For me to train and get ready for racing, I can't just sit in the gym all the time and that's the way it is. Responsibility starts and stops with me. My main gig is grand prix driving, that's what I do and I need to keep that in the forefront of my mind.
Part of the acting gig is when you're let loose some improvs and put stuff into your own words every once in a while. That doesn't get you a writing credit or more money. It just makes it more fun.
I saw my first gig here actually (Festival Hall in Brisbane) Duran Duran.
Those who say that Serena isn't serious about tennis; she wants to go Hollywood. That's true, about Hollywood. I would love to get a lot of acting gigs. But you wouldn't believe the stuff I've turned down because of my tournament schedule...I would do well beside (comedian) Chris Tucker.
The only goal is in the process. The process is the thing…with little flashes of light here and there. Those are the gigs, those are the live shows. But it's the life in between—that's all I got.
Mayor de Blasio said that whenever he goes to a Yankee game he gets sick and tired of people booing and giving him the finger. Hey, what do you want? You're the mayor of New York City. It comes with the gig, pal.
Trey Spruance didn't want to tour for ages. And Dean Menta has always been our guitar-roadie during Angel Dust, and I remember him playing fantastically during soundchecks. During each gig, he was watching from the side of the stage, seeing Big Jim play stuff that he could play better.
No, that's what I think God does to you. He gives you some great gig in which you make a whole heap of money, and you're just on top of the world and on every magazine cover, but your personal life is miserable. And for most of that time, I have to say, my personal life was pretty miserable.
For me, practice isn't doing scales but doing things like writing, jamming with other people, or playing gigs.
Fortunately, an extremely sexy, pixie-voiced blond named Ronnie Harran, who booked the Whisky, saw us...She had an ear for talent...the Whisky was finally a gig we could be proud of.
I did a gig in the U.S. once for the homeless. I said 'It's nice to see so many bums on seats.'
Our parents had to drive us to the gig, or even go in with us because of the liquor laws. The owners were really scared to death that we'd drink. We usually just went out somewhere and smoked weed. I don't smoke anymore, but back then we used to smoke quite a lot.
My first gig was at Radio City Music Hall when I was 13.
The Bassbone works great in the studio or on the live stage. Throw it in your gig bag and take it wherever you go.
I met BSB at a benefit gig we were both doing, and they are really humble, nice guys - and very hard working
I still remember the first gig where I got people going, it was Rascals in New Jersey, and the place was packed. I was scared. People were expecting me to be funny. I gotta be honest, every time I walk into a club, it's that same fear.
I was always pretty broad. I've had a couple bad experiences. One time, I showed up late for a gig in Brooklyn at an Italian restaurant. I ran on stage, did my show, and then some guy in the audience threatened to kill me because he didn't like my joke. Instead of talking to him, I just ran off stage. And then, because I was late, the owner of the restaurant threatened to kill me. And I was 19 years old and so scared that I almost started crying. But, I've done every gig you can imagine, in every state.
The most common occupation for women in G rated films is royalty - which is a great gig, if you can get it.
Stand-up is a real art form in itself and one that I really think to be good at you have to devote your entire life to. It's the really, really good ones that end up getting to do the things that I like to do: movies, TV shows, and stuff like that. It's a really hard gig and it just never called to me.
'Hairspray' was my first Broadway show. In the meantime, after the show was over, I would go down and do gigs at these clubs that I wasn't even old enough to get into. That continued on, and I think what ended up happening was that I just got these incredible opportunities on Broadway.
Basically that you can do anything. If you pool your resources,and just give up the idea that you're going to act like a normal person or sleep, if you want it hard enough and do it well enough, it happens. A lot of really talented people either sort of get crushed under the wheel of the movie studio system or desperately try and get their next gig in TV. I understand why, because we've all got to put food on the table and the brass ring is out there, we'd all like to be making the Emmy-winning shows and the blockbusters and all that, but at the same time you could be doing stuff yourself.
I've played lots of villains in my time and I think the reason they've been so successful is that they're not two-dimensional. They're not black and white. That's the gig.
Oh, I am a cook and a captain bold, And the mate of the Nancybrig, And a bos'sun tight, and a midshipmite, And the crew of the captain's gig!
Every time I do a gig, my goal is getting new fans.
Most of actor's work is done at home, in your hotel room, in the wee hours of the morning thinking and reading and feeling, walking around and listening to music. It really just because an internal exercise, whatever skills. It's great if you have to learn something new for a gig and designing a character physically is always fun but it does become an internal exercise in separating the wheat from the chaff.
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