I'm a big Urban Outfitters girl, and Forever 21 - I don't think labels make fashion. I think it's your own style, what you put together.
The people trying to change others can conveniently be termed the angry, while the people trying to change themselves might be called the guilty, although it would be just as descriptive to speak of the controlling and the dependent, or the paranoid and the repressive, or, inelegantly, the screamers and the criers. In some circles, attaching labels to people rates only a little higher than chicken stealing, because ... a label immediately ends attempts to understand the individual.
Most of us grew up speaking a language that encourages us to label, compare, demand, and pronounce judgments rather than to be aware of what we are feeling and needing.
how ridiculous we often are in our negations, our strutting self importance, our penchant for making labels and sticking them on people. As though labelling a person disposed of him!
Labels are for cans, not for people.
There are sexual things that I do that aren’t for a man. I feel empowered sometimes by being sexy and being comfortable enough to be sexy on camera — a lot of woman [sic] struggle with that. But, there are some days that I don’t want anyone to see me. I’m just a regular girl. Some days, I’m super-strong; some days, I’m super-insecure. But, I don’t really identify with any particular label. I just speak my truth, and if people like it, they like it, and if they bash it, they bash it.
I think where it's going is toward what the music industry is like, where channels will be considered more like labels that carry the type of TV show that you like, and then you'll consume them however you can. For example, I don't really watch Showtime, but I bought 'Homeland,' and I've been watching every episode on my iPad.
When I realised I had a facility for humour, I latched on to it, and it gave me confidence and I built my personality around it. So I subconsciously made myself become the funny one so that would be my label rather than the ginger one or the red-faced one.
I have never gotten into the label thing.
It is true you can be successful without [college], but this is a hard world, a real world, and you want every advantage you can have. I would suggest to people to do all that you can. When I dropped out of school, I had worked in the music industry and had checks cut in my name from record labels and had a record deal on the table, and when I wasn’t successful and Columbia said, ’We’ll call you,’ I had to go back and work a telemarketing job, go back to the real world, and that’s how life is. Life is hard. Take advantage of your opportunities.
I'm the only girl songwriter that fights for a lot of things. I fight for songwriting fees, which record labels want you to shut up about.
I was offered seven deals from seven different major labels between 2009-2011, and to be quite honest... nowadays, you need a hit record, a great radio team, an amazing PR firm, social media, a big budget, a team that is ready to work extremely hard, and the drive and passion to win!
The only time a message (label) can scare us is if we think there is such a thing, and that such a thing is a disgrace.
...my experience with people who tried to label me was that they usually did it to either dismiss me or use me.
For me, I wanted somebody that got me musically, that understood that I'm an artist and this is who I am. I'm not going to be like another artist on your label, probably - hopefully. I found all those things with the Broken Bow group.
In all of my universe I have seen no law of nature, unchanging and inexorable. This universe presents only changing relationships which are sometimes seen as laws by short-lived awareness. These fleshy sensoria which we call self are ephemera withering in the blaze of infinity, fleeting aware of temporary conditions which confine our activities and change as our activities change. If you must label the absolute, use its proper name: Temporary.
We, as a people, we have a strong need to categorize everything. We put labels on everything and its a totally understandable need because we are animals and we need to understand order and where to fit in.
The same applies to the music and film industries. Until the heads of the labels start wanting to make money rather than creating controversy, tension, and excuses about why piracy is making the job so hard that no one could do it but them - and oh by the way, they need a raise to really focus in on the fight - the music industry is going to have a very tough time of it.
I entered a songwriting competition, I didn't win, and one of the judges on the panel was an A&R man at a record label that had no other acts and I signed to them. We sent my demo out to five people and David Kahne got back to me that day, and said I think you're amazing I want to start with you tomorrow. He was like my Harvard reach school, I couldn't believe it. I was really excited. It was the first time anyone of any importance said I was good and I ran with that validation for a long time.
The reason some crime writers have a chip on their shoulder about the label is because their good books are shelved beside books about nuns and birdwatchers and cats who solve crimes. Overseas, my books are reviewed alongside those of authors like Robert Stone and Don DeLillo, and I have to live and die by that comparison. They don't ghettoize crime writers in other countries, and of course they shouldn't.
Being "America's Sweetheart", that label gets put on a lot of people. I don't pay that much attention. And I'm not trying to shake anything. I'm just following my instincts and doing work that is coming to me and I'm just grateful for it.
There's a natural tendency for children to, in some sense, inherit the cultural values of their parents. I'm not against that, that's fine, that's wonderful. What I am against is labelling. Nobody ever labels a child a cricketer because his father is a cricketer, but they do label a child a Catholic because his parents are Catholic. I think it's more or less unique. Nobody ever labels a child a socialist or a conservative or a liberal because that's what their parents are.
I have very little interest in the bottom line or signing artists to help make the label profit. That's a lucky, unique position to be in, but it all comes out in the wash.
I'm less interested in how we label ourselves. I'm more interested in how we treat each other. And if we're treating each other right, then I can be African-American, I can be multi-racial, I can be you name it, what matters is, am I showing people respect, am I caring for one, for other people.
I think the thing about what I want to achieve for the label is it to really be a home for artists who are already developed, who already have a great sense of their artistry or their imaging, who don't really feel or want that marketing push.
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