With all my songs, I try to pull from personal experiences, like moving and changing locations.
You only get one shot in your life and you might as well push yourself and try things. There's so many interesting aspects of making a movie; the costume department, the set design, the casting itself, the locations. It's a great, great thing to be involved in if you have the headspace for it, and I do. Try anything once.
The biggest mistake I made was not having a full-time producer. I was securing locations and wardrobe and making sure people get called to show up on time and getting the film to the lab and getting the camera, and all this stuff that I'm happy to do, but if I'm doing every little thing, I'm not concentrating on my story. So it never gets any better than the script.
Because the world of this film begins and ends in the imagination of Tim Burton, you're not seeing a movie that's been shot on locations that you've seen a million times. Because this world has no rules, you're seeing so many different and separate brushstrokes and colors and characterizations somehow getting combined through Tim.
The Pacific Northwest, and particularly Whidbey Island, is extremely suited to be a location in a novel.
Religion has the same relation to man's heavenly condition that mathematics has to his earthly one: both the one and the other are merely the rules of the game. Belief in God and belief in numbers: local truth and truth of location.
If you ask me, the place that a story happens is as equal character. It's almost like an ecological viewpoint: These people are living in this piece of land, and in this piece of land in this time this is possible. For me, I almost think location first. It's time first - what year is it - then where are we, and then who is in it.
Travel by air is not travel at all, but simply a change of location; so my wife and daughter and I went to San Francisco by train, leaving Boston on a Wednesday morning in June and, then after lunch in New York, boarding Amtrak's Broadway to Chicago.
But when you are embodied in a location, in a physical plant, in a set of people, and in a common history, that constrains your evolution and your ability to evolve in certain directions.
We wanted to show people what it was like in one of those neighbourhoods that they would never have access to, in bars that they would be too scared to go into, and a world that they would never get to see. All of that is something really unusual and rare and kind of fascinating. And the only way to do that and to make it really worthwhile was that it had to be authentic. We dedicated a lot of time and energy to making that right and real. So we found basically the worst locations that we could.
My mom was always active. She was always an active voter, whether it was local, state, or federal elections. My mom would take us to polling locations when we were kids.
I prefer to take actors and put them in real settings and real locations and real situations rather than create artificial locations that serve the characters. It's just much easier when you are walking down the street with your actors to do that in a real street that's still open with people on it, rather than to close it off and bring in extras.
I honestly don't remember how I wrote or did the songs. Or the sessions. They all become very much a blur. And each album is like that. It may be that there are different locations, it may take longer, shorter, or whatever, but it's always something that just happened.
I think the ambiguity of similarity and difference is very powerful. It's the same scene in different times of year read across the grid, and, of course, different locations reading vertically. But you can get confused and lost in the series. You force the mind, which is always comparing and contrasting, to stumble ... That ambiguity is very powerful. One is getting lost and refinding oneself.
I think we should all feel lucky and blessed that people are still, in this day and age, getting in their cars with other people and driving to a location and paying money to sit in a theater and watch a play.
There is a plan and a purpose, a value to every life, no matter what its location, age, gender or disability.
Filming is quite exciting because every day is different, but it can involve long hours standing around in chilly locations. Theatre is a very different challenge because every night you're striving to keep it fresh, even though you might have been performing the same play for months.
I became aware of the very complex internal organization in a cell from the basic science classes, and it made me think about how all that could work. It seemed like a great mystery, especially how organelles in the cell can be arranged in three dimensions, and how thousands of proteins could find their way to the right location in the cells.
To be on the set with the actors, with the location, every day changes; every day something can go wrong.
Where food trucks are concerned, nothing's better than having a whole flock of them at one location. Competition not only improves the quality of the food, it prompts these rolling lunch wagons to lower prices and offer specials, too.
I think the location is almost as important as casting the leads of the movie. The location on The Purge was crucial to that movie working.
When talking with a set designer the dialogue is more centered on locations, interior design, what I like and what doesn't work. There is a certain taste I'm drawn to and feel inspired by, and finding that inspiration is what keeps the conversation moving forward.
I march to a different drummer, whose location, identity, and musical training haven't yet been established.
It's always more comforting to know that in any given corner of any room or any location you're on, you can make a photograph that you'll appreciate.
One of the huge advantages of shooting in the winter is that locations that wouldn't have been available to us suddenly were, like Yorkville. ... It's just specific streets and specific angles. I think that's what's always kind of shocking about some cities: they are really about intersections.
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