Modern Art is being used to index me. Surely it was a source but photographers have influenced Modern Art quite as deeply as they have been influenced, maybe more. Anyway painters don't have a copyright on M. A. We were all born in the same upheaval.
Conservatism is itself a modernism, and in this lies the secret of its success.
Science fiction is the characteristic literary genre of the century. It is the genre that stands in opposition to literary modernism.
Modernism probably wouldn't have happened without lesbians in Paris.
Modern pictures banish depiction for interfering with the workings of paint.
Forget [Le Corbusier ]. Forget Modernism. Forget yesterdays' tomorrow.
Builders eventually took advantage of the look of modernism to build cheaply and carelessly.
A lot of modernism does seem to come out of a fear of being thought an ordinary storyteller. So they tell it backwards and they tell it in the present tense and they cut loose the pages and shuffle them around - all that kind of stuff.
Modernism has a reputation for being a forbidding phenomenon: its visual arts disconcertingly non-representational, its literary efforts devoid of the consolations of plot and character - even its films, it's argued, fall well short of that true desideratum: entertainment.
In modern life nothing produces such an effect as a good platitude. It makes the whole world kin.
Modernism, rebelling against the ornament of the 19th century, limited the vocabulary of the designer. Modernism emphasized straight lines, eliminating the expressive S curve. This made it harder to communicate emotions through design.
It takes a kind of shabby arrogance to survive in our time, and a fairly romantic nature to want to.
Modernity is the transient, the fleeting, the contingent; it is one half of art, the other being the eternal and the immovable.
The first effect of modernism was to make high culture difficult: to surround beauty with a wall of erudition.
Modernism in architecture went hand in hand with socialist and fascist projects to rid old Europe of its hierarchical past
Modernism in other arts brought extreme difficulty. In poetry, the characteristic difficulty imported under the name of modernism was obscurity. But obscurity could just as easily be a quality of metrical as of free verse.
One of the most feared expressions in modern times is 'The computer is down.'
The voice is raised, and that is where poetry begins. And even today, in the prolonged aftermath of modernism, in places where "open form" or free verse is the orthodoxy, you will find a memory of that raising of the voice in the term "heightened speech".
In the society of men the truth resides now less in what things are than in what they are not.
People say modernism killed poetry for them: it doesn't rhyme, it doesn't touch a popular musical oral tradition. Years ago, you memorized and read poetry; it was one of the things you were forced to learn. Now it has tiny role in school.
In translation studies we talk about domestication - translation styles that make something familiar - or estrangement - translation styles that make something radically different. I use a lot of both in my translation, and modernism does both. For instance, if you look at the way James Joyce presents Ulysses, is that domesticating a classic? Think of it as an experiment in relation to a well-known text in another language.
Nothing is so dangerous as being too modern; one is apt to grow old fashioned quite suddenly.
It is obvious that all sense has gone out of modern marriage; which is, however, no objection to marriage but to modernity.
American time has stretched around the world. It has become the dominant tempo of modern history, especially of the history of Europe.
The life-fate of the modern individual depends not only upon the family into which he was born or which he enters by marriage, but increasingly upon the corporation in which he spends the most alert hours of his best years.
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