I'd like to try different genres: comedy, period drama, rom-com, action.
Lou Reed's music has been in the lives of millions of people all over the world for decades. He had a truly universal presence and was respected by musicians across all genres.
From the moment that photography appeared, the descriptive genre began to invade Letters... In verse as in prose the décor and exterior aspects of life took an almost excessive place.
J-Lo finally married into her own music genre. Crappy music.
I love making genre films. It's something I've really been attracted to since I was a kid, mostly because, as a kid, it was forbidden fruit.
I'm bored with the same genre, the same remakes of things. I like original ideas and high-concept things where it's off the page and kind of fantastical.
I've never really been a genre fan. I never grew up reading comic books, or was a horror buff.
I'm eager to do movies of different genres. I would love to not be confined by genre and do a lot of different things.
There is no real kind of specific genre of cost of movies.
I'm not particularly an expert on the genre. Correct me if I'm wrong, but usually you see most of the super-villain in his villainous role. He's the Green Goblin, or whatever various bad guys in Batman, or something like that. It's the excessive, larger than life, cartoon-ish, costumed character that is the personification of evil and has to be destroyed.
I think there are fans who love the genre to begin with, and there are fans who love the comic book to begin with, but fans of the comic book aren't necessarily fans of the genre. There are obviously a lot of those people who love both, but I'm not a huge fan of that genre, personally.
The book is about zombies, in that it is the over-arching theme, but what's going on is the story of these people and how these survivors deal. I think that's so much more of an interesting story, and that's what really gets and hooks these readers into the book and the show. It's a mix of fans of drama, fans of AMC, fans of horror and fans of Frank [Darabont]. It's a lot of people just coming together and realizing a genre doesn't have to be fixed in one specific detail.
I would much rather see somebody bring something new to a genre than produce something that seems safe.
I don't stay in the genre because I just like all stories that have a smart hook in them and I can find a comic way through if it's a comedy or a suspenseful way through it if it's a drama.
It's really hard to find just a simple character-driven drama, outside of a genre, that was available to direct, except for on TV.
In the horror genre, unfortunately you sometimes have the studio tell you, "No, go with more unknown people because it's a scary movie," and I disagree.
What we're really trying to tell, even though it's very much a genre show, is a very human story. Even in this heightened situation, it still comes down to people being people, and dealing with people as people. It really is about the seven people in that town.
I've always been a sci-fi geek, and I've always loved it. It's my favorite genre of all. The irony of ironies is that, in my early career, I just really never worked in it. "Star Trek" was very interested in me, partially because I did "From the Earth to the Moon," and I was really interested in them, but the timing just never worked out.
I don't have a favorite genre. I mean, I always sort of base it on instinct. And it does seem to be that after I finish something that is very dramatic, I end up inevitably wanting to do a comedy or something like that.
The excitement about independent filmmaking is that they're a little more open to taking chances. The studios are a little more careful, as far as who they choose for their film and what they're known for and staying in the genre because they know what works.
I like doing whatever interests me. It's a challenge for me to try to make good comics out of any genre I tackle. I trust my instincts in getting me through the more difficult genres for modern readers, like violent crime or horror stories.
It seems like the powers that be are really trying to separate everything and really divide the genres and divide the trends. If you're metal and you don't sound like Slayer would sound now, then you're not metal. If you're punk rock and you don't sound like and preach about what The Sex Pistols would have preached about back in the day, then you're not really punk rock.
You ever hear guys with small cocks talk about sex? Can't talk about it enough. They even got poems. They'll say, 'It's not the motion of the ocean, it's the boat of the lotion.' I've even heard variants..., it's not the tree or the size, it's the axe that you wax.' It's a whole sub-genre of poetry now that's taught in many of our finer institutions.
What I try to do is reinvigorate strategies and clichés I find in Hollywood movies. At a certain point I had these huge folders, each one classified according to subject matter or genre: people with guns, people kissing, Indians and cowboys falling off horses, getting shot, getting shot with arrows - almost every plot device. Then I cropped the cheap, recycled imagery to give exhausted images new meaning, or at least something other than their original meaning. I'm basically reassembling atoms to give them a meaning that's more au courant.
All words have the "taste" of a profession, a genre, a tendency, a party, a particular work, a particular person, a generation, an age group, the day and hour. Each word tastes of the context and contexts in which it has lived its socially charged life.
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