I hate labels, and I wear no labels. When a man has to put something around his neck and say I am, he isn't.
we expect definitions to tell us not only what is, but what to do about it; to show us how the world fits together and how its different parts connect and work. ... A label is the first step toward action.
Artists will come into my office and say, "I just came from another label and they said you're research guys, you're data guys." I don't know what that means. Everybody who says that is being naive.
My experience with being on a record label over the years has been when both of your agendas are in sync, and they're the same goal, it's great to have another army of people and resources and money. But most of the time, they're not the same. Their agenda is just simply to sell plastic discs at any cost, and yours is to preserve - at least in my case - your integrity, and hopefully sell some plastic discs, too.
The exciting thing about getting a label together and doing press for it is that hopefully some 15-year-old girl who is the only feminist in her junior-high class will hear about it and be like, "Oh, cool, I hadn't heard of that, I'm going to check it out."
I've always found that whatever you say about indie rock, it is the most inclusive genre or title for anything. It doesn't pin you down too much, like other labels would. It's just newer, it has less baggage.
When we were starting out, there was no "label" as progressive rock - it didn't exist ... so we were just a rock band.
If I do become more successful, either as a producer or a rapper, I'm going to do everything I can to help whoever I can on the label.
I didn't have to fit into a mold. You make the mold. People can smell a rat. If you're doing thing for marketing and for a record label, you're going to set yourself up to be called a phony. As long as it's true to you, you do it.
I consider us to be one of the first Internet-based bands, especially because we basically started our entire band via the Internet. Before MySpace Music even existed, we had a band MySpace page. We were one of the first fifty bands on PureVolume(.com), and we really built everything from the Internet. That's how we started talking to record labels, that's how we booked our first tours. Without the Internet social networking, like Twitter, we definitely wouldn't be where we are today. It is a huge part of the band.
I had to learn the hard way. There was a blindness, without any education or will or drive. Everything I started in the beginning from skate shops to record labels to a million and one side hustles that I went in without knowing how I was going to do it, a lot of those ventures just went out of business.
I've been part of running a label since I was a kid, so I understand how it works. But the more and more I learn about it, the less and less interested I am in it.
We just watch anything speed by. To stop and really ponder what a product label says, or the tagline on a TV commercial, might be inherently silly. Those are things that are almost designed to be thrown away.
Most books that come out with a comedy label seem to be, Eric [Wareheim] and I could have written, "This is our story, and this is who we are," and sort of this navel-gazing, narcissistic approach to comedy we're seeing these days.
A German wine label is one of the things life's too short for.
The sacred lives beyond labels and judgment, in the wood-of-no-names.
Irrational crushes, infatuations, or obsessions. Whatever you want to label it, it's important to reach out to others.
Humor requires perspective. Perspective requires focus. Focus requires balance. Balance requires attention to the present moment. In the 'now' one is freed from labels. Success and failure, good luck and bad—they're all constructs of your mind.
The language of labels is like paper money, issued irresponsibly, with nothing of intrinsic value behind it, that is, with no effort of the intelligence to see, to really apprehend.
Labels not only free us from the obligation to think creatively; they numb our sensibilities, our power to feel. During the Vietnam War, the phrase body count entered our vocabulary. It is an ambiguous phrase, inorganic, even faintly sporty. It distanced us from the painful reality of corpses, of dead, mutilated people.
Even the new feminist research on sex-role socialization and sex differences has sometimes had the unfortunate consequence of creating a new set of stereotypes about what women feel and how women behave. Despite the large amount of overlap between the sexes in most research, the tendency to label and polarize and thus to exaggerate differences remains in much reporting of data, which may, for example, report the mean scores of male and female populations but not the degree of overlap.
I’m proud of the work that I’ve done. I don’t care what people label me as.
I could never release something on the label I didn't personally love. The label's really an extension of my own musical career, and I'm intensely involved with every aspect personally, so it'd be a betrayal to myself if I released something simply because I thought it would make money.
There is no late-night comedy. You watch comedy, you watch whenever you want to tune on. You can it in the middle of the night. You can it in the morning. It's all comedy. They just label it late-night comedy so they don't have to pay as much.
I read everything, including the labels on canned food. I'm a hopeless print addict, a condition alleviated only by daily meditation which breaks the linear-Aristotelian trance. National Lampoon, Scientific American are what I read most obsessively.
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