A few nights ago I went to a Hollywood screening of a small independent film made by Sally Kirkland, an old friend of mine who also did terrific job acting in it. There were other actors in it and they were all terrific.
The farm was a great place to grow up, but I preferred the Hollywood Hills. My aunt looked like Lucille Ball and everything she touched was beautiful and elegant. But I was intelligent enough to understand I would never be like her.
The flood will lift the ghosts from the Hollywood lawn cemetery and they will disappear like ether in the now dead air. All the names will be erased from the billboards and the theatres and the piers and the magazines and the monuments. You live by myths of immortality, and your myths are not safe.
A cigarette in the hands of a Hollywood star onscreen is a gun aimed at a 12- or 14-year-old.
Everybody told me to stay in Hollywood. This was the place they said I could have a big career. What they failed to mention was that no one would quite know what to do with me.
I arrived in Hollywood and lived much of my life in America, but the fans did not really know me.
I think I've developed into an actress because I've worked darn hard at it and I've learned a great deal from a lot of gifted people. And if I have nothing else to show for my life, apart from a scrapbook full of cuttings, I have the knowledge that my early days in Hollywood weren't in vain.
Alan Ladd was a marvelous person in his simplicity. In so many ways we were kindred spirits. We both were professionally conceived through Hollywood's search for box office and the types to insure the box office. And we were both little people. Alan wasn't as short as most people believe. It was true that in certain films Alan would climb a small platform or the girl worked in a slit trench. We had no such problems together.
I see no hope for a revival among God's people today. They are so enamored and so cluttered up with Hollywood and newspapers and magazines and parties and bowling alleys and camping trips and everything else. How in the world are they going to get still long enough to see anything from God?
I think a lot of African-American kids don't have fathers to teach them how to dress, so you end up being taught by pictures in magazine and movies. You see cowboys, Indians, old Hollywood films, Cary Grant. It has an effect on you.
I'm the barbarian of Hollywood.
It's so nice after 10 years as a blond actress in Hollywood to have people let you do smart things.
If you've got a huge Hollywood star in your film, they're getting $32 million, and everyone else gets their bus fare.
Nowadays the big Hollywood studios only make about three movies a year, and they cost about $200 million each. There's no room for error in that, and not a lot of room, I would think, for free expression.
The honors Hollywood has for the writer are as dubious as tissue-paper cuff links.
There was no way I could live in Hollywood and not become an actress.
So for front-runners we have a black and a woman. It's like being made to choose between syphilis or having and old man crap on your face. I would do the country a favor and run myself but I couldn't deprive Hollywood of me for 4 years.
I mean, the Lakers are pretty damn Hollywood.
After my years in Hollywood, I got tired of apologizing for work that really wasn't mine to begin with.
I began to feel that the drama of the truth that is in the moment and in the past is richer and more interesting than the drama of Hollywood movies. So I began looking at documentary films.
On Hollywood turning its back on him: I wasn't in the club. You see, I'm not going to be a stroker. I never have been all my life.
Unfortunately, I think I'm going to be typecast in Hollywood as the kid who can cry. I don't like putting audiences through those emotional ups and downs. I don't want people to think Dana Hill is so depressing all she does is cry. But the parts are so good, I can't turn them down.
Don't say yes until I've finished talking. - Attributed to many Hollywood executives Lots of folks confuse bad management with destiny.
I'm a straight lady, the best in Hollywood. There is an art to playing the straight role. You must build up your man, but never top him, never steal the laughs.
I decided that, somehow, I had to get out of there and go to Hollywood. I had never been to America.
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