wanted to put the word "memoir" on the title page [of 'Winter Journal'] and on the cover, I said, "No, no, no, no, no, no." No genre whatsoever. It's an independent work not really connected to those things at all.
I knew I wanted to work with Brad [Falchuk] and Ian [Brennan] again on something comedic, and we are having a blast writing SCREAM QUEENS. We hope to create a whole new genre - comedy-horror - and the idea is for every season to revolve around two female leads.
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