It took me three weeks to write the 'Rhapsody in Blue.' I had always wanted to write something blue and Paul Whiteman inspired.
Why should I limit myself to only one woman when I can have as many women as I want?
Upper berth, lower berth, that's the difference between talent and genius.
Out of my entire annual output of songs, perhaps two, or at the most three, came as a result of inspiration. We can never rely on inspiration. When we most want it, it does not come.
All great composers of the past spent most of their time studying. Feeling alone won't do the job. A man also needs technique.
Summertime And the living is easy Fish are jumpin' And the cotton is high Oh, your daddy's rich And your mama's good lookin' So hush little baby now don't you cry One of these mornin's You're gonna rise up singin' Then you'll spread your wings And take to the sky But til that mornin' Ain't nothin' can harm you With your daddy And your mammy standin' by.
In time the Rockies may crumble, Gibraltar may tumble.
I got rhythm, I got music, I got my man- Who could ask for anything more?
A libretto that should never have been accepted on a subject that should never have been chosen bya man who should never have attempted it.
What the hell do you want to work for somebody else for? Work for yourself!
The extraordinary thing about my mother, she's so modest about me.
Porgy is...an interesting example of what can be done by talent in spite of a bad setup. With a libretto that should never have been accepted on a subject that should never have been chosen, a man who should never have attempted it has written a work that has a considerable power.
Look at the piano. You'll notice that there are white notes and black notes. Figure out the difference between them and you'll be able to make whatever kind of music you want.
The way you wear your hat, The way you sip your tea, The mem'ry of all that -- No, no! They can't take that away from me!
Holding hands at midnight 'Neath a starry sky... Nice work if you can get it And you can get it -- if you try.
S wonderful! 'S marvelous! That you should care for me!
I'm a fan of Jerome Kern and Gershwin. That's my kind of music.
I totally related to Cole Porter's magnetic pull to any piano that was in the room, which he was famous for doing, as was Gershwin. You couldn't drag them away from a piano.
Ira Gershwin, shame on him. I mean, some of the writing.
I love Gershwin. I love musicals.
To George Gershwin, on refusinghim as a pupil: You would only lose the spontaneous quality of your melody, and end by writing bad Ravel.
I did my New York debut at 21. It was “On the Town” at the George Gershwin Theatre. New York is my artistic home.
I was always drawn to Broadway musicals, and obviously composers like Gershwin, Rodgers, Berlin and Porter were writing music that I found wildly impressive.
I just love all the music. My grandma was a church organist for 40 years, and she got me into jazz music and great songwriters, Harold Arlen, George Gershwin, all those folks. I can't do it, but I have a profound respect for it.
Not to dismiss Gershwin, but Gershwin is the chip; Ellington was the block.
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