Modern Art Quotes - Page 3

• It was not very easy for a woman to impose herself as a modern artist in Germany… Most of our male colleagues continued for a long time to look upon us as charming and gifted amateurs, denying us implicitly any real professional status.

  Hannah Hoch

  Real, Artist, Long

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• I shall never forget what I saw at the Museum of Modern Art: in a spotless schoolroom, fifty little girls painting away at tables covered with brushes, pots, tubes, bowls, staring into space and sticking out their tongues like the clever animals that ring a bell, tongues lolling and eyes vague. Teachers supervise these young creators of abstract art and slap their wrists if what they paint represents something and dangerously inclines toward realism. The mothers - still at the Picasso stage - are not admitted.

  Jean Cocteau

  Girl, Mother, Teacher

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• I'd live in a museum if I could. I used to spend hours and hours in the Museum of Modern Art.

  Sylvester Stallone

  Art, Museums, Hours

  "New again: Sylvester Stallone". Interview with Pat Hackett, www.interviewmagazine.com. December 2, 2015.

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• The depths modern art has been exploring are mysterious depths, full of strange fish.

  Herbert Read

  Art, Depth, Strange

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• The painters have no copyright on modern art!... I believe in, and make no apologies for, photography: it is the most important graphic medium of our day. It does not have to be, indeed cannot be - compared to painting - it has different means and aims.

  Edward Weston

  Photography, Art, Believe

  Edward Weston (1971). “Edward Weston: The Flame of Recognition: His Photographs Accompanied by Excerpts from the Daybooks & Letters”

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• War is the highest form of modern art.

  Filippo Tommaso Marinetti

  Art, War, Modern

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• I cannot understand why some people try to write a history of photography that is separated from the history of modern art.

  Jean-Francois Chevrier

  Photography, Art, Writing

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• Were art to redeem man, it could do so only by saving him from the seriousness of life and restoring him to an unexpected boyishness. The symbol of art is seen again in the magic flute of the Great God Pan which makes the young goats frisk at the edge of the grove. All modern art begins to appear comprehensible and in a way great when it is interpreted as an attempt to instill youthfulness into an ancient world.

  Jose Ortega y Gasset

  Art, Men, Magic

  "The Dehumanization of Art and Ideas about the Novel". Book by José Ortega y Gasset. Chapter "Art a Thing of No Consequence", 1925.

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• I am perfectly convinced that whatever the gospels are they are not legends. I have read a great deal of legend and I am quite clear they are not that sort of thing....Christ bent down and scribbled in the dust with His finger. Nothing comes of this. No one has based any doctrine on it. And the act of inventing little irrelevant details to make an imaginary scene more convincing is purely a modern art.

  C. S. Lewis

  Art, Dust, Details

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• Museum of Modern Art doesn't have anything to do with what I do. Probably has made some differences in my sales, I wouldn't be surprised. Again, you have to ask other people, because I don't have a measuring device.

  Garry Winogrand

  Art, Differences, Museums

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• Modern art did not just happen. It came as a result of a deep reversal of spiritual values in the Age of Reason, a movement that in the course of a little more than two centuries changed the world.

  Hans Rookmaaker

  Spiritual, Art, Two

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• I love art, I collect mostly modern art.

  Alan Patricof

  Art, Modern

  "TechStar Interview: Alan Patricof". Interview with Bill Robinson, www.huffingtonpost.com. October 25, 2011.

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• Like many members of the uncultured, Cheez-It consuming public, I am not good at grasping modern art.

  Dave Barry

  Art, Modern, Grasping

  Dave Barry (2011). “Dave Barry Is Not Taking This Sitting Down”, p.20, Ballantine Books

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• Do you realize that people don't know how to read Kafka simply because they want to decipher him? Instead of letting themselves be carried away by his unequaled imagination, they look for allegories - and come up with nothing but clichés: life is absurd (or it is not absurd), God is beyond reach (or within reach), etc. You can understand nothing about art, particularly modern art, if you do not understand that imagination is a value in itself.

  Milan Kundera

  Art, People, Imagination

  "Writers at Work: The Paris Review Interviews, Series Seven". Book edited by George Plimpton, October 1, 1986.

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• I love to collect modern art.

  Maria Sharapova

  Art, Modern

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• Norwich is a fine city. None finer. If there is another city in the United Kingdom with a school of painters named after it, a matchless modern art gallery, a university with a reputation for literary excellence which can boast Booker Prize-winning alumni, one of the grandest Romanesque cathedrals in the world, and an extraordinary new state-of-the-art library then I have yet to hear of it.

  Stephen Fry

  Art, School, Winning

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• Primitivism has become the vulgar cliché of much modern art and speculation.

  Marshall McLuhan

  Art, Modern, Vulgar

  Marshall McLuhan (2011). “The Gutenberg Galaxy”, p.125, University of Toronto Press

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• I am quite certain in my heart of hearts that modern music and modern art is not a conspiracy, but is a form of truth and integrity for those who practise it honestly, decently and with all their being.

  Michael Tippett

  Art, Integrity, Conspiracy

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• I love movies to death. I spent my entire youth in front of a TV watching old movies and as soon as I was able to get a subway pass when I was 14 I joined the Museum of Modern Art and was there all weekend watching old movies.

  Amy Heckerling

  Art, Weekend, Museums

  Interview with Melissa Silverstein, www.indiewire.com. April 9, 2012.

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• I think one of the reasons movies are the quintessential modern art form is that it is partially a business. The director needs a crew - the writer, the producer, etcetera - and to have that, he needs money.

  Roger Corman

  Art, Thinking, Directors

  Source: www.interviewmagazine.com

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• Our universe cannot even be stated symbolically. And this touches us all more directly than one might suppose. For example, artists, who have been very little influenced by social systems, have always responded instinctively to latent assumptions about the shape of the universe. The incomprehensibility of our new cosmos seems to me, ultimately, to be the reason for the chaos of modern art.

  Kenneth Clark

  Art, Shapes, Littles

  "Civilisation" by Kenneth Clark, (Ch. 13), 1969.

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• Mission accomplished. The Museum of Modern Art's wide-open, tall-ceilinged, super-reinforced second floor was for all intents and purposes built to accommodate monumental installations and gigantic sculptures, should the need arise. It has arisen.

  Jerry Saltz

  Art, Museums, Needs

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• Perhaps there may come into my art also, no less than into my life, a still deeper note, one of greater unity of passion, and directness of impulse. Not width but intensity is the true aim of modern art. We are no longer in art concerned with the type. It is with the exception that we have to do. I cannot put my sufferings into any form they took, I need hardly say. Art only begins where Imitation ends, but something must come into my work, of fuller memory of words perhaps, of richer cadences, of more curious effects, of simpler architectural order, of some aesthetic quality at any rate.

  Oscar Wilde

  Art, Memories, Passion

  Oscar Wilde, General Press (2016). “The Complete Works of Oscar Wilde: Novel, Short Stories, Poetry, Essays and Plays”, p.731, GENERAL PRESS

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• I can pick out people in this city to follow. I can be in a show at the Museum of Modern Art, my space in the Museum of Modern Art is my mailbox, my mail is delivered there. Whenever I want mail, I have to go through this city to get my mail.

  Vito Acconci

  Art, Museums, Cities

  Interview with Shelley Jackson, believermag.com. January 1, 2007.

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• I grew up on a farm with only two TV channels. I didn't grow up around much culture. When I got excited about painting, I never really got further than what would have been in a modern art history textbook.

  Neil Farber

  Art, Growing Up, Two

  Source: www.believermag.com

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