I've played lots of villains in my time and I think the reason they've been so successful is that they're not two-dimensional. They're not black and white. That's the gig.
Basically that you can do anything. If you pool your resources,and just give up the idea that you're going to act like a normal person or sleep, if you want it hard enough and do it well enough, it happens. A lot of really talented people either sort of get crushed under the wheel of the movie studio system or desperately try and get their next gig in TV. I understand why, because we've all got to put food on the table and the brass ring is out there, we'd all like to be making the Emmy-winning shows and the blockbusters and all that, but at the same time you could be doing stuff yourself.
The most common occupation for women in G rated films is royalty - which is a great gig, if you can get it.
If I have a gig in the evening, I get 'the doom' at about 5 P.M., when I think I'm getting flu.
Stand-up is a real art form in itself and one that I really think to be good at you have to devote your entire life to. It's the really, really good ones that end up getting to do the things that I like to do: movies, TV shows, and stuff like that. It's a really hard gig and it just never called to me.
I love festivals because they seem like more of an artsy, supportive attitude - which benefits a more theatrical performer sometimes with having theater and other non-club venues, as well as the audience being filled with other artists. It's nice to be with other comics, as usually at other road gigs, I'm solo for the most part.
Oh, I am a cook and a captain bold, And the mate of the Nancybrig, And a bos'sun tight, and a midshipmite, And the crew of the captain's gig!
Part of the acting gig is when you're let loose some improvs and put stuff into your own words every once in a while. That doesn't get you a writing credit or more money. It just makes it more fun.
The hardest gig there is in entertainment is to be the lead in an hour show, especially if it's a show that's blood and guts and fighting. It's rough. I love to work, but to do something different is really exciting.
My drummer right now, who was also the first drummer in Weeping Tile, Jon McCann, told me that [Hip drummer] Johnny Fay took drum lessons from [McCann's] dad, who taught a lot of the drummers in Kingston. He said that when he was in Grade 9, the Hip were the model; the goal was to get an agent and gig as much as possible.
[Bill] Clinton and Vernon Jordan were talking about "the kitty," the pussycat every other sentence. Vernon got Monica [Lewinsky] a gig somewhere out of the White House, got her an offer for a gig somewhere. And then after Vernon left with Monica, here came Jesse Jackson to the White House for public prayer sessions so that Bill Clinton could get right with God after this mortal transgression and sin. It was the most puke-y thing.
I shined off high school band, marching, jazz studies. At the time I was too cool for school, I had this professional gig and I was going home taking a shower and heading to downtown Hawaii, Waikiki.
I want to be made better personally. That is the gig.
What actors are good at doing is walking into a situation that should make you incredibly self-conscious and frightened and doing it anyway. That's the gig, pretending that you are comfortable.
The hour on stage is rarely a drag. In fact, I can't really say that its ever a drag. The few times that its been challenging has been when you don't have a sympathetic audience or there is the occasional strange corporate gig or something that you take or that you're not sure and you're like, "Wait a second. That's just the wrong venue".
I auditioned [for America's Most Talented Kids] just to see where I would rank. I had been playing [gigs] around town, and I wanted to see what people thought of me because when I played a show, everyone would clap but I didn't know what they were really thinking.
Forty years ago, my life in music was substantially different to today. I went out every night with my guitar seeking a place to sing, a floor on which to lie, some love, some food, a lot of wine. There was no business, no gigs, no questions, no P.R., recording, life was simpler, I was poor and young and hungry. Today I am a lot more focused on The Song.
The place that I worked I used to joke about it. There was a, every morning at 10:30 I'd come into work and I'd go into this cubicle that had a little upright piano and fake white cork bricks on the wall, and a little slate that came out of the wall that you could actually write on. And a door that locked from the outside. Every day from 10 to 6, we'd go in there and pretend that we were 13 year old girls and write these songs. That was the gig.
I think I probably learned something from almost every gig that I've done, not only because each occurred at a different phase of my development, but because each one had something different to offer. Ideally, you should be able to get something out of everything, positive or negative. And if it's negative, try to turn it into some kind of learning experience.
I really don't want to thank my wife because I could be bussing tables at the Daily Grill right now if not for her. Jesus, what a gig that'd be.
For example, instead of being asked to write an article, suddenly editors wanted me to make super-short videos. The assumptions of those video gigs was that kids don't read as much news and basically need to be read to, which I found really problematic and kind of insulting. I thought, Isn't it just that you don't have any money and that's why you want me to make some crappy "content" for your website?
Obviously I still gig on my own, but I've always heard my music with a band.
One springs to mind: one of our very first gigs in a small East Texas town was not well promoted. At least, that was our conclusion. After the band loaded in and the curtain opened, we realized there was exactly one paying customer in the audience. We kind of made the best of it playing through the first set, took a break and bought him a Coke and then went on to perform for the remainder of the night. It wasn't exactly a catastrophe but it certainly stands as legendary.
You never get tired of making money, and you never get tired of a great acting gig, a same role that you can play for years, with wonderful writing and wonderful actors.
I started working as an actor, semi-professionally, when I was 16, and got my first professional gig at 19. I guess I've kind of worked pretty consistently since then.
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