Hitchcock Quotes - Page 3

• Suspicion," he said. "Directed by Alfred Hitchcock. He's a genius." "Starring Cary Grant." When Lucas gave me a look, I added, "You have your priorities, I have mine.

  Claudia Gray

  Priorities, Looks, Genius

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• Hitchcock had to fight to the death to make his movies.

  Alex Winter

  Movie, Fighting

  Biography/Personal Quotes, www.imdb.com.

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• I've never understood the cult of Hitchcock. Particularly the late American movies... Egotism and laziness. And they're all lit like television shows.

  Orson Welles

  Television, Laziness, Late

  "Orson Welles' criticisms of fellow actors and directors found on lost tapes" by Dalya Alberge, www.theguardian.com. June 29, 2013.

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• Hitchcock loves to be misunderstood, because he has based his whole life around misunderstandings.

  Francois Truffaut

  Misunderstood, Whole Life, Misunderstanding

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• I've always wanted to do blow with Genghis Khan, 'bet that guy knows how to party. I also think a bottle of wine with Hitchcock would've been cool. Also doing shots with the baby Jesus, bet that guy knows how to party.

  Mike Mendez

  Baby, Jesus, Party

  "LatinoBuzz: SXSW Interview With Mike Mendez – Big Ass Spider". www.indiewire.com. March 13, 2013.

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• Hitchcock was such a master of putting on screen things that made you uneasy. Somebody once asked him what frightened him most, and he said the police. He came from a poor background. I think he understood those fears.

  Anthony Hopkins

  Thinking, Police, Poor

  "OSCARS Q&A: Anthony Hopkins". Interview with David Mermelstein, deadline.com. December 30, 2012.

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• Alfred Hitchcock talked about planning out his movies so meticulously that when he was actually shooting and editing, it was the most boring thing in the world. But drawing comics isn't like shooting a movie. You can shoot a movie in a few days and be done with it, but drawing a comic takes years and years... That's the biggest part of doing comics: You have to create stuff that makes you want to get out of bed every morning and get to work.

  Daniel Clowes

  Morning, Editing, Years

  Interview with Noel Murray, www.avclub.com. October 19, 2011.

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• Directors who have inspired me include Billy Wilder, Federico Fellini, lngmar Bergman, John Ford, Orson Welles, Werner Herzog, Stanley Kubrick, Alfred Hitchcock, Francis Ford Coppola and Ernst Lubitsch. In art school, I studied painters like Edward Hopper, who used urban motifs, Franz Kafka is my favorite novelist. My approach to film stems from my art background, as I go beyond the story to the sub-conscious mood created by sound and images.

  David Lynch

  Art, School, Sound

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• As a kid I watched the Academy Awards on television and always wanted one - or several - like one of my favorite directions, John Ford. He won six. On the other hand, Orson Welles, who's on the top of my list, didn't win any. Alfred Hitchcock didn't win any. Howard Hawks didn't win any.

  Martin Scorsese

  Kids, Winning, Awards

  Source: www.interviewmagazine.com

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• I feel very strongly that a film isn't just a story, but the WAY that a story is told. It's why I am such a great fan of Hitchcock because it really is all in the filmmaking.

  Larry Fessenden

  Fans, Stories, Way

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• I kind of look at my modeling career and the Alfred Hitchcock years as stepping stones to what I'm doing now.

  Tippi Hedren

  Years, Careers, Looks

  "Tippi Hedren, ‘The Birds’ Star: Alfred Hitchcock Ruined My Career" by John Stephens, www.huffingtonpost.com. December 07, 2012.

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• I said, "I don't think I can give you that kind of emotion." And he [Hitchcock] sat there and said, "Ingrid, fake it!" Well, that was the best advice I've had in my whole life, because in all the years to come there were many directors who gave me what I thought were quite impossible instructions and many difficult things to do, and just when I was on the verge of starting to argue with them, I heard his voice coming to me through the air saying, "Ingrid, fake it!" It saved a lot of unpleasant situations and waste of time.

  Ingrid Bergman

  Thinking, Voice, Air

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• [When accepting the American Film Institute Life Achievement award] I beg permission to mention by name only four people who have given me the most affection, appreciation, and encouragement, and constant collaboration. The first of the four is a film editor, the second is a scriptwriter, the third is the mother of my daughter Pat (Patricia Hitchcock), and the fourth is as fine a cook as ever performed miracles in a domestic kitchen. And their names are Alma Reville.

  Alfred Hitchcock

  Daughter, Mother, Appreciation

  "Biography/ Personal Quotes". www.imdb.com.

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• Raksin worked for Alfred Hitchcock, about whom one of the most famous Raksin anecdotes was spoken. The legendary director declared he wanted no music at all for the oceanic Lifeboat, because he felt audiences would wonder where the music was coming from in the middle of the sea. Raksin said, Ask Hitch where the cameras are coming from.

  Paul Zollo

  Writing, Sea, Cameras

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• American Morons is the work of an original. Like Hitchcock or Ramsey Campbell, the style is precise, alert, and well-mannered, inviting us to enter Hirshberg's private world so that he may lock the door behind us. If there is anyone in contemporary fiction worth watching, it is Glen Hirshberg.

  Dennis Etchison

  Doors, Contemporary Fiction, Style

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• I don't think of Storefront Hitchcock or Stop Making Sense as documentaries, I think of them more as performance films.

  Jonathan Demme

  Thinking, Documentaries, Film

  Interview with Adrian Wootton, www.theguardian.com. October 10, 1998.

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• I think it was Alfred Hitchcock who said 90 percent of successful moviemaking is in the casting. The same is true in life. Who you are exposed to, who you choose to surround yourself with, is a unique variable in all of our experiences and it is hugely important in making us who we are. Seek out interesting characters, tough adversaries and strong mentors and your life can be rich, textured, highly entertaining and successful, like a Best Picture winner. Surround yourself with dullards, people of vanilla safety and unextraordinary ease, and you may find your life going straight to DVD.

  Rob Lowe

  Strong, Character, Successful

  Rob Lowe (2014). “Love Life”, p.1, Simon and Schuster

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• With Hitchcock I had little relationship. I was called to replace Bernard Herrmann, his favorite composer, in Torn Curtain, after the bitter fight between them.

  Maurice Jarre

  Fighting, Littles, Bitterness

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• Hitchcock's murder set-pieces are so potent, they can galvanize (and frighten) even a viewer who's seen them before!

  Leonard Maltin

  Pieces, Murder, Viewers

  Leonard Maltin (2013). “Leonard Maltin's 2014 Movie Guide”, p.1930, Penguin

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• I, you know, am all over the place — every category of pictures I have made, good, bad or indifferent. I could not make, like Hitchcock did, one Hitchcock picture after another. … I wanted to do a Hitchcock picture, so I did `Witness for the Prosecution,’ then I was bored with it, so I moved on.

  Billy Wilder

  Bored, Moved On, Made

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• I'm a frustrated actor. My ... goal is to beat Alfred Hitchcock in the number of cameos. I'm going to try to break his record.

  Stan Lee

  Movie, Frustration, Numbers

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• There were years when Hitchcock was like a master to me, but now I think he's so artificial. I can watch films and say how technically beautiful they are, but I'm not impressed by any technicality.

  Abbas Kiarostami

  Beautiful, Thinking, Years

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• In the vast majority of movies, everything is done for the audience. We are cued to laugh or cry, be frightened or relieved; Hitchcock called the movies a machine for causing emotions in the audience. Bresson (and Ozu) take a different approach. They regard, and ask us to regard along with them, and to arrive at conclusions about their characters that are our own. This is the cinema of empathy.

  Roger Ebert

  Character, Laughing, Empathy

  Roger Ebert (2008). “The Great Movies II”, p.37, Crown Archetype

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• I was in New York. Hitchcock was in California. He rang me to make a report on his progress and said, I'm having trouble. I've just sacked my second screenwriter

  Patricia Highsmith

  New York, California, Progress

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• Hitchcock is the most-daring avant-garde film-maker in America today.

  Andrew Sarris

  America, Avant Garde, Today

  "Andrew Sarris: the last of the highbrows" by Tom Shone, www.theguardian.com. June 21, 2012.

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