The hardest gig there is in entertainment is to be the lead in an hour show, especially if it's a show that's blood and guts and fighting. It's rough. I love to work, but to do something different is really exciting.
Home gigs can be hard because it's an odd collision. More than anything, I feel self-conscious when my family are in the audience. I'm doing this job which is not quite acting - part of it is me, part performance. You're presenting a cartoon of yourself to people who know you as a line-drawing.
I've been playing live gigs since I was 13. I really don't know how to do anything else, and please God strike me down.
I auditioned [for America's Most Talented Kids] just to see where I would rank. I had been playing [gigs] around town, and I wanted to see what people thought of me because when I played a show, everyone would clap but I didn't know what they were really thinking.
The more you write tunes, the better they will become. The more you do gigs, the better you will become. It’s just kind of like the facts of life; the practice makes perfect thing. Keep your fingers crossed, start from the bottom and work your way up.
I have a great team. A lot of my focus every day is with my television and film career, directing and producing, and I guess you can say that my moonlighting gig is Tropfest. Obviously, when I am not working I am in the Tropfest office full-time.
The thing about bands is everybody wants to be the next Oasis, and that doesn't mean slogging it out around the toilet [gigs], it means, "Give me the check, I need to go to the Levis shop and I need a 1960s Gibson."
Acting is a great gig. It pays well, I get to meet some nice people, and it allows me to play a lot of golf. I'm a real lucky guy.
I feel like I'm always being challenged by my voice acting roles, for multiple different reasons. I still get nervous every time I book a gig.
What actors are good at doing is walking into a situation that should make you incredibly self-conscious and frightened and doing it anyway. That's the gig, pretending that you are comfortable.
The hour on stage is rarely a drag. In fact, I can't really say that its ever a drag. The few times that its been challenging has been when you don't have a sympathetic audience or there is the occasional strange corporate gig or something that you take or that you're not sure and you're like, "Wait a second. That's just the wrong venue".
I always perform live. I've even received a cortisone injection when I was losing my voice before a big gig so I could fulfill my obligation to the promoter. I felt it the days following after the gig in my throat, but it was nice to know I didn't let anyone down. The show must go on.
I love festivals because they seem like more of an artsy, supportive attitude - which benefits a more theatrical performer sometimes with having theater and other non-club venues, as well as the audience being filled with other artists. It's nice to be with other comics, as usually at other road gigs, I'm solo for the most part.
The idea of hearing, 'Great gig, man,' one more time just turns my stomach over.
... I'm not conscious of the speed ... it's not my motive ... my motive is displaying a voice through the fingerboard ... it can get to the point where I don't have control over what I am playing ... I never end the gig until I can't sing anymore
I've had the pleasure of working closely with Marc Von Em as a singer, but when I heard his original stuff, I asked him to open up a 10,000 seat gig. Just him, his guitar, and his songs. He killed it!
I went to see John Mayall at the Marquee, with Peter Green on guitar, and that was a particularly good gig.
I want to be made better personally. That is the gig.
I shined off high school band, marching, jazz studies. At the time I was too cool for school, I had this professional gig and I was going home taking a shower and heading to downtown Hawaii, Waikiki.
I used to do this big rant at the end of some gigs with Ben Folds Five. The band broke into this big heavy metal thing and I started as a joke to scream in a heavy metal falsetto. I found myself saying things like: Feel my pain, I am white, feel my pain.
I just want to move forward with what I love to do. I also love to travel and I love my family. If I have a gig and I'm going to do that, great. If not, I'll go visit my family or do a bit of traveling. I try to keep life full, in every way.
I would say, you can never do enough gigs and you can never do enough songs. Make sure that every opportunity you can, play a show and every opportunity you can, write a song.
I think I'm good with actors. I like directing actors. I also like to show up and just do an acting gig. Where I'm just a hired gun, I don't have to have an opinion on anything.I never got involved in all this stuff because I wanted to control stuff; I got involved in writing and producing because I wasn't getting interesting acting gigs. In a way I'm grateful that I didn't get interesting roles, because it made me pull my finger out and do some work.
I'm not really a director or producer for hire. There's lots of big gigs out there, but I'm not looking to do that. Usually, when I'm directing or producing, I've written it myself. I'm not really trying to get on some big horse that's running through town. I just make my own stuff.
My gigs are built on improvisation: I go out there and I'm like the Energizer bunny.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: