Mother Earth is giving birth to a co-creative humanity. There's not a majority anywhere, but it's cropping up everywhere, because old leadership does not have the authority to guide us.
Apocalypse can mean the unveiling of the deeper self of humanity.
American special relationships with Israel and Saudi Arabia blind us to their dreadful encroachments on human rights, as well as confer impunity on their leaders with respect to accountability for crimes against humanity.
When you're doing fantasy, you can get so caught up in the magic of it that you lose the humanity.
On a personal level, I would like my loved ones to know that I have always done the best that I could to demonstrate my love, and worked hard to provide them with a sense of security. On a more global level, I would like to see that my efforts, whether with the Beach Boys or as an individual, achieve as much benefit to humanity as possible during my lifetime. Peace and love!
Sitting in an office for TOO long is not natural, perhaps, so that's why we should change it. I didn't say that out-and-out capitalism, which reduces humanity to dollar figures, is natural.
Ultimately, the question, "does it really matter?" is a question of humanity. If you're into the pursuit of fidelity, it's a really interesting question. Personally, I don't think digital sounds good, but that's just my own feeling.
I suppose the situation varies from field to field. If you're a mathematician, your proficiency in English may not be such a problem. If you're in the humanities or social sciences, there is no doubt that it is a handicap for you.
Because of the inherent challenges of life on the earth, all of humanity is vulnerable. This is all the more reason to seek the kingdom of heaven within and find the peace that leads to understanding.
How to make a scary movie human, take a movie like Sinister. How can I make that guy so real so that the scary elements of it are more scary and it functions as a genre movie - as the way it's supposed to, you want to hear a ghost story at midnight, that's a good one - but how do you fill it up with humanity inside, in staying true to the genre? You know? Does that make sense?
I think The Magicians takes these conventional ideas from this Christian literature of good vs. evil and it sort of shakes it up and asks a deeper, darker question about the nature of not just humanity in the face of good vs. evil, but the challenges of everyday life. And I think there's something incredibly timely about that and incredibly relatable to anyone who's growing up. Because we're all growing up. We're all constantly evolving.
I think it's a really good idea to be bumping into all kinds of people in all kinds of ways. So you make art with strangers. You give a reading. You move somewhere new and try to build a life. You grapple with humanity.
There are definitely recurring themes in humanity's relationship with our environment. The biggest is probably adaptation, because humans are incredibly good at adapting to new environments in relatively short periods of time. The ancestors of Homo sapiens started leaving Africa over one million years ago, moving from warm, tropical climates into the freezing wilderness of Europe and the desert ecosystems of the Middle East.
But if I did read, say, [Maurice] Merleau-Ponty, for instance, it always seemed to me that the parts that I understood in what he was talking about - and I read him because - well, he wrote a book, well, the Phenomenology of Perception [New York: Humanities Press, 1962]. And it seemed to me that perception had a lot do with how we take in art.
I hate to say it, but because of humanity's capitalistic nature, money is important.
I value men and I don't necessarily want to adopt the man's role, but I do want to see women's humanity honored and respected.
I am in any way glorifying or simplifying prostitution. The reality of prostitutes around the world is so complex. I've tried to focus on the humanity.
I would be at home reading, because I felt so disconnected from humanity.
Journalists don't sit down and think, "I'm now going to speak for the establishment." Of course not. But they internalize a whole set of assumptions, and one of the most potent assumptions is that the world should be seen in terms of its usefulness to the West, not humanity. This leads journalists to make a distinction between people who matter and people who don't matter.
We poets don't tend to be certain a lot. Much of our art is made out of our own uncertainty. And there is a not-knowingness, I think, that leads us back to suffering humanity with a more compassionate vision than most of our politicians have.
With good planning, Africa can have cities, farms, factories, export processing zones. But if the political will is there, the huge areas - the Serengeti, the Okavango, the Kalahari, Kruger - these wonderful, huge places for wildlife could still be set aside and protected, and be treasures for humanity for many generations to come.
These magnificent species of Africa - elephants, rhino, lions, leopards, cheetah, the great apes (Africa has four of the world's five great apes) - this is a treasure for all humanity, and they are not for sale. They are not for trade. They need to be valued and preserved by humanity. We all need a global commitment to that.
Humanity has survived because the strong among us have, in the past, been obliged to help the weak. Without this, we would not survive.
...liberation from constraints that operate at the level of ordinary humanity---limits imposed by space and time, by the needs of the body, and by the opaqueness of the computer-like mind. All three examples [Jacob Lorber, Edgar Cayce, and Therese Neumann] illustrates the paradoxical truth that such 'higher powers' cannot be acquired by any kind of attack or conquest conducted by the human personality; only when the striving for 'power' has entirely ceased and been replaced by a certain transcendental longing, often called the love of God, may they, or may they not be 'added unto you.
It's obvious that humanity continues to be torn by religious violence.
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