Putting labels on people is so counter-productive. Most of us on some issues could be considered conservative, on other issues could be considered progressive, on other issues might be thought of as being moderate, on other issues might be thought of as being rather forthright.
Early on, before rock 'n' roll, I listened to big band music - anything that came over the radio - and music played by bands in hotels that our parents could dance to. We had a big radio that looked like a jukebox, with a record player on the top. The radio/record player played 78rpm records. When we moved to that house, there was a record on there, with a red label. It was Bill Monroe, or maybe it was the Stanley Brothers. I'd never heard anything like that before. Ever. And it moved me away from all the conventional music that I was hearing.
I think we have a free will, and at the same moment we don't. We have to live with that. It doesn't make sense intellectually, but that's because our intellect is always trying to come up with a logical, rational explanation for things. To do that, it puts labels on things. But once you label something, you've got twoness. You've got the label, and you've got what you're labeling. And there is only oneness in the universe, even though we artificially believe in twoness.
Fans decide what pop culture is. We can define ourselves. Music and the presentation of art nowadays is totally in our control, with the Internet specifically. You no longer need record labels. You no longer need movie distribution companies. You can just make it and put it online, and it will distribute itself to millions of people. The borders and everything have been broken down. It really is in the hands of the people.
What intrigues me is that people kind of naturally want to label or pigeonhole the characters. They want to make it easy for themselves to go, "All right. There's the good guy, there's the bad guy, there's the girl. Okay, I get it now." But life isn't one-dimensional. The world isn't simply divided into good versus evil. I think we're all capable of both. So any time the hero does something I'm not crazy about, or the bad guy does something I can relate to, I'll find it more interesting.
What does happen constantly with all kinds of people I meet is they say "I had this encounter with Jesus, can you help me understand it..." The labels, more than ever, simply aren't big enough to contain what the cosmic Christ is up to in the world.
Don't let our outside labels or how fervent we look or zealous we are or how righteous we seem; that's not how you measure yourself against other people. Everyone is a child of God; if we really believed that, we'd treat each other better.
We spotted Beyoncé, January Jones, Rihanna and Carey Mulligan wearing the label [Karen Walker]. I was ecstatic, but I'm just as thrilled to see interesting girls wearing our product everywhere. It's quite a buzz.
I have been a political activist most of my life and many groups have attempted to label me as a criminal because of my outspoken beliefs. I am not a criminal and I have never been one.
As a label I don't care about piracy. I want the music that we [my band] love to be heard by as many people as possible. The more people like the music we put out, the better the label and artists will do. If anyone genuinely likes what we do they will find us, buy our vinyl or come to see the artists play live.
I'm hugely inspired by the '60s and the '70s. I just love the music of that time and the overall freedom of that era. I love that the idea of clashing didn't really exist. You could mix prints on prints, you could mix fabrics and colors - and it was more about the way you felt than about the label and trends. That's something that I've always gravitated towards.
If I had to label myself now, I'd call myself a Taoist-Christian-agnostic quantum mechanic.
I'm not big on trying to label it [my rap] or trying to prove people otherwise. I'm just making records that I like and that I wanna make. I'm just making records that relate to me and that relate to my life. If you listen to what I'm saying I'm not talking about anything that isn't my life. I take pride in having truthful lyrics.
I'm not interested in the fact that a writer may label himself as being intellectual or anti-intellectual. l'm really interested in the stuff he's turning out.
In times to come people will not judge us by the creed we profess or the label we wear or the slogans we shout, but, by our work, industry, sacrifice, honesty and purity of character.
People don't realize that there's no label and everything is self-financed and we make do and do our own thing. I was just happy to do my first video, I thought it was a fun experience.
Being a pastor for 20 years I realized that the labels, agnostic, atheist, believer, everybody's human and everybody wants to know what kind of universe we're living in, and everybody's living according to a story.
In the unawakened state you don't use thought, but thought uses you. You are, one could almost say, possessed by thought, which is the collective conditioning of the human mind that goes back many thousands of years. You don't see anything as it is, but distorted and reduced by mental labels, concepts, judgments, opinions and reactive patterns.
Whatever happens, whatever you experience, feel, think, do - it's always now. It's all there is. And if you continuously miss the now - resist it, dislike it, try to get away from it, reduce it to a means to an end, then you miss the essence of your life, and you are stuck in a dream world of images, concepts, labels, interpretations, judgments - the conditioned content of your mind that you take to be yourself.
It's a wonderful thing to perceive the world and to interact with it and with other people and nature from that deep place of utter stillness, where the compulsion to immediately label and interpret whatever arises around you is no longer there.
Oh, I love labels, as long as they are numerous. I'm an American writer. I'm a Nigerian writer. I'm a Nigerian American writer. I'm an African writer. I'm a Yoruba writer. I'm an African American writer. I'm a writer who's been strongly influenced by European precedents. I'm a writer who feels very close to literary practice in India - which I go to quite often - and to writers over there.
In the past, people were going to record stores and buying albums or CDs. And the label was exposing their artist as much as possible and maybe getting them picked up by a major. Now I tell people to cut a good tune and have it up in the marketplace the next day. You better be prepared to give it away, and people will come pay to see you.
I've always thought that comedy was just another dramatic expression. I try to measure the amount of truth in a work rather than just looking at the generic distinction between comedy and drama. There's a lot of bullshit drama that leaves you totally cold. And there's a lot of wasted comedy time too. But when you get something honest, it doesn't matter what label you give it.
You gotta' sell a million records before you talk about getting paid at a major [label].
My intention is not to repudiate an African American identity but perhaps to resist how labels take hold, or to make it as slow a process as possible. That's more my sense of it.
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