I just figured if I'm going to call myself a songwriter throughout my life, then writing for most genres of music is something I should at least attempt.
A pioneer in this genre [ writing about the refugee crisis] : the book A Seventh Man, by the great John Berger, decades ago evoked the lives of migrant workers in Europe.
I may be the person who put "dieselpunk" into the conversation. I have always been a reader who reads in a really broad way. I read genre writers and I read literary fiction and I read books by dead people.
There are as many different ways to write a novel as there are varieties of human consciousness, so I am totally delighted if people want to use words that come from genres to describe how this book functions because those words are accurate.
[Michael] Chabon, who is himself a brash and playful and ebullient genre-bender, writes about how our idea of what constitutes literary fiction is a very narrow idea that, world-historically, evolved over the last sixty or seventy years or so - that until the rise of that kind of third-person-limited, middle-aged-white-guy-experiencing-enlightenment story as in some way the epitome of literary fiction - before that all kinds of crazy things that we would now define as belonging to genre were part of the literary canon.
[Michael] Chabon is arguing in favor of what is at the same time an old-fashioned and very forward-thinking opening up - of taking off the class associations with those labels, because we grew up, or I certainly grew up, feeling that, "Oh, there's literary fiction, and beneath that, there's these other things." He's actually saying that they're all of equal merit, and in many cases, that work in the genres, or work that draws from the genres is more entertaining for readers, since it is our job to entertain people.
Because I am known in the horror genre now, I try and do at least one horror movie a year for my fans, my fans have been so good to me.
I love the idea that all genres can have subsets.
Sometimes it works, sometimes it doesn't. But there is always a time and a place for the subsets within genres.
I do genre films because I like them, or because I need the money.
I had this whole issue of doing a crime film in the 2010s. The genre's been mined very, very heavily. Post-Scorsese, post-Tarantino, post-Guy Ritchie, what do you do? I wasn't attracted to pulp so much as all of a sudden I had a pulp problem. I had to find a way to make this interesting, because there's a lot of crime films that come out on VOD every week, and a number of these star Nicolas Cage.
The horror genre is fun but I'm not sure it is quite right for me.
There's no coherent stylistic genre specific advice that I could provide.
I really wish that peoplewould just say, 'Yes, it's a comic. Yes, this is fantasy. Yes, this is Science Fiction,' and defend the genre instead of saying, 'Horror is a bit passe so this is Dark Fantasy,' and that' s playing someone else's game. So that's why I say I'm a fantasy writer and to hell with 'It doesn't read like what I think of as a fantasy'. In that case what you think of as a fantasy is not a fantasy. Or there is more to it than you think.
I think music isn't just a genre or sound. If it sounds good and makes you feel good it's a beautiful thing.
I'm a huge fan of television, and it's a really good time to be a fan of television, because there's so much good stuff out there. In every genre, really.
I'm in an odd position because I write across so many genres for so many people and they all influence me, and if I'm going to write as honest an album as possible, it's going to be layered.
Being gone for so long and coming back into the game, I'm the type of person to reinvent myself pretty often and I can adapt to pretty much whatever genre is popping at the moment.
I'm just different. There are a handful of different types of genre of music that I would love to just jump into and people don't realize that I'm really good at those things. They just know me as Tony Sunshine, the guy that sang the hooks for Terror Squad.
I take the same approach in all genres of art, across the board. It's intuitive.
What I want any genre to do, what I want any work of art to do, is to illuminate the human condition.
As for whether genre considerations influence what I write, they don't at all, but I might sell more books if they did. The Night Journal is a hodge-podge of historical fiction, western, mystery, and contemporary domestic drama. It doesn't settle into a specific market, reviewers have a hard time describing it, and sometimes it gets classified weirdly in bookstores. But from a writer's standpoint, I like that it's hard to categorize.
It seems like the Western genre has crept out of its casings during the last few years, and expanded to include books and movies we wouldn't originally have thought of as westerns.
I'm a horror movie fan to begin with, so to come back to the genre, I feel like horror has been very good to me.
The professionalization of poetry, or the balkanization, has come out of the fact that when you apply to most creative writing programs, you have to choose your genre.
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