I realize how much [Mark] Twain fabricated things. I like it very much, but it's only half true. And it shows what he was trying to do, which was just entertain. Which he does very successfully, though the humor is almost dated now.
I lived on Fulton Street in an enormous studio - I needed a bicycle to get to the toilet, about half a mile between two streets - next to Wall Street.
I grew up in Nazareth, Penn., which was an hour and a half from New York, and an hour and a half from Philly. So bands that were touring came through one way or another. We got to see stuff people in other small towns didn't, like Wesley Willis. I couldn't have asked for a better place to grow up and be into music.
Half the time, my job is basically to talk people off the ledge. It's more psychological than just me picking up some sticks and counting, "1, 2, 3, 4."
I don't remember half of the new bands, though - and I think that's kind of where we're going. It's turning into just a big derby of songs. May the best song win.
After I finished the Tycoons - on post-Civil War development - I realized how much I didn't know about the first half of the century, even though there had obviously been an enormous amount of development, so I read about and thought about that for a couple of years before I decided I was ready for a book.
There's always the question of time. Does time at 10:00 mean 10:00 sharp? Or does it mean give or take a few minutes? And a few minutes, is that plus or minus two minutes? Or plus or minus ten, or maybe a half an hour each way?
You're charging money to have people come watch you play; I want them to feel taken someplace good or provoked into thinking my way for an hour and a half or two hours.
I don't know if it was related to the type of music that we were doing at that time or what, but Todd Cook actually just turned to me and was like, "You know what would be a great name for a metal band? Dead Child." We talked half-jokingly that we were going to do a band. I guess as time went on, I started writing songs that were more metal sounding, and it just evolved from there. It actually started with the name first, and then the songs came second.
I'm still in the Midwest, but I'm in Columbus, Ohio, so I'm three and a half hours away from everybody. That's one of the reasons we're not as active as we'd like to be - it's an expensive chore for me to go down there just to talk or something.
I fell off a bridge when I was 14, then had surgery when I was 17. Now my left wrist is an inch-and-a-half shorter than my [right one] and doesn't quite have the mobility to wrap around a guitar neck without a bit of pain.
I believe that research, that you can claim that you're doing research only if half of the people, and I'm talking about half of the experts, believe that the goal is impossible.
I work seven days a week and I work about 12 hours a day, from the beginning of September to about the end of May; the school year. I take two days off, Christmas and New Year's, Thanksgiving sometimes - two and a half. And the result is that I bonded myself to my desk.
Sometimes people won't even finish a piece that you wrote, because they've already decided what it is that you want to say, and generally I, whatever I say in the first half of the piece, you should not assume I'm going to end up with, but they don't finish reading them. So, and people read fast and stuff.
I spent half my life, roughly speaking, doing the study of nature in many aspects and half of my life studying completely artificial shapes. And the two are extraordinarily close; in one way both are fractal.
I had prepared myself for the second half of my life [to be] filled with other passions that don't include being in front of the camera. And then all of a sudden I got more work and more work and more work. And I went, "Well maybe things have shifted." And I think they have.
When people quote sketches to me, half the time I don't know what they're talking about so I have to sort of go, aha, yes, oh yep, I remember that and lie my way out of it.
Anybody who's in the dressing room after the show always says, "Oh, my God, I was kind of worried that the show was going to be sleepy because you were half asleep, yawning, and not really present."
That's what life is, it's the small struggles. You walk down the street for half an hour, you see half an hour of drama. You don't need convoluted plot lines. You don't need long-lost brothers. You don't need it's set on the future; it's set on the moon.
I'm a true reactionary. Like all patricians, I'd like to restore the original republic, which we lost 40 years ago when Harry Truman imposed the national security state on us, which has kept us at war, hot or cold, for almost half a century, and it's got us $4 trillion into debt.
Every chance at destabilizing [Bashar] Assad... the bombing campaign causes a flood of refugees into Jordan, there's already half a million in Jordan. I think a bombing campaign - I think it's hard to argue that a U.S. bombing campaign is going to cause less refugees. And I think it causes more refugees and more of a humanitarian disaster. I think it causes, or allows, the risk of Israel being attacked with a gas attack to go up, if we attack Assad. So there's all kinds of bad things.
Women always think that I'm Chandler, so if I don't joke around for half an hour they think that something's wrong. Then I explain that I don't have comedy writers scripting everything I'm saying at this particular dinner.
I guess I'm half traditionalist, half modern girl and I just never... I love the digital world and I love electronica and after I shoot everything is digital, but I just... I don't know.
Certain miracles that I beheld there have haunted my memory ever since: a gray April morning of sirocco, when the almond blossoms, the flaming tulips, the young green of the vines, hung as if painted on the motionless air; a summer night when the roses had an unearthly pallor under a half-eaten moon, whose ghostliness was somehow one with their perfume and with the phosphorescence of dew tipping their petals; a day when the trees stood part submerged in fog, into which leaves dropped slowly, slowly, one after another, and sank out of sight.
'Ornithologists concluded that migratory birds take hundreds of naps as they fly; they also practice unilateral eye closure, in which one eye closes, thereby permitting half the brain to sleep.' Is this what happens when photographers close one eye to look through a viewfinder? If so, they might be operating with only half a brain. Perhaps that explains.
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