When we go to different areas and look at doing period pieces and movies shot in other states and locations, even overseas, it's hard to carry 1700 volunteers from your church with you to do that. And so, we knew that there were going to be growing pains at some point.
The relationship with actor and director is probably closer to theater, in that, when we record the dialogue, there is very little in the way of the creative collaboration - no cameras, lighting or even locations. Then, once we record, the post process is very similar to the post flow in filmmaking - editing, sound design, mixing, etc. At the end of the day, it's all about storytelling and honing in on a tone by developing a rhythm and structure that suits the storytelling.
Wherever I am on location, I can usually, even in the weirdest little places, find a recording studio.
The biggest thing I've learned is location.
I am always going to be working on location, even if I have a 20-year career. Talk to me in 15 years and I will still be working on location. It's something I can always do better. Right now, it's not nearly where it could be, so it gives me something to work on every day.
Sometimes I get mad when I think that I only have maybe 40 or 50 more springs in New York. When I miss one, 'cause I'm on location for a film, I wanna go, 'That's it, that just cost me one of my 50!'
My partner and I are looking at several locations on Park Avenue South and Midtown for a new restaurant space.
The United States and Arizona are both losing jobs to offshore locations.
So far, Vancouver is my favorite relocation city. It feels like home. Parts of it remind me of the east coast. It's very clean. The food is great. And the people are lovely. Not that I didn't love working in other glamorous locations like Downey, Detroit, Cleveland or Bulgaria... but, damn, it is fun to be Canadian.
It’s not about having a Silicon Valley attitude—it’s about having an entrepreneurial attitude. It’s about partnering with other organizations in and around your area. It’s about thinking big with entrepreneurs that sit next to you in your coworking space. It’s about collaborating with tech gurus, social media wizards and community leaders at cool business events. It’s the people that make a community an entrepreneurial one—not the location—and it’s up to you to contribute.
Everybody has to get up and do their jobs to get things together, and that's it. And I've always been able to find a location with friendly people I've worked with before, and then they like to participate in the profits and so on.
My mom was always active. She was always an active voter, whether it was local, state, or federal elections. My mom would take us to polling locations when we were kids.
I prefer to take actors and put them in real settings and real locations and real situations rather than create artificial locations that serve the characters. It's just much easier when you are walking down the street with your actors to do that in a real street that's still open with people on it, rather than to close it off and bring in extras.
I honestly don't remember how I wrote or did the songs. Or the sessions. They all become very much a blur. And each album is like that. It may be that there are different locations, it may take longer, shorter, or whatever, but it's always something that just happened.
I think the ambiguity of similarity and difference is very powerful. It's the same scene in different times of year read across the grid, and, of course, different locations reading vertically. But you can get confused and lost in the series. You force the mind, which is always comparing and contrasting, to stumble ... That ambiguity is very powerful. One is getting lost and refinding oneself.
I think we should all feel lucky and blessed that people are still, in this day and age, getting in their cars with other people and driving to a location and paying money to sit in a theater and watch a play.
There is a plan and a purpose, a value to every life, no matter what its location, age, gender or disability.
Filming is quite exciting because every day is different, but it can involve long hours standing around in chilly locations. Theatre is a very different challenge because every night you're striving to keep it fresh, even though you might have been performing the same play for months.
I became aware of the very complex internal organization in a cell from the basic science classes, and it made me think about how all that could work. It seemed like a great mystery, especially how organelles in the cell can be arranged in three dimensions, and how thousands of proteins could find their way to the right location in the cells.
To be on the set with the actors, with the location, every day changes; every day something can go wrong.
Where food trucks are concerned, nothing's better than having a whole flock of them at one location. Competition not only improves the quality of the food, it prompts these rolling lunch wagons to lower prices and offer specials, too.
I think the location is almost as important as casting the leads of the movie. The location on The Purge was crucial to that movie working.
When talking with a set designer the dialogue is more centered on locations, interior design, what I like and what doesn't work. There is a certain taste I'm drawn to and feel inspired by, and finding that inspiration is what keeps the conversation moving forward.
I march to a different drummer, whose location, identity, and musical training haven't yet been established.
It's always more comforting to know that in any given corner of any room or any location you're on, you can make a photograph that you'll appreciate.
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