Many a poem is marred by a superfluous verse.
My point to you is, there is no such thing as a flop that takes the field for our football team. Just so ya know, I'm proud of those men. How ****ing easy would it have been to say it's their night. Excuse my language. Spectacular group of men. You got to find them, you throw your arms around them and give them a big kiss on the mouth, if you're a girl.
To call the world God is not to explain it; it is only to enrich our language with a superfluous synonym.
One should aim not at being possible to understand, but at being impossible to misunderstand.
So far no one had had enough courage and intelligence to reveal me to my dear Germans. My problems are new, my psychological horizon frighteningly comprehensive, my language bold and clear; there may well be no books written in German which are richer in ideas and more independent than mine.
Use familiar words-words that your readers will understand, and not words they will have to look up. No advice is more elementary, and no advice is more difficult to accept. When we feel an impulse to use a marvelously exotic word, let us lie down until the impulse goes away.
Writing, or at least good writing, is an outgrowth of that urge to use language to communicate complex ideas and experiences between people. And that's true whether you're reading Shakespeare or bad vampire fiction-reading is always an act of empathy. It's always an imagining of what it's like to be someone else.
Now, mark it. This may be strong language, but heed it. The people mean it, and, my friends of the Eastern Democracy, we bid farewell when you do that thing.
The truth of the matter is that about 99 percent of teaching is making the students feel interestedin the material. Then the other 1 percent has to do with your methods. And that's not just true of languages. It's true of every subject.
English grammar is so complex and confusing for the one very simple reason that its rules and terminology are based on Latin - a language with which it has precious little in common. In Latin, to take one example, it is not possible to split an infinitive. So in English, the early authorities decided, it should not be possible to split an infinitive either. But there is no reason why we shouldn't, any more than we should forsake instant coffee and air travel because they weren't available to the Romans.
I admit that these terms and the diagrams connected with them repel some readers, and fill others with the vain imagination that they have mastered difficult economics problems, when really they have done little more than learn the language in which parts of those problems can be expressed, and the machinery by which they can be handled. When the actual conditions of particular problems have not been studied, such knowledge is little better than a derrick for sinking oil-wells erected where there are no oil-bearing strata.
Purists behave as if there was a vintage year when language achieved a measure of excellence which we should all strive to maintain. In fact, there was never such a year. The language of Chaucer's or Shakespeare's time was no better and no worse than that of our own - just different.
Acutely aware of the poverty of my means, language became obstacle. At every page I thought, 'That's not it.' So I began again with other verbs and other images. No, that wasn't it either. But what exactly was that it I was searching for? It must have been all that eludes us, hidden behind a veil so as not to be stolen, usurped and trivialized. Words seemed weak and pale.
Use the smallest word that does the job.
Good writers define reality; bad ones merely restate it.
This is the gift all writers seek-to write language that incandesces yet does not melt.
No compulsion in the world is stronger than the urge to edit someone else's document.
Those who sniff decay in every shift of sense or alteration of usage do the language no service. Too often for such people the notion of good English has less to do with expressing ideas clearly than with making words conform to some arbitrary pattern.
Morality, like language, is an invented structure for conserving and communicating order. And morality is learned, like language, by mimicking and remembering.
An instrument that sometimes expresses thought, sometimes obscures thought, but most often replaces thought.
The language of the street is always strong.
One of the obligations of the writer is to say or sing all that he or she can, to deal with as much of the world as becomes possible to him or her in language.
The language of art is celestial in origin and can only be understood by the chosen.
Color is a language, like music.
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