Initially, it was the unpractical in fashion that brought me to design my own line. I felt that it was much more attractive to cut clothes with respect for the living, three-dimensional body rather than to cover the body with decorative ideas.
There are stereotypes - it's like an invisible line, but somehow you have to find the energy to be strong, to be super-confident, no matter if you are in front of the president of the U.S. or anyone else.
Who publishes the sheet-music of the winds or the music of water written in river-lines?
To be "integrally developed" does not mean that you have to excel in all the known intelligences, or that all of your lines have to be at level 3. But it does mean that you develop a very good sense of what your own psychograph is actually like, so that with a much more Integral self-image you can plan your future development.
Leaders need to remember that the point of leading is not to cross the finish line first. It's to take people across the finish line with you. For that reason, leaders must deliberately slow their pace, stay connected to their people, enlist others to help fulfill the vision, and keep people going. You can't do that if you're running too far ahead of your people.
Let someone else take your place in line, Let someone else be first. Let someone else achieve realization before you.
The country was made without lines of demarcation, and it is no man's business to divide it... Do not misunderstand me, but understand me fully with reference to my affection for the land. I never said the land was mine to do with it as I chose. The one who has the right to dispose of it is the one who created it. I claim a right to live on my land and accord you the privilege to live on yours.
Your job, with all that mental training and suffering, is just to push your line of breaking so far your opponent can't find it.
It don't mean nothing til you sign it on the dotted line.
Having to wander through a maze of ropes at an airport or bank even when you are the only person in line.
August. The lines are the shortest, though.
A person who is psychic is following a line of probability to see a probable future; but it can change. Another causal fact will interfere and that future won't happen.
Sometimes you start a little further back from the starting line. And you're going to have to work a little bit harder, and push it faster to get to the finish. I'm willing to put in the work, to compensate for other things, to get ahead, to get to where I want to be.
Watching myself fight, I realize the line between success and failure is so narrow, it's scary.
One of the reasons I got into fighting was because I'd never really been in a fight. It's like in Fight Club, the famous line, 'How much can you really know about yourself if you've never been in a fight?'... It's the the clearest mirror you'll ever stand in front of.
At the core of everything I do, is not my ambition but my desire to make music. Somewhere along the line I stumbled onto something that was bigger, different than anything I had ever imagined, which was actually being involved with other people. I just don't live the average artist's life.
There's this line between propriety and how we really speak and how we really think. And I'm just trying to have fun with that stuff.
I think it's my job to like any character I play - to understand and appreciate a character, to look at the world as much as possible from their point of view. I don't look at it just technically: learn the lines, figure out what gestures I want to bring and play, and that's it. I like to learn as much as I can about the person, and see what happens.
In the theater, you're so much more in charge as an actor. For better or for worse, you know what the audience is seeing. But you can be acting your socks off on film, and then you see the movie, and the camera is on the other actor, or they've cut out the lines you thought were significant, or they've adjusted the plot. So much of it is out of your control.
The hardest thing for everyone, for the writer, for the director and certainly for the actors, is not to panic when they're doing a certain line for the tenth time because everything ceases to be funny after it's been repeated.
I think that you can say something in one line with a look that you might need three lines on a page for normally.
Even one word, or certainly one sentence, should be able to describe the basic characteristic that the scene has, or the character has, or the story has. And then you begin to detail that one spine, and you have offshoots from that spine, and it becomes more and more complex, but all of it stems from that one-word, one-line theme, which can give the character, the scene, or the play its uniqueness.
A bad song, the three best singers in the world cannot save it, and that's the bottom line.
I'm a bloody fun-seeker. Whatever the role is, I'll find a way to deliver the line that is confounding.
I wanted to take my writing to another level. I wanted to write stuff that was personal for real. It's one thing to write a lyric that sounds nice in that line - that's not very tricky - but it's a different thing to write something that sounds nice and actually comes from someplace real.
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