What I like about Elvis is the same thing I like about James Brown, Michael Jackson, Prince. These guys, back in the day, there was no smoke and mirrors. It was just raw talent. They would step out onstage and command an audience.
What made so many people so upset when Steve Jobs died was that he was a kind of combination of daddy - in this relationship between the machine and ourselves - and also he was our guide. He was the one who led us to look into the mirror. He created these devices that became extensions of ourselves. Suddenly, he wasn't going to hold our hand as we went from product to product, which became increasingly about who we were.
While I've always been critical about this peddling of spiritual materialism, it wasn't until I went to Nepal that I came face-to-face with my own spiritual materialism. The thing is, Kathmandu is noisy, and dusty, and crowded, and everywhere you go you see these same Western yoga teachers, hashish-smoking backpackers, and fair-trade shop owners, all seeking the stalls filled with amazing Buddha statues, hand carved mirrors, beautiful yak scarves, and thangka paintings. And everyone is buying stuff!
Hold the mirror up to nature. Human behavior is worthy of examination and celebration.
Writing mirrors the interior self. You know, any book is like the perfect blueprint of the psyche of the author.
Mirror neurons make human empathy possible.
I had watched an episode of Black Mirror almost exactly a year prior to when I started shooting my episode. I was by myself in New Zealand, and my husband was like, "You have to see this show. It's so incredible."
I saw an episode - the second episode [of Black Mirror], "Fifteen Million Merits" - and I completely flipped out: "This is what my nightmares are made of. This is the most terrifying thing I've ever seen."
I was in South Africa, and Joe [Wright] asked the same exact question that you just asked: "Have you ever seen an episode of Black Mirror?" I went back and played the video for Joe. The episode that I did is called "Nosedive," and it was a year to the week from when I first watched it. It was just very bizarre, this very weird coincidence.
Joe [Wright] reached out to me and sent me a treatment, and I said yes on the spot just from the treatment. Within six weeks, I was in Cape Town and there was a script [of Black Mirror episode 'Nosedive'], but I didn't realize until I received the full script that Rashida [Jones] and Michael [Schur] had worked on it. It's a particularly funny episode. Joe and I always looked at it as a satire; it has a lot of comedic elements to it.
Later, I went one step further, by putting in some invented "historical" bits [into the Lincoln in the Bardo]. And reading those alongside the actual historical bits was like looking into a sort of a painful mirror, because "my" parts were so show-offy at first. They stood out because they were so flamboyant.
I see the ups and downs. I see the mistakes I've made. I see a funny person. I see a serious person. I see a diamond. I see the good times. I see the bad times. And I see knowledge of self. I see knowledge of self. I know who I am. When I look in the mirror, I see me.
If you want to understand what's going to happen, you can't look in the rearview mirror into the United States' history, because that's done now. You have to look out at the rest of the world and look at the history of the rest of the world, and what you'll see is demonstrations and counter-demonstrations are going to become the norm. We'll have a big march, then they'll have a big march, we'll have a big rally and they'll have a big rally. That will be one of the features. Again, a pro-regime and pro-opposition media system, that will become a feature.
The very idea of photography is as Oliver Wendell Holmes said in the 19th century, "it's a mirror with a memory."
The media should be a mirror of society, and the world is diverse. So I mean, why shouldn't the fashion industry be diverse? It's just so simple. To me it's ABC, you know? It should not even be explained. It should just be the way it is.
The Mirror has become an important antidote to a media that is, most of it, supportive of the establishment, some of it quite rabidly rightwing. The Mirror is breaking ranks, and that's good news.
Children's stories force logic upon the gruesome facts of our lives. They mirror our troubles and submit them to a chain of causality.
I think that in poetry personal experience is very important, but certainly it shouldn't be a kind of shut-box and mirror looking, narcissistic experience. I believe it should be relevant, and relevant to the larger things, the bigger things such as Hiroshima and Dachau and so on.
One of the first memories I have was watching Whoopi Goldberg perform her one-woman show on Broadway on HBO. She moved seamlessly through an array of spirited and soul-stirring characters, each one holding a mirror up to me and allowing me in many ways to see a reflection of myself on screen.
I remember reading an interview that Anthony Hopkins had given about how he developed Hannibal Lecter. He said he just looked in the mirror and, I forget exactly what it was, but he looked in the mirror and realized that when he smiled, it looked creepy.
I had the prosthetics on, and I went to my trailer, I looked in the mirror, and I smiled. And I was, like, "This is the character - everything she does is with a smile and a bit of glee and joy." And that's how I created Darla [from Buffy The Vampire Slayer]. Prior to that, I was, like, "I have no idea how to play this 400-year-old vampire from hell!".
A beard is something that is almost like a mirror to the viewer. When someone sees you wearing a beard, they're seeing something in their own imagination because it's still me whether I'm bearded or not.
In 88 poor countries for which we have data, in each and every one of the 88, the PPP for food shows that poor people can buy less food than you would expect from the PPP that the World Bank is using. The reason for this is obvious on reflection. It has to do with the fact that most foodstuffs are tradable commodities: basic foodstuffs, such as rice, flour and beans, can easily be conveyed across national borders and their prices will therefore roughly mirror the exchange rates among currencies.
The mirror of your health is your skin. If you drink, it shows in your face; if you eat the wrong foods, you have pimples. If you take care of your food and you lead a healthy life, your skin will look wonderful.
Film is just a mirror of the society we live in.
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