Once, in an interview with 'V' magazine, I said that I preferred Fitzgerald to Hemingway. I think that Hemingway is an amazing writer, but by being related to him, I had it in my head that I had to like him.
I'll turn on the TV or look at a magazine, and it's like, 'Who is this person?' And you find out they are from '16 and Pregnant,' and I'm like, 'Really? They're celebrities now?' You read about them on the news having fights and breakups, and I think, 'Well, of course.
It used to be that artists thought of nature as their environment. Now media is our environment. It has been for the past 50, 70 years. It's what you see on TV, on the computer, what is in the magazines and newspapers.
The first time my friends saw me in a magazine I was so excited.
We always had 'Vogue' in our house. But, when I was around 12, my Mom finally took me seriously about modeling and put a stack of magazines in front of me, then told me to study all the poses. The ones I loved the most were in 'Vogue.
I want 'The Lady' magazine to be restored to its traditional place in the pantheon of weekly magazines.
The Lady' is a piddling little magazine that no one cares about or buys.
There are actors who aren't on the cover of magazines but still decide what work they want and when they want it. I want a family one day. So I dream of really being able to decide when to work and when not to.
Almost every magazine piece I've ever written, I felt like I haven't done it justice, like it was just a gloss.
Growing up in a house of five girls, I couldn't help but glance at a fashion magazine or two.
I buy tons of magazines. They're a big part of how I research characters. And I keep them around and go back to them years later. I just have stacks.
At a magazine, everything you do is edited by a bunch of people, by committee, and a lot of them are, were, or think of themselves as writers. Part of that is because magazines worry about their voice.
I never understood why anyone would do magazines. Like, why would someone put their face out there so much? It's because those people reading magazines will go see the movie, so you do it.
But the real life of a writer resides in showing up at the keyboard every day, with the necessary patience and mercy, and making the best decisions you can on behalf of your people. It’s a slow process. It often feels hopeless, more like an affliction than an art form. Most of us will have to find our readers one by one, in other words, and against considerable resistance. If anything qualifies us as heroic, it’s that private perpetual struggle. Put down the magazine, soldier. Forget about the other guy. Remember who you are.
W.Z. Foster {head of the American Communist Party}, who had no money, went to Moscow and came back and announced that he was building a great secret machine to undermine the American labor movement and turn it over to the Red International, owned by Lenin. He began publication of an expensive magazine and proclaimed 'a thousand secret agents in a thousand communities.'
But if you pick up every other magazine, it is the peanut butter diet, or the cabbage soup diet, and then you go to the radio and you hear that you can drink some solution and you will lose weight overnight. It just does not work that way!
Sometime I'm going to do an essay called 'The Virtues of Amateurism' for all of those people who wish they earned their living in the arts. The market kills more artistic people than anything else. It's a world of safety out there, for most people. They want safety, the magazines and manufacturers give them safety, give them homogeneity, give them the familiar and comfortable, don't challenge them.
The writer has the advantage of a medium that can be contemplated many times over on the pages of a book or a magazine. The words lie on the page and the writer has an extended opportunity to imprint on his reader every meaning and nuance distilled from experience.
When we give up dieting, we take back something we were often too young to know we had given away: our own voice. Our ability to make decisions about what to eat and when. Our belief in ourselves. Our right to decide what goes into our mouths. Unlike the diets that appear monthly in magazines or the thermal pants that sweat off pounds, unlike a lover or a friend or a car, your body is reliable. It doesn't go away, get lost, stolen. If you will listen, it will speak.
My value as a woman is not measured by the size of my waist or the number of men who like me. My worth as a human being is measured on a higher scale: a scale of righteousness and piety. And my purpose in life-despite what fashion magazines say-is something more sublime than just looking good for men.
Do you know anything about fashion magazines? Being treated like superficial bimbos by men like you, and having to write about designer brands. Do you know what that feels like?
Any magazine editor will tell you, Colin Farrell still sells better than Colin Powell.
I would close down all those teenage magazines that encourage young girls to diet. Who says that to be pretty you have to be thin? Some people look better thin and some don't. There is almost a standard being created where only thin is acceptable. The influence of those magazines on girls as young as 13 is horrific.
Every video I'm in, every magazine cover, they stretch you - they make you perfect. It's not real life. I'm gonna say this about girls: The dieting wars have got to stop. Everyone just knock it off. Because at the end of the day, it's affecting kids your age. And it's making girls sick.
I appreciate that the New York Daily News will show dead bodies but blur the cover of a French parody magazine. Just out of respect, right guys?
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