The "pursuit of happiness" is responsible for a good part of the ills and miseries of the modern world.
[Georg Cantor was the first to prove that there could be a series of infinities; that infinities come in an infinite number of sizes.] Thus Cantor's Absolute is a perfect image for what we experience of God. When I speak of a Big Enough God I am not merely thinking of an Infinite God, but the God of infinities, the Absolute, which either chooses to reveal itself or remains veiled in mystery. Modern mathematics does begin to feel like the language that God talks.
Why is autobiography the most popular form of fiction for modern readers?
Well, he keeps saying that, and as defense secretary, of course he has to think of a lot of potential enemies. I do not think it's a wise course to articulate this or to base our policy on it. And I do not see under modern circumstances what we would be fighting about.
Above all, documentary must reflect the problems and realities of the present. It cannot regret the past; it is dangerous to prophesy the future. It can, and does, draw on the past in its use of existing heritages but it only does so to give point to a modern argument. In no sense is documentary a historical reconstruction and attempts to make it so are destined to failure. Rather it is contemporary fact and event expressed in relation to human associations.
The poor quality of Christian that grows out of our modern evangelistic meeting may be accounted for by the absence of real repentance accompanying the initial spiritual experience of the converts. And the absence of repentance is the result of an inadequate view of sin and sinfulness held by those who present themselves in the inquiry room.
It is because modern education is so seldom inspired by a great hope that it so seldom achieves great results.
Neither the Church nor modern public opinion condemns petting, provided it stops short at a certain point.
Television is such a staple of modern society that for most voters, it's not real unless it's on the tube.
After listening to modern tirades against the great creeds of the Church, one receives a shock when one turns to the Westminster Confession... and discovers that in doing so one has turned from shallow modern phrases to a "dead orthodoxy" that is pulsating with life in every word. In such orthodoxy there is life enough to set the whole world aglow with Christian love.
Modern problems proliferate and remain unsolved because we spend so much time trying to deal with societal and world problems without first dealing with family and community problems. If we organized for normal families and communities - if these two groups provided the functions they are designed for - world problems would diminish and fade out in two or three generations.
Most writers flinch at the thought of being completely honest about themselves. So absolute honesty is what marks the true modern.
We are not a warlike people. Nor is our history filled with tales of aggressive adventures and imperialism, which might come as a shock to some of the placard painters in our modern demonstrations. The lesson of Vietnam, I think, should be that never again will young Americans be asked to fight and possibly die for a cause unless that cause is so meaningful that we, as a nation, pledge our full resources to achieve victory as quickly as possible.
Music is neither old nor modern: it is either good or bad music, and the date at which it was written has no significance whatever. Dates and periods are of interest only to the student of musical history. . . . All old music was modern once, and much more of the music of yesterday already sounds more old-fashioned than works which were written three centuries ago. All good music, whatever its date, is ageless - as alive and significant today as it was when it was written
Into the cultural and technological system of the modern world, the patriotic spirit fits like dust in the eyes and sand in the bearings. Its net contribution to the outcome is obscuration, distrust, and retardation at every point where it touches the fortunes of modern mankind.
Superficial observers have long criticized the United States for making a fetish of youth. This is unfair. Uniquely among modern organs of public and private administration, its national legislature rewards senility.
Ancient history has an air of antiquity. It should be more modern. It is written as if the specator should be thinking of the backside of the picture on the wall, or as if the author expected that the dead would be his readers, and wished to detail to them their own experience.
The first typical adolescent of modern times was Wagner's Siegfried. : the music of Siegfried expressed for the first time that combination of (provisional) purity, physical strength, naturism, spontaneity and joie de vivre which was to make the adolescent the hero of our twentieth century, the century of adolescence.
I read "Pride and Prejudice" [by Jane Austen]. I was gobsmacked by it - it's so funny and so modern. Unbelievable. You don't expect funny to come through after 200 years - humor doesn't transcend decades, let alone centuries.
You just wait and see. The lily-livered b*stards in Washington will demobilize. They'll say they've made the world safe for democracy again. The Russians are not such d*mned fools. They'll rebuild; and with modern weapons.
Chaykin's Shadow is a modern legend at his best.
The point is that for our ancestors, the universe was a picture; for modern physics it is a story.
Modern pictures banish depiction for interfering with the workings of paint.
Modern stupidity means not ignorance but the nonthought of received ideas
The most heartbreakingly poignant modern love story ever written.
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