When I was into The Beatles, I cut my hair into a Beatle haircut, which looked so ridiculously stupid with my little cat-eye glasses that I wore.
Someone might say that's a naïve way of looking at things now, and I would respect their opinion, but I also respect every woman's right to wearing her own individual style, including hair.
I like hair that's been 'worn in' because it's much easier to deal with.... I actually don't like it when [models] come in with this beautiful, thick, glossy hair. I think, Oh, no! I can't do a thing with this!
I was inspired a little while before The Voice to dye my hair half black half blonde by Cruella De Vil of 101 Dalmatians. One day I was watching it and I told my mom I was going to dye my hair like Cruella's, and she thought I was joking. I came home from the salon, and she didn't talk to me for a few days!
I have one funny story - because we knew we don't have fangs. But I remember I told Billy (Tangradi) "Dude, where's your fangs?", and he was flipping out because then he would have to run back to the hair and make-up trailer, they would be like "You don't have fangs." and then he'd run back and I'm like, "Dude, where's your fangs," It was great. A little easy.
I see how 14-year old girls react to me and I think I'm a good role model. Rockstar maybe not, but I'm willing to play with it for a little while, until my hair gets gray.
That is potentially putting us all in the target hairs now is the reactivation of a new nuclear arms race. This arms race and this cold war is potentially hotter than it's been at any time in my lifetime.
In the studio we use a pretty wide range of materials for the sculptures; silicone, fibreglass, human and animal hair, ABS plastic, dental acrylic, traditional and high-tech plasters, stainless steel, automotive paint, plywood, Britannia metal, found objects and taxidermy animals.
One tip is to try and give your hair some time to relax. Don't over wash or over dry it.
A couple of years ago I used to have long, curly, mermaid hair that was amazing, and then I broke up with my boyfriend and I cut it off to my shoulders. It was in this awkward Molly Ringwald phase, so I just kept cutting it shorter.
Whether or not cutting my hair was the right decision, it empowered me. But now I have no hair to wash men out of when I go through a breakup, so I'm going to have to get a new tattoo or something when that happens.
I did what I could to keep up the ruse. I was travelling quite a bit, so any opportunity I could, I would travel through Atlanta and stay a day or so. I'd make sure I was 'seen' in some of Atlanta's restaurants. And I dyed my hair the whole time, every two weeks, to keep the haircut.
I shaved my hairline back and dyed my hair and wore a little powder, a little paint, a fat suit, and I changed my voice, but the emotions were consistent with what the point of the scene [with Branch Rickey] was.
Here's an easy one: "Race is an entirely social construct." No, it's partially one, depending on how any given society seeks to define it and its implications. But there are basic things such as skin color and hair texture. Even a Martian who'd had no exposure to human "social constructs" would be able to spot those differences. But no Martian, as hard as he tried, could point at a "culture" or to "equality." Those are the social constructs. Those can't be measured in the same way as human DNA.
Someone asked me recently, "Do you get sick of people asking you about your hair?" And the reason I don't is because I actually feel like you could chronicle my journey of self-acceptance through my journey with my hair. It's a badge of something bigger.
I had a phase where I had a mustache. There was several times where I had a mustache. I had a mustache in high school because South Asian men can potentially have a great deal of facial hair. So I had a mustache at 14, and then I grew a proper mustache a few years ago. I just thought it would be fun to just have a mustache.
It's always fun when you see different comics at different weights or with different hair.
Voice-over stuff is so much fun because you don't have hair and makeup and wardrobe. You get to show up. And there were some talented people, and we don't even know them. And they're so gifted. They can do all these accents and voices. It's really fun to do that stuff. It's really like actor camp.
Santa Jr. I was a cop. Yes, I was officially Santa. But a younger Santa. He goes young, clean-shaven, to how we imagine Santa with all the white hair and beard and "Ho ho ho." Kind of funny.
I still look at that water, and I look at Moana's hair, and I'm just like, "How is this even happening?" It's such an incredible mix of technical mastery and wizardry. It's really incredible. It's layers and layers and layers. It's not unlike building a musical. It's really pretty cool.
Household life is crowded and dusty; life gone forth is wide open... Suppose I shave off my hair and beard, put on the ochre robe, and go forth from the home life into homelessness.
I have like three hairs left on my head. A hairstylist will come in and put all this fake hair in and it looks luscious and amazing. And I'm like, god, I feel a thousand times better.
Although I could be wrong. If Roland Emmerich's thinking about doing that at some point, I'd be glad to don the long hair again. But sometimes you can just go a little bit further out with something you're only going to be doing for a short run
As it turns out, sometimes that bites you. In this case, I saw pictures of Earl [Mills], and...I actually met him. He was quite old at the time, but he had this sort of curly red hair, so we did that in the film. I got a perm and had red hair, and... It was a mess.
I cut my hair like three times a week. Sometimes more if I'm working, and I know I got to be in front of people with interviews or TV or video. I've been blessed to be so busy.
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