We are all victimized by the natural perversity of inanimate objects...and the assorted human beings who perpetuate and maintain this perversity.
From inanimate object, to microorganism, to plant, to insect, to animal, to human, there is an evolving level of intelligence.
The problem is that humans have victimized animals to such a degree, that they aren't even considered victims. They aren't even considered at all. They're nothing. They don't count, they don't matter, they're commodities like TV sets and cellphones. We've actually turned animals into inanimate objects - sandwiches and shoes. It is the greatest magic trick ever performed.
Inkstands and tea-cups are never as full as when one upsets them.
A large, branching, aged oak is perhaps the most venerable of all inanimate objects.
The sceptics assert, though absurdly, that the origin of all religious worship was derived from the utility of inanimate objects,as the sun and moon, to the support and well-being of mankind.
Without perceiving things through the old filter of past conditioning and conceptualization, one can sense the universe is intensely alive. Even so-called inanimate objects - I often pick up little objects and just look at them and sense that they are alive. Physicists actually confirm that what we perceive as dead matter is not dead at all. Everything is an intensely alive energy field. That aliveness is only an aspect of the aliveness or life that I am.
It's an essay that Sigmund Freud wrote about E.T.A. Hoffman's short story called "The Sandman" where someone mistakes an inanimate object for a living, breathing human being. And one of the things that Sigmund Freud really felt was that in modern life people assign qualities to objects around them that may not exist there whatsoever.
The house begins to be a home. The unfamiliar places are beginning to fold the familiar objects into their keeping and to cozy them down. Objects that swore at each other when the movers heaved them into the new rooms have subsided into corners and sit to lick their feet and wash their faces like cats accepting a new home.
Everything in your world is filled with intelligence, even the so-called inanimate objects. Treat them intelligently if you wish to obtain intelligent, harmonious results.
"Is Art worth dying for?" Well I don't know a single inanimate object that's worth dying for.
The animators bring their own spontaneity to it as well, because when they do a take of a shot it really is like just one continuous activity for them. They launch into it and do it, and they're not even quite sure how it's going to turn out when they're doing it. They're sort-of sculpting their way through a scene and trying to make this inanimate object alive.
And I was very successful at baby photography... Strange isn't it? Because some of my portraits of babies were - I used dramatic lighting, shadow lighting, and I didn't use flash. We didn't have flash in those days, we just had floodlights, and I was photographing babies as I would an object - an inanimate object, for that matter.
It should also be born in mind that the research on 'movement' and the dynamic outlook on the world, which were the basis of Futurist theory, in no way required one to paint nothing but speeding cars or ballerinas in action; for a person who is seated, or an inanimate object, though apparently static, could be considered dynamically and suggest dynamic forms. I may mention as an example the 'Portrait of Madame S.' (1912) and the 'Seated Woman' (1914).
There's times when the crockery seems alive, an' flies out o' your hand like a bird. It's like the glass, sometimes, 'ull crack as it stands. What is to be broke will be broke.
In Tantric Buddhism we call the inherent knowledge that all animate and inanimate objects possess of themselves - their emptiness.
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