My decision to destroy the authority of the blacks in Saint Domingue (Haiti) is not so much based on considerations of commerce and money, as on the need to block for ever the march of the blacks in the world.
Those of you who have been there [Haiti] know it is one of the most beautiful countries in the world. It has everything. It has everything above the ground, and everything under the ground.... It is an amazing place. I strongly recommend that whenever you get a chance, if you haven't been there, that you go to Haiti. I think it was a certain Queen of England who said that after her death "Calais" would be found written on her heart. When I die, I think that "Haiti" is going to be written on my heart.
Haiti is the kind of place that grabs your heart, and never lets go ... When you arrive in Port-au-Prince, the first thing that strikes you is how vibrant the colors are. Buses, buildings, fences, clothing, everything is brightly painted in primary hues. On closer inspection, you see the reality behind this brightly colored landscape: a dark, grinding poverty, the worst in the Western hemisphere.
The Hope, Love & Healing necklace is the perfect embodiment of what we are trying to bring to Haiti through safe and sustainable housing, sanitation solutions, and water filtration devices.
Two hundred years ago, our precursors in Haiti struck a blow for freedom, which was heard around the world, and across centuries.
If something is right (or wrong) for us, it’s right (or wrong) for others. It follows that if it’s wrong for Cuba, Nicaragua, Haiti, and a long list of others to bomb Washington and New York, then it’s wrong for Rumsfeld to bomb Afghanistan (on much flimsier pretexts), and he should be brought before war crimes trials.
We should be focused on the Haiti earthquake victims, not on what contracts your company should get, if you're a friend of Bill [Clinton].
Language is such a powerful thing. After the earthquake, I went to Haiti and people were talking about how [they] described this feeling of going through an earthquake. People really didn't have the vocabulary - before we had hurricanes. I'd talk with people and they'd say, "We have to name it; it has to have a name."
I've been dealing with pressure all life long. Coming from a very poor family in Haiti, moving to Paris, a new place, a new culture, a new language. I used that pressure to adapt, to do better than everyone else, and I moved around quite a bit as well.
That has always been a strength of Haiti: Beyond crisis, it has beautiful art; it has beautiful music. But people have not heard about those as much as they heard about the coups and so forth. I always hope that the people who read me will want to learn more about Haiti.
Haiti is closer to anarchy than it is to anything else.
I would want to make Radio Haiti as independent as possible, which means it can't be strictly commercial.
Every time I go to Haiti after a season of busy work in Europe, I feel like I'm submerging into a certain state of mind, which is very productive.
I worked on human rights projects in Haiti, Cameroon, and East Asia, and the bigger ones tended to do with agriculture. My role was to make sure that there was equity that remained at the base of those projects, with the workers. I had a couple of different lives.
America's relationship with Haiti has always been very complicated. I often say to people, "Before we came to America, America came to us in the form of the American occupation from 1915 to 1934."
One of the things you don't have in Haiti is you don't have anybody on crack doing something completely out of - that's unpredictable. Even at the worst times in Haiti, the violence that had happened, the lack of security that happened, was largely predictable because it was politically tied.
I would love to work with the artisans and take it to another dimension, the same way I did in Haiti.
It's important to remember there is a 20 year US. occupation of Haiti from 1915 to 1934. That represents a major transition in the history of the country and kind of reshaping partly in terms of just their direction of their attention.
Haiti is unique - the first successful slave revolt in history, the first black republic etc., and then when you get into the culture, the voodoo, and that wonderful synchretization of Christian and African belief and symbology, it's like nothing the world has ever seen.
I kept going back while I was writing the novel - which never sold, may it rest in peace - and by the time it was finished I had too many connections to Haiti to walk away.
People often think of Haiti as a place where you're not supposed to have any joy. I wanted to show that this is a place with joy.
When people think about this religion, they'll say "voodoo" this and "voodoo" that in the way the Hollywood movies show it: the sticking of pins in dolls. It's very different than Vodou - which is a religion that comes to Haiti from our ancestors in Africa. I want to differentiate it from the stereotypical, sensationalized view that we see of the religion.
There [Haiti] were also leaders like Jean-Jacques Dessalines, whose motto was, "Cut their heads off, burn their houses."
A Wedding In Haiti is a great experience and its unaffected prose is as true a portrait of complex Haiti as you will find.
This was a "bad" example for U.S. slaves. Haiti was subjected to an embargo from the United States, which, along with many other countries, refused to recognize this new republic.
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